Book Review: Zombies Don’t Eat Veggies by Megan Lacera and Jorge Lacera

 

Review by Mimi Rankin

9781620147948

DESCRIPTION OF THE BOOK: Mo Romero is a zombie who loves nothing more than growing, cooking, and eating vegetables. Tomatoes? Tantalizing. Peppers? Pure perfection! The problem? Mo’s parents insist that their niño eat only zombie cuisine, like arm-panadas and finger foods. They tell Mo over and over that zombies don’t eat veggies. But Mo can’t imagine a lifetime of just eating zombie food and giving up his veggies. As he questions his own zombie identity, Mo tries his best to convince his parents to give peas a chance.

Super duo Megan and Jorge Lacera make their picture-book debut with this sweet story about family, self-discovery, and the power of acceptance. It’s a delectable tale that zombie and nonzombie fans alike will devour.

MY TWO CENTS: This is a fun, silly, and wonderful book about familial acceptance as well as self-acceptance.

Mo Romero is a zombie who comes from a big, wonderful, brain-eating, human-scaring zombie family. His doting parents hope that he will follow in their slow-dragging footsteps by loving comidas de los zombis, like arm-panadas and arroz con spleens. However, Mo has a deep secret scarier than anything on The Walking Dead—he LOVES vegetables!

This book brings up a great conversation about “default” race and ethnicity in literature. Zombies are not monolithic and depending on which canon of origin you adhere to, let’s assume that Zombies are dead humans who have come back to life to eat your brains. Wouldn’t that imply that Latinx zombies exist? Even within fantasy and horror, is society defaulting to white? According to the illustrations in the Laceras’ work, these Latinx zombies are not bound by any particular race as they all have various hues of green skin.

With subtle touches of Spanish (in italics) in this version published in English, the true crux of this story is acceptance within families. Mo desperately wants for his parents to accept that he loves vegetables. He begs and begs to eat veggies, but his parents echo the refrain, “Zombies DON’T eat veggies!” The text goes on to read, “His parents wanted him to accept who he was—a zombie.” As this declaration sets in, Mo struggles to understand his own identity in the light of his parents’ expectations as the text reads, “Mo started to wonder if maybe he wasn’t a zombie after all.” This constant restriction on identity and all the assumptions and implications that go with it contribute to a really great conversation on our own expectations of identity. What is inherent to being “Latinx?” There is a massive range of qualities about ourselves that may make us feel like outsiders in our own families, Latinx or otherwise. In such a beautifully diverse claim of ethnicity, why should there be one definition of Latinx?

In the end, Mo decides to stick up for himself and remind his parents that he is still a zombie and still their niño. This fun and gorgeous story on the importance of family is sure to open up conversations about children’s individual identities.

Check out the book trailer below!

 

Image result for megan laceraABOUT THE AUTHORS & ILLUSTRATORMegan Lacera grew up in the suburbs of Cleveland, Ohio, with a book always in her hands. She became a writer and creator of characters and worlds for entertainment companies, and later formed her own creative company with husband Jorge Lacera. After reading many stories to their son, Megan realized that very few books reflected a family like theirs–multicultural, bilingual, funny, and imperfect. She decided to change that by writing her own stories for publishing, animation, and film. You can learn more about Megan and Studio Lacera at studiolacera.com.

Jorge Lacera was born in Colombia, and grew up in Miami, Florida, drawing in sketchbooks, on napkins, on walls, and anywhere his parents would let him. After graduating with honors from Ringling College of Art and Design, Jorge worked as a visual development and concept artist. As a big fan of pop culture, comics, and zombie movies, Jorge rarely saw Latino kids as the heroes or leads. He is committed to changing that, especially now that he has a son. The family lives in Cypress, Texas. You can find him online at studiolacera.com.

 

 

file-2ABOUT THE REVIEWER: Mimi Rankin received her Master’s Degree with distinction in Children’s Literature from the University of Reading. Her thesis, on which she received a rating of First, centered around claims to cultural authenticity and representation in Hispanic Children’s Literature. She currently works in the publishing industry as a marketing manager for over 20 international children’s publishers. Her reviews do not reflect the opinions of her employer or clients. She currently lives in Nashville, Tennessee.

Book Review: Charlie Hernández and the League of Shadows by Ryan Calejo

 

Reviewed by Jessica Walsh

DESCRIPTION FROM THE PUBLISHERCharlie Hernández has always been proud of his Latin American heritage. He loves the culture, the art, and especially the myths. Thanks to his abuela’s stories, Charlie possesses an almost encyclopedic knowledge of the monsters and ghouls who have spent the last five hundred years haunting the imaginations of children all across the Iberian Peninsula, as well as Central and South America. And even though his grandmother sometimes hinted that the tales might be more than mere myth, Charlie’s always been a pragmatist. Even barely out of diapers, he knew the stories were just make-believe—nothing more than intricately woven fables meant to keep little kids from misbehaving.

But when Charlie begins to experience freaky bodily manifestations—ones all too similar to those described by his grandma in his favorite legend—he is suddenly swept up in a world where the mythical beings he’s spent his entire life hearing about seem to be walking straight out of the pages of Hispanic folklore and into his life. And even stranger, they seem to know more about him than he knows about himself.

Soon, Charlie finds himself in the middle of an ancient battle between La Liga, a secret society of legendary mythological beings sworn to protect the Land of the Living, and La Mano Negra (a.k.a. the Black Hand), a cabal of evil spirits determined to rule mankind. With only the help of his lifelong crush, Violet Rey, and his grandmother’s stories to guide him, Charlie must navigate a world where monsters and brujas rule and things he couldn’t possibly imagine go bump in the night. That is, if he has any hope of discovering what’s happening to him and saving his missing parents (oh, and maybe even the world).

No pressure, muchacho.

MY TWO CENTS“Myths, my abuela used to say, are truths long forgotten by the world.”

Mythological figures are as real as anything in Charlie Hernández and the League of Shadows. This debut middle grade from Ryan Calejo takes readers both familiar and unfamiliar with Latin American mythology (and everywhere in between) on a crash course of myths from all over the Spanish-speaking world.

Charlie is in middle school, where standing out for any reason can make you a target. When Charlie suddenly sprouts horns (which go away) and feathers (which keep growing back) soon after his parents disappear, Charlie knows he has to try to stay under the radar. One school bully targets Charlie for being born in Puebla, Mexico. That same bully jokes about Charlie’s parents being deported because news has spread that they have been missing for two months. Surprising everyone, including Charlie, popular girl Violet Rey stands up to the bully in defense of Charlie when the bully tries to steal a locket left behind by his mother. “No sweat. I can’t stand racists or bullies — and especially not racist bullies.” With Violet’s help, Charlie discovers a map inside the locket that matches the layout of an old cemetery in town.

While investigating the cemetery with hopes of finding clues to his parents’ whereabouts, Charlie and Violet encounter the first of many mythical figures — a mysterious groundskeeper who is actually a calaca, a walking, talking skeleton who tries to kill them! But Charlie uses knowledge his abuela gave him about Juancho Ramirez, who had cheated Death, a calaca in the fable. Juancho knew calacas were traders by nature and loved trinkets, in particular, which could be bartered to save your life. The calaca/groundskeeper wants to trade Charlie for his map, and on closer inspection, tells Charlie it is an ancient map handsketched by la Calavera Catrina. The map shows the way to the world between worlds. The calaca/groundskeeper confirms that all Hispanic myths are real. The calaca’s explanation is that “the landmasses currently known as Central America, South America, and the Iberian Peninsula are closer in metaphysical proximity to the spirit realm than anywhere else on the planet.”

And so begins a journey to find out where Charlie’s parents are. Charlie must use all of the knowledge his abuela shared with him to stay alive even when enemies of La Liga de Sombras try to kill him. One after another, famous mythological figures show up to either help or harm, believing Charlie to be the Morphling, a hero who defeats the world’s most powerful witch. All in all, over twenty mythological figures from all over the Spanish-speaking world make appearances, along with brief explanations, usually from Charlie himself.

The conclusion is satisfying, yet clearly leads the reader to believe that more is to come for Charlie. The sequel, Charlie Hernández and the Castle of Bones releases October 22, 2019.

Spanish is used throughout the story, often with English translations, though readers will notice that italics are only used to show emphasis, whether Spanish or English. A glossary provides more information about each mythological figure that appears in the book.

Charlie Hernández and the League of Shadows is fast-paced and funny — just right for readers who are looking for adventure!

Image result for ryan calejoABOUT THE AUTHORRyan Calejo was born and raised in south Florida. He graduated from the University of Miami with a BA. He’s been invited to join both the National Society of Collegiate Scholars and the Golden Key International Honour Society. He teaches swimming to elementary school students, chess to middle school students, and writing to high school students. Having been born into a family of immigrants and growing up in the so-called “Capital of Latin America,” Ryan knows the importance of diversity in our communities and is passionate about writing books that children of all ethnicities can relate to. Charlie Hernández & the League of Shadows is his first novel.

 

ABOUT THE REVIEWER: Jessica Walsh is a K-12 ELA Instructional Specialist from suburban Chicago. She has been a middle school teacher for twelve years. She holds degrees in Secondary English Education and Reading Instruction. She is a mom, an avid reader, and a strong advocate for equity in education. You can find her on Twitter at @storiestoldinsf.

Book Review: Ana María Reyes Does Not Live in a Castle by Hilda Eunice Burgos

 

Reviewed by Jessica Walsh

DESCRIPTION FROM THE PUBLISHERHer last name may mean “kings,” but Ana María Reyes REALLY does not live in a castle. Rather, she’s stuck in a tiny apartment with two parents (way too loveydovey), three sisters (way too dramatic), everyone’s friends (way too often), and a piano (which she never gets to practice). And when her parents announce a new baby is coming, that means they’ll have even less time for Ana María.

Then she hears about the Eleanor School, New York City’s best private academy. If Ana María can win a scholarship, she’ll be able to get out of her Washington Heights neighborhood school and achieve the education she’s longed for. To stand out, she’ll need to nail her piano piece at the upcoming city showcase, which means she has to practice through her sisters’ hijinks, the neighbors’ visits, a family trip to the Dominican Republic . . . right up until the baby’s birth! But some new friends and honest conversations help her figure out what truly matters, and know that she can succeed no matter what.

Ana María Reyes may not be royal, but she’s certain to come out on top.

MY TWO CENTSAna María (Anamay to her family) is a 6th-grader, living in a two-bedroom apartment with Mami and Papi, her older sister Gracie (8th grade), and younger sisters Rosie (6) and Connie (3). With barely enough time and space to practice her beloved piano to prepare for her Lincoln Center performance, Anamay is less than excited when Mami and Papi announce that a new baby is expected to arrive in December.

It’s no surprise that Ana María doesn’t feel seen or appreciated at home until Tía Nona comes from the  Dominican Republic to visit. Tía Nona knows just how to make Anamay feel special with regular phone calls and praise for her piano-playing successes. When Tía Nona announces that she is getting married in the Dominican Republic, Papi quickly declares that they can’t afford to pay for everyone to attend. But with a little convincing from Ana María, and a financial intervention from Tía Nona, the Reyes family soon finds themselves preparing for the big trip and the big day.

Tía Nona likes to have every comfort, and Ana María is no different. She feels like she connects best with Tía Nona out of everyone in her family…until they arrive in the Dominican Republic and everyone is witness to Tía Nona’s cruel treatment of a young servant girl named Clarisa, whom Tía Nona calls “Cosita” (little thing). When Ana María sees Clarisa struggle to help her family eat, she gains a new perspective on her own privileges and life back home in New York…and a new perspective on Tía Nona.

As Ana María works to perfect her Lincoln Center recital piece, the lessons she learned in the Dominican Republic — about family, friendships, and what you’re willing to put up with and what you’re not — all lead Ana María to make some tough choices to make her dreams come true.

Ana María Reyes Does Not Live in a Castle has a lot of moving parts, each playing off the other to create a story with depth and heart, and Hilda Eunice Burgos weaves it all together like a master composer.

Lee & Low Books offers this Teacher’s Guide for Ana María Reyes Does Not Live in a Castle.

hilda9573ABOUT THE AUTHOR: Hilda Eunice Burgos has been writing for many years, but Ana María Reyes Does Not Live in a Castle is her first published novel. Her parents emigrated from the Dominican Republic before she was born, and she grew up in Washington Heights as one of four sisters. She now lives with her family near Philadelphia, where she works as an environmental lawyer. Please visit her website at hildaeuniceburgos.com.

Check out the Middle Grade Author Q&A she did with us: https://latinosinkidlit.com/2018/10/22/spotlight-on-middle-grade-authors-part-7-hilda-eunice-burgos/

 

ABOUT THE REVIEWERJessica Walsh is a K-12 ELA Instructional Specialist from suburban Chicago. She has been a middle school teacher for twelve years. She holds degrees in Secondary English Education and Reading Instruction. She is a mom, an avid reader, and a strong advocate for equity in education. You can find her on Twitter at @storiestoldinsf.

Book Review: Marcus Vega Doesn’t Speak Spanish by Pablo Cartaya

 

Reviewed by Mimi Rankin

DESCRIPTION OF THE BOOK: Marcus Vega is six feet tall, 180 pounds, and the owner of a premature mustache. When you look like this and you’re only in the eighth grade, you’re both a threat and a target.

After a fight at school leaves Marcus facing suspension, Marcus’s mom decides it’s time for a change of environment. She takes Marcus and his younger brother to Puerto Rico to spend a week with relative they don’t remember or have never met. But Marcus can’t focus knowing that his father— who walked out of their lives ten years ago—is somewhere on the island.

So begins Marcus’s incredible journey, a series of misadventures that take him all over Puerto Rico in search of his elusive namesake. Marcus doesn’t know if he’ll ever find his father, but what he ultimately discovers changes his life. And he even learns a bit of Spanish along the way.

MY TWO CENTS: What immediately drew me to this book was the title. So much discussion of “Latinx Children’s Literature” centers around bilingualism or dual-language published titles, but this title adds a very compelling commentary to those claims. Marcus Vega is 14 years old, 180 pounds, and six feet tall. This stellar combination makes some kids fear him and some taunt him. When he is nearly suspended after a fight in which he was defending his younger brother, Charlie, who has Down Syndrome, Marcus’s mom agrees that going to Puerto Rico, where the boys were born and where Marcus’s estranged dad allegedly still lives, for spring break may be just what the family needs. Suddenly embraced by a family he never knew he had, Marcus begins to learn that you can get to know yourself by knowing where you’re from.

Written in the first-person perspective of Marcus, the writing felt occasionally flat, however I’ve never been a 14-year-old boy, so I can’t authentically comment on the voice. Although I felt some parts of the plot were a bit hurried, I found myself bawling on an airplane as I finished this book. I so wholly connected with Marcus and his feeling of wondering if “where” he’s from determines who he is. Cartaya explores Latinx identity in a way that may not be recognizable to many children identifying as Latinx in some capacity. However, it was certainly a familiar feeling to this reviewer. Between not growing up speaking Spanish (only hearing it consistently at my maternal grandparents’ home) and being slapped with a Scottish surname, I was never confident in defining my being “Puerto Rican.” In reading Cartaya’s novel, I no longer felt that imposter syndrome of identifying as a Hispanic woman because I’m not terribly fluent in Spanish. Identity politics are a complicated matter and Cartaya beautifully explores a side of Latinx identity through the eyes of a young boy who has been abandoned by his connection to his Puerto Rican identity.

Cartaya introduces readers to life in Puerto Rico as Marcus is introduced to it. Arriving in Old San Juan, Marcus meets uncles and cousins he had never heard of, let alone remembered, from his very early childhood living in Puerto Rico. He is welcomed unquestionably and unconditionally. The extended family ventures to more rural areas of the island, seemingly all in search of Marcus and Charlie’s father. An interesting approach to this story was the character of Marcus’s mom, Melissa. Melissa, who is not claimed as Puerto Rican herself, spent a significant amount of time in Puerto Rico when she was younger and this is where she met her sons’ father. Melissa is revealed to be fluent in Spanish and has a close relationship with her ex-husband’s family, despite not having spoken to them in years. The character of Melissa could present some interesting conversations on the “adoption” of culture and language, and I would be interested in discussing this further. Tackling everything from bullying, economic prejudice, cultural identity theory, separated parents, parental abandonment, and coming of age, this book needs to be a cornerstone of MG literature, particularly in the #ownvoices world.

 

51b2e-1486517321949ABOUT THE AUTHOR: Pablo Cartaya is an award-winning author whose books have been reviewed by The New York Times, featured in The Washington Post, received starred reviews from Kirkus, Booklist, Publisher’s Weekly, and School Library Journal, as well as been among the Best Books of the Year for Amazon, Chicago Public Library, NYPL, and several state award lists. He Is the author of the critically acclaimed middle grade novels The Epic Fail of Arturo Zamora (a 2018 Pura Belpré Honor Book) and Marcus Vega Doesn’t Speak Spanish. His next novel, Each Tiny Spark will debut on the new Kokila Penguin/Random House Imprint, which focuses on publishing diverse books for children and young adults. He teaches at Sierra Nevada College’s MFA program in Writing and visits schools and colleges around the country. Pablo is proudly bilingual en español y ingles. @phcartaya

 

 

file-2ABOUT THE REVIEWER: Mimi Rankin received her Master’s Degree with distinction in Children’s Literature from the University of Reading. Her thesis, on which she received a rating of First, centered around claims to cultural authenticity and representation in Hispanic Children’s Literature. She currently works in the publishing industry as a marketing manager for over 20 international children’s publishers. Her reviews do not reflect the opinions of her employer or clients. She currently lives in Nashville, Tennessee.

 

Spotlight on Latina Illustrators: Andrea Galecio, Saskia Bueno, and Jeannette Arroyo

 

By Cecilia Cackley

This is the seventh in a series of posts spotlighting Latina illustrators and this time we are shifting focus slightly. Instead of interviewing illustrators of picture books, I had the honor of speaking to two artists who work on book covers and an artist who is publishing her first graphic novel soon.

 

Andrea Galecio

Andrea Galecio is a designer and illustrator from Lima, Peru. Her art can be seen on the cover of Sal and Gabi Break the Universe by Carlos Hernandez, released in March 2019 from the Rick Riordan Presents imprint at Disney/Hyperion.

Q: What or who inspired you to become an artist?

A: I always liked cartoons and then I began to draw little by little. But in adolescence I learned to draw better because I found a page that was called Deviantart and I saw many great illustrations of many good artists, that inspired me a lot.

Q: Tell us something about your favorite artistic medium—why you like it, when you first learned it, etc.

Related imageA:  I work in all art media, traditional and digital, but I like more the digital art. The illustrations I make in Photoshop, there are a lot of great brushes. I learned to draw in the digital medium when I was 15 years old and at the beginning I was watching tutorials, exploring different techniques, then I studied at the university and improved my skills as an illustrator.

When I learned to draw in traditional and digital, I created a channel on YouTube where I talk about being an illustrator, I give advice and I love it.

Q: Please finish this sentence: Books with pictures are important because…

A: … they help us improve our imagination a lot more and give us a guideline about the literary world.

 

Saskia Bueno

Image result for saskia buenoSaskia Bueno is a graphic designer and lettering artist from Barranquilla, Colombia. Her work can be seen on the cover of Sal and Gabi Break the Universe by Carlos Hernandez.

Q: What or who inspired you to become an artist? 

A: Well I believe art runs in my family. My grandpa was a painter. I remember he used to sit at his table, which was full of papers, colors and art stuff, and he would paint for hours. Sometimes he would let my brother and I paint with him. He would give us some sheets and colors and he always loved what we did with them. Years later, my brother began to study Graphic Design, and I liked so much what he did. I even used to help him with his homework, and that’s when I realized I wanted to study Design, too. So yeah, if I am an artist today its thanks to my family.

Q: Tell us something about your favorite artistic medium–why you like it, when you first learned it, etc. 

A: My favorite tools are, without a doubt, my iPad Pro and Procreate. I fell in love with the iPad a few years ago, when I saw an artist on Instagram and her beautiful work. So the following week I went to an Apple Store and got myself one. What I love about the iPad is that is extremely practical and working with Procreate means having a world of possibilities. You can create sketch, draw, paint landscapes, portraits, watercolors and of course, letters, and that is just amazing.

Q: Please finish this sentence: “Books with pictures are important because…”

A:…in every single one there’s world full of wonder that a kid can discover and be inspired.

 

Jeannette Arroyo

Jeannette Arroyo is the artist for the YA graphic novel Blackwater with Ren Graham, which will be published in 2020 by Henry Holt.

Q:  What or who inspired you to become an artist? 

A: I’ve always loved drawing since I was little. I was mostly inspired by animated movies and a love for cartoons. Tom and Jerry is an old favorite.

Q: Tell us something about your favorite artistic medium–why you like it, when you first learned it, etc. 

A: Right now, I predominantly work in digital media. It is less frustrating for me and less messy. I got my first tablet around fifteen and I have just stuck with it since.

Q: Please finish this sentence: “Books with pictures are important because…”

A: Books with pictures are important because it’s another avenue of expression and communication. I myself have always found it difficult to convey what I feel just through text, and the ability to incorporate images, color, texture into a book is important to me, and something I am having a lot of fun doing with our graphic novel.

 

 

cecilia-02-originalCecilia Cackley is a Mexican-American playwright and puppeteer based in Washington, DC. A longtime bookseller, she is currently the Children’s/YA buyer and event coordinator for East City Bookshop on Capitol Hill. Find out more about her art at www.ceciliacackley.com or follow her on Twitter @citymousedc

Book Review: Don’t Date Rosa Santos by Nina Moreno

 

Reviewed by Mimi Rankin

DESCRIPTION OF THE BOOK: Rosa Santos is cursed by the sea—at least, that’s what they say. Dating her is bad news, especially if you’re a boy with a boat.

But Rosa feels more caught than cursed. Caught between cultures and choices. Between her abuela, a beloved healer and pillar of their community, and her mother, an artist who crashes in and out of her life like a hurricane. Between Port Coral, the quirky South Florida town they call home, and Cuba, the island her abuela refuses to talk about.

As her college decision looms, Rosa collides—literally—with Alex Aquino, the mysterious boy with tattoos of the ocean whose family owns the marina. With her heart, her family, and her future on the line, can Rosa break a curse and find her place beyond the horizon?

Don’t Date Rosa Santos releases Tuesday, May 14, 2019.

MY TWO CENTS: I had seen this book circulating the Latinx KidLit Twittersphere (Thanks Las Musas! @lasmusasbooks) and couldn’t wait to get my hands on it at ALA Midwinter (Thanks Dina at Disney!). I had an inkling I would like this seemingly sweet YA romance with a Latinx heroine, but the weight this story carries is far greater than a springtime young love. Rosa is a fierce, brilliant, Type A goal chaser, and I am completely here for her. She is unapologetic in figuring out not just what she wants, but is realistic in how to get there. As a former college admissions counselor, I was very proud of Rosa for dually enrolling in a community college and looking into Study Abroad programs while still in high school. So, yes, Rosa is an awesome lead. I laughed out loud at Moreno’s far-too-relatable scenes of awkward first dates and embarrassing parents. If you want an impeccably written YA novel that reads much older and more “real,” this is the perfect spring break read.

Still, Don’t Date Rosa Santos is just the first story in a new narrative for young Cuban-Americans. With the embargo lifted in the last few years, young people of Cuban descent are finally able to see where they come from, where their own narrative began. I myself am of Puerto Rican descent, so while our islands are not super far from each other, our stories are worlds apart. Since all of my relatives are American citizens, they have never had a problem popping back and forth between San Juan and Texas, Louisiana, or Florida. For Cubans, they had to make a decision so much bigger than just “moving”; it was fleeing, knowing that returning was not an option. Now, young Cuban-Americans have the option to visit the island of their people, but it is not without the weighted guilt of knowing the fear of their ancestors. Moreno beautifully illustrates this feeling of being torn that I’m sure many young Cuban-Americans feel: the desire to visit Cuba while battling abuelos y abuelas who still remember the horrors they escaped. This new reality is sure to bring up hard conversations within families—can you be Cuban without taking the chance to experience Cuba? To those who faced exile, is the Cuba they remember the Cuba of today?

Sometimes characters were introduced in a way that felt abrupt and confusing, but the confusion was usually alleviated quickly. Parts of the last few chapters felt slightly rushed in the plot, but Moreno tied up the story in a very lovely manner that was not at all cliché. I am so excited to watch how this story contributes to a very specific Latinx Children’s Literature conversation.

 

ninamorenophotoABOUT THE AUTHOR: Nina Moreno is a YA writer whose prose is somewhere between Southern fiction and a telenovela. She graduated from the University of Florida with a B.A. in English Don’t Date Rosa Santos is her first novel.

 

 

 

 

file-2ABOUT THE REVIEWERMimi Rankin received her Master’s Degree with distinction in Children’s Literature from the University of Reading. Her thesis, on which she received a rating of First, centered around claims to cultural authenticity and representation in Hispanic Children’s Literature. She currently works in the publishing industry as a marketing manager for over 20 international children’s publishers. Her reviews do not reflect the opinions of her employer or clients. She currently lives in Nashville, Tennessee.