Libros Latin@s: Surviving Santiago


23013839By Cindy L. Rodriguez

DESCRIPTION OF THE BOOK: Returning to her homeland of Santiago, Chile, is the last thing that Tina Aguilar wants to do during the summer of her sixteenth birthday. It has taken eight years for her to feel comfort and security in America with her mother and her new husband. And it has been eight years since she has last seen her father.

Despite insisting on the visit, Tina’s father spends all his time focused on politics and alcohol rather than connecting with Tina, making his betrayal from the past continue into the present. Tina attracts the attention of a mysterious stranger, but the hairpin turns he takes her on may push her over the edge of truth and discovery.

The tense, final months of the Pinochet regime in 1989 provide the backdrop for author Lyn Miller-Lachmann’s suspenseful tale of the survival and redemption of the Aguilar family, first introduced in the critically acclaimed Gringolandia.

MY TWO CENTS: As part of her parents’ divorce agreement, Tina Aguilar must travel from Madison, Wisconsin to Santiago, Chile, to spend the summer with her father, Marcelo, a leader of the democracy movement who was previously imprisoned and tortured by the government. The experience left him with permanent physical disabilities. He is also suicidal and an alcoholic.

At first, Tina’s summer is uneventful. She stays mostly in the house with her aunt and father, who barely pays attention to her. She decides she wants to go home early, but then she meets Frankie, a motorcycle delivery boy who gives her plenty of swoony reasons to stay in Chile. Tina and Frankie fall in love, but later–without giving too much away–she discovers he can’t be trusted and that she and her father’s lives are in danger.

Lyn Miller-Lachman does a beautiful job with creating a multi-layered narrative. The romance, family drama, and political intrigue are woven together seamlessly and each of the characters are fully developed. Because of Miller-Lachman’s extensive research and personal travel experiences, the descriptions of Chile are vivid. She captures both the physical landscape and the tense emotional atmosphere during the last months of the Pinochet regime.

One thing I especially appreciated was that Miller-Lachman allows the story to unfold. In other words, I have read so many young adult novels that literally start with a bang, following the “drop the reader right into the action” formula, that reading a narrative that didn’t start this way was a relief. I got to know Tina at home in Wisconsin before she started her journey, which allowed me to connect and sympathize with her before her struggles began.

TEACHING TIPS: This novel would obviously work well in an English classroom if the focus is historical fiction, stories from Latin America, and/or themes about survival or relationships in times of political strife. Surviving Santiago would also work well in cross-curricular way, with students analyzing it as literature in English class and then discussing the historical and political aspects in history class. Teachers could also use it as an option during literature circles with a focus on multi-generational or bicultural experiences. Surviving Santiago could be one of several books offered to students in which the protagonist has to return to her homeland or a parent’s homeland, which allows the main character the opportunity to reconnect with their culture or experience it for the first time.

An image posted by the author.ABOUT THE AUTHOR (from her website): I grew up in Houston, Texas but left at age 18 to attend Princeton University, where I met my husband, Richard Lachmann. After living in Connecticut, Wisconsin, upstate New York, and Lisbon, Portugal, we recently settled in New York City. We have two children, Derrick and Maddy Lachmann.

I received my Masters in Library and Information Science from the University of Wisconsin, Madison and edited the journal MultiCultural Review for 16 years. In 2012, I received my Masters in Fine Arts in Writing for Children and Young Adults from Vermont College of Fine Arts.

I love teaching as much as writing and have taught both middle and high school English, social studies, and Jewish studies. Before moving to New York City, I taught American Jewish History to seventh graders at Congregation Gates of Heaven in Schenectady, New York and ran a playwriting elective for fourth to seventh graders.

I have lots of different hobbies because I love trying new things. In 2007, I became the assistant host of “Los Vientos del Pueblo” a bilingual program of Latin American and Spanish music, poetry, and history that currently airs on WRPI-FM, the radio station of Rensselaer Polytechnic Institute, on Sundays from 2-6 pm ET. I have also built a LEGO town, Little Brick Township, and create stories with my minifigures that I photograph and post on Instagram and my blog.

My husband and I enjoying traveling around the world. If I put a pin on a map for every place I’ve been, the map would have lots of pins. I’ve always wondered what it would be like to live in another place and time, and that’s one of the reasons I write historical fiction.

Lyn Miller-Lachman is also the author of Gringolandia and Rogue and the editor of Once Upon a Cuento, an anthology of short stories by contemporary Latin@ writers. She is also a team member for We Need Diverse Books.

FOR MORE INFORMATION about Surviving Santiago, check your local public library, your local bookstore or IndieBound. Also, check out GoodreadsAmazon, and Barnes & Noble.

Libros Latin@s: Signal to Noise


22609306By Eileen Fontenot

DESCRIPTION FROM THE PUBLISHER A literary fantasy about love, music and sorcery, set against the background of Mexico City.

Mexico City, 1988: Long before iTunes or MP3s, you said “I love you” with a mixtape. Meche, awkward and fifteen, has two equally unhip friends — Sebastian and Daniela — and a whole lot of vinyl records to keep her company. When she discovers how to cast spells using music, the future looks brighter for the trio. With help from this newfound magic, the three friends will piece together their broken families, change their status as non-entities, and maybe even find love…

Mexico City, 2009: Two decades after abandoning the metropolis, Meche returns for her estranged father’s funeral. It’s hard enough to cope with her family, but then she runs into Sebastian, and it revives memories from her childhood she thought she buried a long time ago. What really happened back then? What precipitated the bitter falling out with her father? And, is there any magic left?

MY TWO CENTS: This is an intimate tale that, while telling us both the story of teenage Meche and how she has grown up – and not – in the intervening 20 years, has its foundations in a pure coming-of-age romance.

Teens today should be able to relate to 15-year-old Meche, who is equal parts charismatic and surly. Growing up in Mexico City in the 1980s with an alcoholic father and an overbearing mother, she protects herself from the indignities of teenagehood in the earphones of her Walkman. (For those born after the 1980s, Walkmans are the precursors to our wonderful digital devices that can sync up with iTunes.) One day, she discovers that the power of her records can make magic–literal magic, just like her grandma, Mama Dolores says exists.

She convinces her best pals, Sebastian, a literature-loving pseudo-punk, and Daniela, who dresses all in pink and still has a soft spot for her Barbie collection, to help her use magic to meddle in romantic matters and take revenge on those who wrong her and her friends. Classic rock beloved by her father and artists like Miguel Bose and Duncan Dhu spur on her magic, which becomes dangerous as she gets deeper and deeper. Until the bonds between her and those closest to her are stretched to the utmost limit.

We hop back and forth in time from the ‘80s to 2009, when Meche, a successful professional living abroad, returns to Mexico City for her father’s funeral. We find out that they’ve been estranged, which is a surprise, since we know how much Meche’s father (through passages in his book in his point of view) adored her. Much as she did as a teen, adult Meche feels out of place in her old neighborhood. Will she find a place for her in her old neighborhood or is the magic gone forever? Sebastian may have something to say about that.

TEACHING TIPS: Much like the books that have won Alex Awards, Signal to Noise has appeal for both teens and adults. The universal themes of alienation and parental discord are emotions that anyone of any age can relate to. Modern teens may find themselves fascinated by the description of life in Mexico City nearly 30 years ago and discover it’s not so different from their lives today. Teens in local book clubs could compare and contrast how they think teens in the ‘80s would have communicated with their friends (with no fancy technology, horror!) or completed homework assignments (studying honest-to-God paper books at the library, anyone?). A fun craft that librarians could work into a book club discussion is decorating T-shirts with neon puffy paint or stylishly shredding an old pair of jeans. I know of several people who still have records (and one public library as well), so perhaps an old-fashioned listening party is in order?

Book club facilitators could also prompt teens to imagine what their lives will be like in 20+ years. What sort of technology may we see in 2035? What sort of social progress may we have made, if you’d like a deeper discussion? What sort of things have their parents seen happen in the past few decades that seems like no-brainers to youth of today. (Gay marriage and women’s rights come to mind. However, groups may want to explore how much advancement we’ve made regarding racial equality in light of the recent Charleston shooting and the events of Baltimore and Ferguson.)

S_Moreno_20150516_0492_print-1020x1530AUTHOR (DESCRIPTION FROM HER WEBSITE): Mexican by birth, Canadian by inclination. Silvia Moreno-Garcia‘s debut novel, Signal to Noise, about music, magic and Mexico City, was released in 2015 by Solaris. Silvia’s first collection, This Strange Way of Dying, was released in 2013 and was a finalist for The Sunburst Award for Excellence in Canadian Literature of the Fantastic. Her stories have also been collected in Love & Other Poisons. She has co-edited the anthologies Sword & Mythos, Historical Lovecraft, Future Lovecraft, Candle in the Attic Window and Fungi. Dead North and Fractured are her solo anthologies. Silvia is the publisher of Innsmouth Free Press, a Canadian micro-publishing venture specializing in horror and dark speculative fiction.


FOR MORE INFORMATION ABOUT Signal to Noise visit your local public library, your local bookstore or IndieBound. Also, check out GoodreadsAmazon, and Barnes & Noble.


Eileenfontenot headshot Fontenot is a recent graduate of Simmons College Graduate School of Library and Information Science in Boston. She works at a public library and is interested in community service and working toward social justice. A sci-fi/fantasy fan, Eileen was formerly a newspaper writer and editor.


Latino Intl

The 2015 International Latino Book Awards Winners!

Below are the first place winners of the 17th Annual International Latino Book Awards in the children’s, youth, and young adult categories. If you click on the images, you will be taken to Indiebound, Amazon, or Barnes and Noble for more information. The Awards are produced by Latino Literacy Now, an organization co-founded by Edward James Olmos and Kirk Whisler, and co-presented by Las Comadres para las Americas and Reforma, the National Association to Promote Library and Information Services to Latinos. The Awards were announced this past weekend, in San Francisco as part of the ALA Conference. For the complete list, which includes adult fiction, nonfiction, and second place and honorable mention winners, click hereCONGRATULATIONS TO ALL OF THE WINNERS!!

Best Latino Focused Children’s Picture Book: English


Best Latino Focused Children’s Picture Book: Spanish or Bilingual


Best Children’s Fiction Picture Book: English

20759593  18106361

Best Children’s Fiction Picture Book: Bilingual


Best Children’s Fiction Picture Book: Spanish


Best Children’s Nonfiction Picture Book: English


Best Children’s Nonfiction Picture Book: Spanish or Bilingual

Best Educational Children’s Picture Book: English


Best Educational Children’s Picture Book: Bilingual


Best Educational Children’s Picture Book: Spanish

Most Inspirational Children’s Picture Book: English


Most inspirational Children’s Picture Book: Spanish or Bilingual


Best Youth Latino Focused Chapter Book


Best Youth Chapter Fiction Book


Best Educational Youth Chapter Book

Most Inspirational Youth Chapter Book


Best Young Adult Latino Focused Book: English


Best Young Adult Latino Focused Book: Spanish or Bilingual

 Micaela, Adalucía, Cholita Prints and Publishing Company

Best Young Adult Fiction Book: English


Best Young Adult Fiction Book: Spanish or Bilingual

 Micaela, Adalucía, Cholita Prints and Publishing Company

Best Young Adult Nonfiction Book

Best Educational Young Adult Book

 Micaela, Adalucía, Cholita Prints and Publishing Company

Most Inspirational Young Adult Book

The Sparrow and The Frog

Best Book Written by a Youth

Best Children’s Picture Book Translation: Spanish to English

Best Children’s Picture Book Translation: English to Spanish

Best First Book: Children’s and Youth: English


Best First Book: Children’s and Youth: Spanish or Bilingual

Libros Latin@s: Shadowshaper


22295304By Cecilia Cackley

DESCRIPTION: (from Goodreads): Sierra Santiago was looking forward to a fun summer of making art, hanging out with her friends, and skating around Brooklyn. But then a weird zombie guy crashes the first party of the season. Sierra’s near-comatose abuelo begins to say “No importa” over and over. And when the graffiti murals in Bed-Stuy start to weep…. Well, something stranger than the usual New York mayhem is going on.

Sierra soon discovers a supernatural order called the Shadowshapers, who connect with spirits via paintings, music, and stories. Her grandfather once shared the order’s secrets with an anthropologist, Dr. Jonathan Wick, who turned the Caribbean magic to his own foul ends. Now Wick wants to become the ultimate Shadowshaper by killing all the others, one by one. With the help of her friends and the hot graffiti artist Robbie, Sierra must dodge Wick’s supernatural creations, harness her own Shadowshaping abilities, and save her family’s past, present, and future. Shadowshaper releases June 30, 2015.

MY TWO CENTS: Sierra Santiago is one of my new favorite heroines. She makes plans and follows through, is clear-eyed about the shortcomings of people she loves and takes charge with attitude. As Sierra follows her grandfather’s direction to find Robbie and fix the murals in her neighborhood, more and more secrets keep coming to light and she discovers an entire spirit world that has been hidden to her, but to which she is strongly connected. Older weaves in many great discussion points among the action and supernatural fighting, including colorism, gender expectations, ethics (or lack thereof) in anthropology and handling difficult family members. The Brooklyn setting and Sierra’s group of friends add realism and humor to the story, making this fresh, exciting adventure a must read for YA fans.

TEACHING TIPS: There are many different ways this title could fit into the classroom. The themes of appropriation and anthropology would fit nicely into a history or sociology classroom. Librarians will want to recommend this to teens who love fantasy or adventure stories with urban settings. Art teachers could also add this title to a list of books involving murals and large scale public art projects, as well as discuss the tradition of honoring the dead in art or have students design their own murals.

ABOUT THE AUTHOR: Daniel José Older is the author of the Bone Street Rumba urban fantasy series, which began in January 2015 with Half-Resurrection Blues from Penguin’s Roc imprint. Publishers Weekly hailed him as a “rising star of the genre” after the publication of his debut ghost noir collection, Salsa Nocturna. He co-edited the anthology Long Hidden: Speculative Fiction from the Margins of History and guest edited the music issue of Crossed Genres. His short stories and essays have appeared in, Salon, BuzzFeed, the New Haven Review, PANK, Apex and Strange Horizons and the anthologies Subversion and Mothership: Tales Of Afrofuturism And Beyond. Daniel’s band Ghost Star gigs regularly around New York and he facilitates workshops on storytelling from an anti-oppressive power analysis. You can find his thoughts on writing, read dispatches from his decade-long career as a NYC paramedic and hear his music at and @djolder on twitter.


Interview from Source Latino:

Review from Debbie Reese about overlap with Indigenous history:

Interview from School Library Journal:

Interview from The Rumpus:

FOR MORE INFORMATION ABOUT Shadowshaper, visit your local library or bookstore. Also, check out WorldCat.orgIndieBound.orgGoodreadsAmazon, and Barnes & Noble.


Cackley_headshotCecilia Cackley is a performing artist and children’s bookseller based in Washington DC where she creates puppet theater for adults and teaches playwriting and creative drama to children. Her bilingual children’s plays have been produced by GALA Hispanic Theatre and her interests in bilingual education, literacy, and immigrant advocacy all tend to find their way into her theatrical work. You can find more of her work at

Libros Latin@s: Zack Delacruz: Me and My Big Mouth


24612691By Cecilia Cackley 

DESCRIPTION (from Goodreads): Zack Delacruz is unnoticed at his middle school—and that’s just the way he likes it. But a school assembly, a typhoon of spit, and an uncharacteristic moment of bravery are all it takes to change everything. Suddenly Zack is in charge of the class fundraiser. Worse, his partner is the school’s biggest bully! If they don’t sell all the chocolate bars, there will be no dance for the sixth grade.  Zack never wanted to be a hero, but with his classmates’ hopes on the line, can he save the day? Zack Delacruz: Me and My Big Mouth releases August 14, 2015.

MY TWO CENTS: This is a light, fun read for kids who are curious about middle school and looking for something along the same lines as Diary of a Wimpy Kid, but without pictures. Zack is your typical “don’t bother me, I’m invisible” kid until a chain of events has him organizing a class fundraiser and trying to solve all the problems that come with it. The bullying part of the story is actually pretty minimal and the side characters fit easily into stock school types, nicknames and all. The supportive adults in the story (particularly Zack’s dad) smooth the way when necessary, but the fun part of the book is the building of cooperation between Zack and his classmates and watching him tackle every new disaster that hits.

TEACHING TIPS: This is probably best for elementary readers and could make a nice classroom read aloud. It could also work as a literature circle book, with discussions about the choices characters make and how their perceptions of each other change over the course of the book. There are math connections to be made with the fundraiser aspect and plenty of kids will see themselves reflected in Zack and his challenges.

ABOUT THE AUTHOR: Jeff Anderson has been sharing writing strategies with teachers and students for over 25 years. Whether presenting at national conferences like NCTE, ASCD, or in classrooms or writing his books for teachers or middle grade readers, Jeff’s passion for writing and grammar inspires teachers and young writers to soar. When he’s not writing with his “revising” dogs at home near downtown San Antonio, Texas, he’s walking, talking, or doing staff development around the US (and sometimes New Zealand).


An interview with Jeff Anderson:

A blog post on the process of writing the book:

FOR MORE INFORMATION ABOUT Zack Delacruz: Me and My Big Mouth, visit your local library or bookstore. Also, check out WorldCat.orgIndieBound.orgGoodreadsAmazon, and Barnes & Noble.


Cackley_headshotCecilia Cackley is a performing artist and children’s bookseller based in Washington DC where she creates puppet theater for adults and teaches playwriting and creative drama to children. Her bilingual children’s plays have been produced by GALA Hispanic Theatre and her interests in bilingual education, literacy, and immigrant advocacy all tend to find their way into her theatrical work. You can find more of her work at

Your 80s Were Not My 80s: Author Sofia Quintero on Race, Class, Place & Hip-Hop in YA Historical Fiction


23395349By Sofia Quintero

Almost immediately after finishing the last round of copyedits on Show and Prove did I find something that conjured my biggest fears about writing a novel set in the 1980s.

I discovered a blog post by a librarian expressing fatigue with the trend in young adult fiction about the 80s. She named a legitimate concern that haunted me throughout the writing of Show and Prove. Was setting the story in that decade integral to its telling or were the 80s just a hook driven by my personal nostalgia?

It’d be dishonest to deny that nostalgia had a role in my writing this novel. Maybe Show and Prove didn’t have to be set in the 80s to tell the stories of Smiles, Nike, Cookie and Sara.

But then I realized, so what?

With the overwhelming majority of young adult fiction set in the 80s centering on white, middle-class and/or suburban experiences, the coming of age of Generation X warrants literary treatment. In fact, those of us who grew up in that decade Black and Brown, low-income or working-class, and/or urban especially in New York City, have stories that contain an imperative richness. Not only do they offer the universal experiences of adolescence that transcends race, class, and place, they also address the important socio-political questions made necessary by the specifics of race, class, and place that we should care about.

In other words, your 80s were my 80s, my 80s were my 80s, but your 80s were not my 80s, and that is precisely why you need to engage my story as much as I need to tell it. When you belong to a community whose cultural productions are constantly devalued until deemed commodifiable, at which point they’re appropriated and your authorship erased, no attempt at historical fiction is gimmicky. It’s resistance.

Krush Groove (1985) PosterThe Smiles and Saras that I grew up with in the South Bronx saw and loved The Breakfast Club and Say Anything. Those movies played in the ‘hood with no doubt that we would relate to them, for white characters to this day are held as the purveyors of universality. But before the solidification of hip-hop as a mainstream commodity, how many white kids got the chance to watch Krush Groove or Beat Street at their local theater?

Not only did we participate in mainstream 80s pop culture, through our creation of hip-hop, we ultimately produced one of the decade’s most enduring phenomenon. Millions of youth across the globe have no concept of life without commercial hip-hop. Moreover, they keep it alive with no knowledge of the oppressive social conditions under which we created it over four decades ago.

Because we experienced the same hopes and anxieties that mark adolescence, young people of any background can connect to a story such as Show and Prove. However, we also had more at stake. We grew up beneath the twin epidemics of HIV/AIDS and crack. Instead of gentrification, we had racist landlords who paid addicts to commit arson, burning our families out of their homes to collect the insurance. If our parents or caretakers were employed, they were likely civil servants having their unions threatened if not crushed.

But if you grew up in the Bronx-is-burning Bronx, you remember something other than the drugs, the garbage, and the gangs. You remember all the colors, the rhythms, the aromas of that time, and some of them were quite beautiful. Innocence and innovation still lived here in underground trains, behind freshly tagged walls, and within the grooves of scratchy cassette tapes. Shootouts didn’t stop us from playing stoop ball.

Amidst all this socio-economic abandonment and oppression, we exhibited tremendous creativity and resilience, and you and your kids should know all about it. In historical fiction for young adults, the decade should be relevant to the story, but when the characters are teens of color in New York City and the decade is the 80s, there is no such thing as irrelevant unless you don’t care about race or class. The street culture we created despite the social, economic, and political hand we were dealt has evolved into a multibillion dollar industry and, at its best, gives voice, comfort, and inspiration to kids and adults worldwide.

Regardless of what you think of the current state of commercial hip-hop, its history deserves preservation in young adult literature since the youth of that time who invented it were not supposed to even survive.

That one fact alone is all the relevance we need.


Sofia QuinteroSofia Quintero has a BA in history-sociology and an MPA from Columbia University. She began her career as a policy analyst and advocate, working for various nonprofit organizations and government agencies, including the Vera Institute of Justice, Hispanic AIDS Forum, and the New York City Independent Budget Office. After years of working on diverse policy issues, however, she heeded her muse to pursue an entertainment career.

Sofia wrote her debut novel Explicit Content under the pen name Black Artemis. Since then, she has authored four more novels and almost twice as many short stories and novellas including her award-winning young adult debut Efrain’s Secret (Knopf 2010.)

She recently earned an MFA in writing and producing TV at the TV Writers Studio of Long Island University and contributed to the children’s anthology What You Wish For, the proceeds of which go to build libraries for Darfuri children in Chad. Her journalistic writings have been published in Urban Latino, New York Post, Ms., Cosmopolitan for Latinas and El Diario/La Prensa.

Show and Prove releases July 14, 2015. Click here to read our recent review of the novel.