COVER REVEAL! Me, Frida and the Secret of the Peacock Ring by Angela Cervantes

 

Dear readers, don’t you love cover reveals? We do! They’re like sneak peeks at gorgeously wrapped gifts we’re not allowed to open until the special day arrives.

Today, we’re thrilled to share the magnificent cover of Angela Cervantes’s upcoming middle-grade novel, Me, Frida and the Secret of the Peacock Ring.

But first, a bit about the story:

Me, Frida and the Secret of the Peacock Ring is a middle-grade mystery about twelve-year old Paloma Marquez, who accompanies her mother on a research fellowship to her father’s birth country of Mexico, only to become entangled in a mystery involving an artifact that once belonged to the artist Frida Kahlo.

Publication is slated for Spring 2018 by Scholastic. The book cover design was created by the award-winning illustrator Rafael López. 

Enticed? So are we! Keep up with the book’s release date and other important details on Angela’s website. Also, check out the latest guest post she contributed to this blog, as well as our review of one of her best known books.

Finally, don’t miss this write-up about the incomparable Rafael López, illustrator of the cover.

Now for the cover reveal!

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About the author: Angela Cervantes was born and raised in Kansas. Most of her childhood was spent in Topeka, Kansas living in the Mexican-American community of Oakland. Her family also spent a lot of time in El Dorado and Wichita visiting a slew of aunts, uncles and cousins on weekends.

Angela graduated from the University of Kansas (Go Jayhawks!) with a degree in English. After KU, she moved to Brownsville, Texas. In Brownsville, Angela was introduced to the music of Selena, ceviche, and learned to two-step. After Brownsville, Angela moved to Guadalajara, Mexico, where for two years she taught High School English and literature. In 2003, Angela returned to Kansas City, completed an MBA, co-founded Las Poetas, an all-female poetry group, and began working at an international children’s organization.

In 2005, Angela’s short story, “Pork Chop Sandwiches” was published in Chicken Soup for the Latino Soul. In 2007, she won third place for Creative Nonfiction in the Missouri Review’s audio competition for her story “House of Women” and Kansas City Voices’ Best of Prose Award (Whispering Prairie Press) for her short story, “Ten Hail Marys”. In 2008, she was recognized as one of Kansas City’s Emerging Writers by the Kansas City Star Magazine. In 2014, she was named one of the Top Ten New Latino Authors to Watch by LatinoStories.Com.

Angela’s first novel, Gaby, Lost and Found [Scholastic Press; 2013], won Best Youth Chapter Fiction Book in the International Latino Book Awards. Angela’s second middle-grade novel, Allie, First At Last, was released Spring 2016. See FAQs about the author.

About the illustrator: Raised in Mexico City, Rafael López makes his home part of the year in San Miguel de Allende, Mexico, as well as in San Diego, California. He credits Mexican surrealism as a major artistic influence. Besides his Pura Belpré medals and honors, Rafael is also a double recipient of the Américas Award. For more about his work, including poster illustrations and a mural project in San Diego that is the subject of a new picture book, Maybe Something Beautiful, visit his official website.

Spotlight on Latina Illustrators Part 5: Alyssa Bermudez, Elisa Chavarri and Zara Gonzalez Hoang

 

By Cecilia Cackley

This is the fifth in a series of posts spotlighting Latina illustrators of picture books. Some of these artists have been creating children’s books for many years, while others will have their first book out soon. They come from many different cultural backgrounds, but all are passionate about connecting with readers through art and story. Please look for their books at bookstores and libraries!

Alyssa Bermudez

Photo by Mark Cowles

Photo by Mark Cowles

Alyssa Bermudez is a New Yorker who studied at the Fashion Institute of Technology and now lives and works in Tasmania. She illustrated Lucia the Luchadora by Cynthia Leonor Garza, which was published in 2017 by Pow! Kids Books.

Q: What or who inspired you to become an artist?

A:  I have always wanted to be someone who makes things. Whether it was designing shoes or learning to sew, I have always felt most like my true self when I’m making something. Growing up in New York, I had access to incredible artistic resources, and being exposed to that from a young age also made it feel totally natural. I don’t actually remember a time that I didn’t want to become an artist.

Q: Tell us something about your favorite artistic medium.

A:  Watercolor and Photoshop are my current absolute favorites. Watercolor has a mind of its own and sometimes that spontaneity shows up on the page. I love the confidence of its presence and combining it with digital techniques where I can control it afterwards.

Q: Please finish this sentence: “Picture books are important because…”

A: Picture books are important because it allows children to visualize and understand their own stories as they grow up. They can see their lives reflected in this way. The world is an exciting and colorful place full of adventure, and picture books highlight this to kids and adults.

Lucia the Luchadora Cover

Elisa Chavarri

Elisa Chavarri is a freelance illustrator originally from Lima, Peru. She did much of her growing up in Northern Michigan where she now resides with her husband, baby girl, cat, and dog. Elisa graduated with honors from The Savannah College of Art and Design, where she majored in Classical Animation and minored in Comics.  Books she has illustrated include Rainbow Weaver/Tejadora del arco iris from Lee & Low Books, Maybe Mother Goose and Fairly Fairy Tales from Aladdin Books and various titles for American Girl.

Q: What or who inspired you to become an artist? 

A: For me, it was my love of the old classic Disney movies and cartoons, once I discovered that people actually created these characters and worlds by doing countless drawings and concept art, I was hooked. In addition I’ve liked drawing and coloring as long as I can remember.

Q: Tell us something about your favorite artistic medium.

A: This is a tough one for me because I like different mediums for different reasons. My top favorites are pencil/paper, acrylics, watercolors, and digital. The one I use the most is digital, and it’s the one I learned last, but for completing work on time and revisions, it is the most versatile and efficient medium. To play around with on my own time and for personal projects I really enjoy acrylics and watercolors for their ease of use. I’ve been using these and oil paints since I was a kid thanks to my mom encouraging my artistic leanings and putting me in various classes. Digital painting I began learning in college, but mostly am self-taught.

Q: Please finish this sentence: “Picture books are important because…”

A: They introduce children to stories/reading and the arts which are among the most life enriching things in the world!

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Zara Gonzalez Hoang

Zara Gonzalez HoangZara Gonzalez Hoang is an illustrator originally from Minneapolis, now living near Washington, D.C. She studied art at the University of Wisconsin-Madison and will illustrate the upcoming picture book Thread of Love by Surishtha Sehgal and Kabir Sehgal for the Simon and Schuster imprint Beach Lane.

Q: What or who inspired you to become an artist?

A: I was lucky enough to be born into a family of teachers, so paper and art supplies were always around. I think at the heart of it all was the feeling of connection I got as a child drawing with my dad. I remember him lying on the floor with me, a sketchbook between us, drawing horses (my favorite) and boats (his favorite). My dad had a creative soul that wasn’t often expressed, so to be able to share a piece of it was always something special.

Q: Tell us something about your favorite artistic medium.

A: I work primarily digitally. I’ve always been drawn to computers (I was actually a computer science major in college for a little while), so I think the idea of merging art and technology appeals to me on different levels. I like working digitally because it’s so easy to change things if you’re not satisfied. I have a tendency to change my mind a lot so being able to change colors with ease or move elements around is really appealing. I draw so much digitally that when I’m drawing traditionally and make a mistake my mind tells me I need to hit the undo button (even though that is obviously not possible!)

Also, being a mom of young son, it’s a lot easier to turn on my tablet and get some “painting” done without having to worry about my paint drying on my brushes or making a giant mess that I don’t have time to clean up when my guy needs me. There are so many great brushes being created for Photoshop these days (Kyle’s Brushes are my favorite) that emulate different traditional media that it’s become a lot harder to tell the difference if you know what you are doing.

Q: Please finish this sentence: “Picture books are important because…”

A: They help children make sense of the world around them. There is a quote that I read recently that really resonates with me and gets to the heart of why I think picture books are important so I will just put that here because I don’t think I can say it any better than Dr. Rudine Sims Bishop:

“Books are sometimes windows, offering views of worlds that may be real or imagined, familiar or strange. These windows are also sliding glass doors, and readers have only to walk through in imagination to become part of whatever world has been created or recreated by the author. When lighting conditions are just right, however, a window can also be a mirror. Literature transforms human experience and reflects it back to us and in that reflection we can see our own lives and experiences as part of the larger human experience. Reading, then becomes a means of self-affirmation, and readers often seek their mirror in books.”

I got into picture books because as a mixed-race Latina Jew married to a Vietnamese refugee with a Vietnamese/Puerto Rican/Jewish Buddhist child I want to help create mirrors for children who don’t have them. There are so many stories that are not represented, I feel like part of my purpose is to help bring them to life.

Going For It: Q&A with Illustrator Jacqueline Alcántara

 

By Cecilia Cackley

photo credit @eyeshotchaJacqueline Alcántara was featured in a previous round-up of Latina illustrators here on Latinxs in Kid Lit. When I found out she was also the inaugural recipient of a mentorship from the We Need Diverse Books organization, I wanted to find out more about her experience in the program and how it affected her work. Alcántara worked with the illustrator Carolyn Dee Flores (who has also participated in a Latina Illustrators post) as her mentor and recently announced her second book deal. She will illustrate the book Freedom Soup by Tami Charles, which will be released by Candlewick Books in 2019. She will also illustrate The Field by Baptiste Paul, which is scheduled to release with NorthSouth Books in Spring 2018.

How did you hear about the WNDB mentorship and what made you decide to apply?

A friend/illustrator in my critique group forwarded me the email announcing the mentorship. He knew my work included a lot of diverse characters and knew that my interests were in pursuing projects that featured diverse main characters, so thankfully, he assumed I would be a good fit! At that time, I knew that I needed someone to help guide me, give me feedback on my work, grow my network, and help me build confidence. I wasn’t sure if that would be a friend, agent, editor, or mentor but was doing everything I could to find relationships like that. I decided to apply because it was honestly exactly what I was looking for!

What has been the best part about working with your WNDB mentor?

I think the best part of a mentor/mentee relationship is that there’s no other reason you are working together, other than to improve your work and career. Relationships with other people in the industry, i.e. agents, editors, fellow illustrators, etc are wonderful and critical as well, but there are quickly a lot of other factors those people can be thinking about in addition to your work when giving you advice or suggestions. Conversations with my mentor helped not only to allow me to see a path for myself within the industry, but also to see my strengths and weaknesses as an artist. Carolyn is brutally honest, which I love. She has really wonderful instincts and fantastic advice. I believe a lot in instincts and trusting my gut, but working alone and pursing this dream can become really difficult. Carolyn is always reminding me to trust my instincts and to have fun! So I built up a lot of confidence in myself relatively quickly once we started working together. Not only confidence in my actual illustrations, but in goals, ideas, and direction of my career. I also felt a pressure to succeed, now that I had not only Carolyn, but WNDB holding me accountable! When you work for yourself, there is no one to push you or hold you accountable, so it requires a lot of self confidence and motivation. The boost I got from WNDB was great for that, but I also knew I finally had the resources to make it happen!

The next best part of working with my mentor was that fact that Carolyn introduced me to Adriana Domínguez at last winter’s SCBWI conference. Adriana and I continued talking for months after that and I ultimately signed with her and Full Circle Literary over the summer. That was the best possible outcome from the mentorship, and it actually happened! Relatively soon after working with Adriana, I got my first picture book offer. I’m very happy to share that I’m now working on 2 books, one with North South and the second with Candlewick. The first will be released in 2018, and the second in 2019.  I cannot wait for them to come out!

What other artists and writers do you consider your greatest influences (kidlit or not)?

In the kid lit world, my greatest influences are Chris Raschka, Patricia Pollacco, Chris Van Allsburg, and Kadir Nelson. As for traditional artists I’m a bit cliche; Picasso, Matisse, and Redon are some top favorites. Picasso’s sketchbooks are a constant source of inspiration for me. Redon and Matisse, I love their use of color and the imagination they brought into their work. I’ve also been in love with Japanese Ukiyo-e art since I was young. I think a lot of my energy and inspiration also comes from music. I have music on constantly in my studio, different genres depending on what I’m doing, but there’s a lot of electronic, disco/soul, hip hop. My favorite writer (currently) is Neil Gaiman.

You were a high school art teacher at one point. Do you think your students influenced your work, and if so, how?

I taught high school art for a short time before school funding was cut significantly in Illinois. Our department (along with many art departments state-wide) saw massive cuts, so I took the opportunity to push my own artistic career. I will always be influenced by my time teaching (I hope to still have teaching opportunities in the future) and the students I had! Remembering a personality, hairstyle, attitude, or name for character can be inspiration—or remembering a conversation or story a student shared about their life. I left teaching wanting to be a successful working artist, but I also wanted to do work that would directly influence, inspire, and speak to children.

What advice would you give other Latinx artists who might want to apply for the WNDB program?

Be open to everything. Participating in this program has led to so many other relationships and opportunities, and has launched my career. WNDB has really opened the door for a lot of people, beyond those who have received mentorships or grants. They are bringing the issue to the forefront of the industry, and editors and agents are definitely listening and searching for new diverse talented writers and illustrators. It’s been so encouraging. It’s an industry that can seem daunting and a job that seems too good to be true. It takes a lot of patience and time, but it’s really important work, so if you are thinking of pursuing it,  get involved ASAP! It’s much more fun to do with a network of people around you, and SCBWI (the Society of Children’s Book Writers and Illustrators), WNDB and others are all fantastic ways to do so.

 

Cackley_headshotCecilia Cackley is a performing artist and children’s bookseller based in Washington, DC, where she creates puppet theater for adults and teaches playwriting and creative drama to children. Her bilingual children’s plays have been produced by GALA Hispanic Theatre and her interests in bilingual education, literacy, and immigrant advocacy all tend to find their way into her theatrical work. You can find more of her work at www.witsendpuppets.com.

Book Reviews: Juana & Lucas, Rudas: Niños Horrendous Hermanitas, and Un Elefante: Numbers/Numeros

 

Reviewed by Becky Villareal

JUANA & LUCAS: Winner of the 2017 Pura Belpré Narrative Award

Juana and Lucas CoverDESCRIPTION OF THE BOOK: Juana loves many things — drawing, eating Brussels sprouts, living in Bogotá, Colombia, and especially her dog, Lucas, the best amigo ever. She does not love wearing her itchy school uniform, solving math problems, or going to dance class. And she especially does not love learning the English. Why is it so important to learn a language that makes so little sense? But when Juana’s abuelos tell her about a special trip they are planning—one that Juana will need to speak English to go on—Juana begins to wonder whether learning the English might be a good use of her time after all. Hilarious, energetic, and utterly relatable, Juana will win over los corazones — the hearts — of readers everywhere in her first adventure, presented by namesake Juana Medina.

MY TWO CENTSJuana & Lucas by Juana Medina is a colorful adventure through the life of young Juana as she learns to speak and read “The English.” Juana Medina sprinkles cognates throughout the book using them to their full potential. Since they are placed strategically, it does help with the understanding of most of the passages. Also, the manner in which she uses the position of the words to express emotion is engaging and reminiscent of comics.

Illustration is Ms. Medina’s strength. The pictures are drawn beautifully and meticulously detailed. Her use of brainstorming to list the characteristics is familiar to school age students and helps carry the story along.

As Juana learns more English and she is able to help others with her new linguistic skills, she gains an understanding of the importance of being multi-lingual.

As a teacher, I would recommend this book as a read aloud for a class of students who are working on second language acquisition.

For a look inside author-illustrator Juana Medina’s studio, check out this post.

img_4567ABOUT THE AUTHOR-ILLUSTRATOR (from her website): Juana was born in Bogotá, Colombia, where she grew up; getting in a lot of trouble for drawing cartoons of her teachers. Eventually, all that drawing (and trouble) paid off. Juana studied at the Rhode Island School of Design – RISD (where she has also taught). And she has done illustration & animation work for clients in the U.S., Latin America and Europe. She now lives in Washington, D.C., where she teaches at George Washington University.

 

 

 

RUDAS: NIÑO’S HORRENDOUS HERMANITAS

Rudas CoverDESCRIPTION OF THE BOOK: Señoras y señores, niños y niñas, the time has come to welcome the spectacular, two-of-a-kind . . . LAS HERMANITAS! No opponent is too big a challenge for the cunning skills of Las Hermanitas, Lucha Queens! Their Poopy Bomb Blowout will knock em’ down! Their Tag-Team Teething will gnaw opponents down to a pulp! Their Pampered Plunder Diversion will fell even the most determined competitor! But what happens when Niño comes after them with a move of his own? Watch the tables turn in this wild, exciting wrestling adventure from Caldecott Honor author Yuyi Morales.

MY TWO CENTS: Rudas: Niños Horrendous Hermanitas by Yuyi Morales is a wonderful addition to the world of Niño, the older brother of two twin sisters.

In this energetic children’s book, Niño has to deal with the misadventures of his sisters beginning with stinky diapers to horrendous crying fits.  All of which he does with as much patience as possible by enlisting the help of his imaginary wrestling adversaries.

Written with a commentary of a wrestling match, it may be a bit hard for someone to follow who is not familiar with this particular genre.  However, I found the book itself to be very entertaining as well as humorous as Niño has to deal with the repercussions of being an older brother.

This would be an excellent read for second language acquisition students.  For children who are learning the language, the author has included English definitions and illustrations in the book itself.  The illustrations are colorful and carry the reader along in this very busy day.

I would highly recommend this book for an early childhood classroom library.

For more about Yuyi Morales’s previous books abour Niño, check these out:

Guest Post: ¡Qué Vivan los Niños Luchadores!

Book Review: Niño Wrestles the World by Yuyi Morales

ABOUT THE AUTHOR: Yuyi Morales is a Mexican author, illustrator, artist, and puppet maker. She has a bachelor’s degree in Psychology and Physical Education from the University of Xalapa, México and used to host her own Spanish-language radio program for children in San Francisco, California.She has won numerous awards for her children’s books, including the Caldecott Honor for Viva Frida, Tomás Rivera Mexican American Children’s Book Award for Just a Minute: A Trickster Tale and Counting Book (2004) and Los Gatos Black on Halloween (2008), the Pura Belpré Author Honor for Just in Case: A Trickster Tale and Spanish Alphabet Book (2009), the Pura Belpré Illustrator Award for Viva Frida (2015), Niño Wrestles the World (2014) Just a Minute: A Trickster Tale and Counting Book (2004), Just in Case: A Trickster Tale and Spanish Alphabet Book (2009) and Los Gatos Black on Halloween (2008), and Pura Belpré Illustrator Honor for My Abuelita (2010) and Harvesting Hope: The Story of Cesar Chavez (2004). Morales divides her time between the San Francisco area and Veracruz, Mexico. Her next picture book, Thunder Boy Jr. (written by Sherman Alexie), will be published in May 2016.

 

UN ELEFANTE: NUMBERS / NUMEROS

Reviewed by Ruby Jones

31686520DESCRIPTION OF THE BOOK: Inspired by one of the most beloved nursery rhymes in Latin America, “Un Elefante se Balanceaba,” this book will introduce little ones to numbers and their first English and Spanish words.

MY TWO CENTS: I grew up with my mother reciting the “Un Elefante se Balanceaba” nursery rhyme to me and my siblings so this simple bilingual counting board book is a fun and bright new way to teach counting to my little one.

Each page, as we progress in counting from 1 to 10 elefantes, brings a new, beautifully-illustrated, circus-talented elephant onto the spider web. The numbers are big and vibrant on each page with the number of elephants written beneath in both English and Spanish.

One thing to keep in mind is that this book is inspired by the nursery rhyme so there is no real story line except at the end where the spider web gives way. The book did make me wish that the whole rhyme was written out somewhere in the book, maybe on a final page, for those who may not be familiar with the nursery rhyme. That being said, the artwork is such that there is plenty to talk and engage with little ones about.

TEACHING TIPS: Other than the obvious bilingual number counting, educators can cover action words, discussing what each elephant is doing. Additionally, colors and simple shapes can be reviewed. Maybe even a fun balancing game can be played!

ABOUT THE AUTHORS: Patty Rodriguez: Unable to find bilingual first concept books she could enjoy reading to her baby, Patty came up with the idea behind Lil’ Libros. Patty and her work have been featured in the LA Times, Rolling Stone, CNN Latino, Latina Magazine, Cosmopolitan, People En Espanol, Cosmo Latina, and American Latino TV, to name a few! Patty is currently Sr. Producer for On Air With Ryan Seacrest|iHeartMedia, jewelry designer for MALA by Patty Rodriguez, and creator of Manolos And Tacos.

 

 

Ariana Stein: Ariana Stein, a graduate from California State University, Dominguez Hills, has a Bachelor’s Degree in Business Administration. Ariana spent the first 8 years of her professional career in the corporate world. Her life changed with the birth of her baby boy. She immediately realized that bilingualism played a very important role in his future, as well as the future of other children.

The publishers of Un Elefante, Lil’ Libros, have a series of other books that are also based off of Latinx cultural themes. See a short video here:

 

 
ABOUT THE REVIEWERS:
Displaying Headshot.jpgBecky Villareal, a retired teacher, loves working on family history and spending time with her grandchildren.  She has published three children’s books, Gianna the Great, Halito Gianna: The Journey Continues, and Snake Holes.  Her fourth book, The Broken Branches, will makes its debut in 2018.
 
 
 
 

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 Ruby Jones has been working in public libraries since 2007 in various capacities, including Adult & Teen Services technician and webmaster at her current library.  She currently lives in Maine with her husband and precocious 2 year old. She continually strives to impart a passion and a sense of fearlessness toward technology, reading and learning for all ages.

¡Felicidades! to the 2017 ALA Youth Media Award Winners and Honor Books

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Congratulations to the authors and illustrators who were honored at the American Library Association’s Midwinter conference! The Caldecott Medal and Coretta Scott King (Illustrator) Award went to Radiant Child: The Story of Young Artist Jean-Michel Basquiat, written and illustrated by Javaka Steptoe. It’s a heartfelt and vibrant picture book biography about the childhood and life of Puerto Rican-Haitian American artist Jean-Michel Basquiat.

The newest Pura Belpré Awards went to Juana Medina for her book Juana and Lucas and Raúl the Third for his illustrations in Lowriders: to the Center of the Earth.

Click here for an inside look at Juana Medina’s studio.

And click here for more information about Juana, the author-illustrator.

But, wait…there’s more….

Click here for a review of the first Lowriders book.

And click here for a super-cool audio interview of Raúl by author-illustrator Robert Trujillo.

Here are the winners and honor books by/for/about Latinxs. Click on the covers for more information:

The Randolph Caldecott Medal for the most distinguished American picture book for children and the Coretta Scott King (Illustrator) Book Award went to:

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Pura Belpré Award (Author) honoring Latino authors whose work best portrays, affirms, and celebrates the Latino cultural experience:

Winner:

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Honor book:

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Pura Belpré Award (Illustrator) honoring a Latino writer and illustrator whose children’s books best portray, affirm, and celebrate the Latino cultural experience.

Winner:

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Honor Books:

28818354  28186139

Andrew Carnegie Medal for excellence in children’s video

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Stonewall Award Honor Books included:

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Alex Awards for the 10 best adult books that appeal to teen audiences. The list included:

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Spotlight on Latina Illustrators Part 4: Carolyn Dee Flores, Christina Rodriguez, and Jacqueline Alcántara

 

By Cecilia Cackley

This is the fourth in a series of posts spotlighting Latina illustrators of picture books. Some of these artists have been creating children’s books for many years, while others will have their first book out this year. They come from many different cultural backgrounds, but all are passionate about connecting with readers through art and story. Please look for their books at bookstores and libraries!

Carolyn Dee Flores

Carolyn Dee Flores grew up around the world and now lives in San Antonio, Texas. She worked as a computer analyst, rock musician and composer prior to becoming an illustrator of children’s books. She illustrated Dale, dale, dale: una fiesta de números/Hit it, hit it, hit it: a fiesta of numbers and Canta, Rana, Canta/ Sing Froggie Sing, which were both named to the Tejas Star Reading list. Her illustrations for the book Daughter of Two Nations won a Skipping Stones Honor Award. Her most recent work can be seen in the book Una Sorpresa para Teresita/ A Surprise for Teresita, published in October 2016 by Piñata Books, an imprint of Arte Publico Press.

Q: What inspired you to become an artist?

A:   My Uncle Rey. He was a professional artist. He made me realize it was something you could do. Be an artist for a living.

When I was little, I used to go over to my grandmother’s house and see his drawings and paintings framed on the wall and I would think, “How on earth does someone get that good?” Later, I found out he had gone to art school and become an artist for the Air Force. When he passed away, my aunt gave me his art books. I read every page … over and over and over. That’s when I first learned about Goya and Rembrandt and Velázquez. It meant everything to me.

Q: Tell us something about your favorite artistic medium. 

A: Oil. Oil. And then oil. I am very excited about a new technique I developed for painting with oil on cardboard. It completely saturates the board until it looks like brushed felt. It also enables me to control the bleed and dry quickly. This is the first time I have been able to get those intense colors that you get with oil paints – in an illustration. I use this process in my new book “A Surprise for Teresita” which comes out this month.

Q: Please finish this sentence. Picture books are important because…”

A: They are a child’s very first glimpse into all the possibilities of being a human being. Whether it is stepping into the Wizard of Oz, or a Dr. Seuss landscape, or playing with the pigeon in Mo Willems’s Don’t Let the Pigeon Drive the Bus – or going to a playground down the block – the reality for a child is the same. The world is full of color, and rhythm and courageous deeds and breathtaking imagination. Picture books affirm a child’s vision … forever. Nothing could be more important than that!

Dale, Dale, Dale / Hit It, Hit It, Hit It Cover  Canta, Rana, Canta / Sing, Froggie, Sing Cover  

 

Christina Rodriguez

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Christina Rodriguez lives in Rhode Island and has illustrated more than twelve books for children. She is a three time nominee for the Tejas Star Book Award. Among the books she has illustrated are Un día con mis tias/ A Day with my Aunts, Mayte and the Bogeyman, We are Cousins/ Somos primos, The Wishing Tree and Adelita and the Veggie Cousins.

Q: What inspired you to become an artist?

A: I became a children’s book illustrator thanks to the adults who steered me in that direction as a child: from my dad who taught me how to draw horses as a child, to my teachers who encouraged my love of art and reading, and finally to my mother for supporting my decision to go to art school at RISD.  Without the continuous support of the role models in my life, I might not be where I am today.

Q: Tell us something about your favorite artistic medium.

A: I have two favorite mediums: digital and watercolors. Watercolor painting was one of the first techniques I learned, but I didn’t really get into it until college, when it became a safer alternative to oil paints (the fumes were giving me headaches). Most of my books are done in a mixture of watercolors, watercolor pencils, and gouache -an opaque type of watercolors – that gives me a lot of control in the details and the ability to add depth and texture. I also carry a travel-sized watercolor paint box with my sketchbook everywhere I go.

My other favorite medium is digital: I’ve illustrated a few books completely in Adobe Photoshop, from sketches to finished art. Many book illustrators incorporate digital programs into their workflows at some point, whether it’s resizing sketches, or cleaning up and enhancing finished paintings. I use a Microsoft Surface Pro which makes creating digital illustrations even easier.

Q: Please finish this sentence. Picture books are important because…”

A: They introduce children to many rich and important concepts at a young age: a love of reading and art, active listening, and critical thinking of complex subjects while in a safe place. Picture books can provide the foundation upon which a rich education can be built.

  Mayte and the Bogeyman/Mayte y El Cuco Cover  We Are Cousins/Somos Primos Cover    Adelita and the Veggie Cousins/Adelita y Las Primas Verduritas Cover

 

Jacqueline Alcántara

photo credit @eyeshotchaJacqueline Alcántara is a freelance author and illustrator who previously taught high school art and photography. She won the inaugural We Need Diverse Books Illustrator Mentorship Award in 2016. Her first book is The Field which will be published in 2018 by NorthSouth Books.

Q: What inspired you to become an artist?

A: For as long as I can remember, I loved drawing, cutting, gluing, painting, inventing characters, and writing stories. As a kid, my mom would take me down to the Art Institute’s kids programs, and I still remember the texture of the paper they gave me, and how excited I felt about creating art inside the museum. When I was in high school, my dad took me to Honduras a few times, and each time, we visited with one his best friends who happened to be a fantastic painter and brilliant musician. His name was Carlos Brizzio, and he quickly became the coolest person in the world to me. By the time I finished high school, I knew I wanted to work within “the arts,” even if I hadn’t yet figured out what that meant.

After I graduated from college, I worked as an art teacher, and I decided that I wanted to combine my love of art  and kids, and pursue children’s illustration. Lots of artists have inspired me along the way, but my first loves, beyond Quentin Blake and Chris Van Allsburg, were Dalí, Picasso, and Redon. I still look at a lot of art and visit my favorite paintings at the Art Institute of Chicago, but now I’m mostly inspired by silly things that happen throughout the day, serious things that are happening in the world, and all of the beauty that I find in between.

Q: Tell us something about your favorite artistic medium.

A: At this point in time, I’m most in love with markers and gouache. I love gouache because of the opaque/flat feeling of the color. I like that it’s an old medium as well—that it has history and depth. I started using markers recently, when I became interested in fashion illustration. Markers allow you to work fast and consistently, and I love the way they layer on top of one another  to almost look and feel like watercolors, or digital painting. I use Photoshop for almost all of my illustrations to collage, experiment, and play with light, color and composition.

Mixed media is so much fun because you can have a plan for your piece, but so much is still left to chance and experimentation, which is exciting when you’re creating a piece, and so satisfying when it’s complete.

Q: Please finish this sentence. Picture books are important because…”

A: Along with TV and movies, books are largely responsible for how we formulate our ideas about people, cultures, and especially, ourselves from an early age. The stories and characters we read in picture books represent some  of the first ways in which we begin to explore these things, and those impressions stick with us, whether consciously or subconsciously, for a very long time. Picture books ask questions about our world and ourselves and can provide us with comfort, curiosity, hope and empathy. But my favorite part is  the details, and the magical way in which the words and pictures can tell the same story while saying different things. I also love that children can “read” a picture book even before they are ready to read the text, and how repeated readings help them to discover the details, thought, humor and care that goes into the process of creating them. Picture books are important because they help us to visualize our pasts and futures, as they feed our imagination.

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Books to Look For:

Dale, dale, dale: una fiesta de números/Hit it, hit it, hit it: a fiesta of numbers by Carolyn Dee Flores

Canta, Rana, Canta/ Sing Froggie Sing by Carolyn Dee Flores

Una Sorpresa para Teresita/ A Surprise for Teresita by Carolyn Dee Flores

Un día con mis tias/ A Day with my Aunts illustrated by Christina Rodriguez

Mayte and the Bogeyman illustrated by Christina Rodriguez

We are Cousins/ Somos primos illustrated by Christina Rodriguez

Adelita and the Veggie Cousins illustrated by Christina Rodriguez