Book Review: Here We Are: Feminism for the Real World Edited by Kelly Jensen

 

 

Reviewed by Cecilia Cackley

25226116DESCRIPTION OF THE BOOK: Let’s get the feminist party started!

Here We Are is a scrapbook-style teen guide to understanding what it really means to be a feminist. It’s packed with essays, lists, poems, comics, and illustrations from a diverse range of voices, including TV, film, and pop-culture celebrities and public figures such as ballet dancer Michaela DePrince and her sister Mia, politician Wendy Davis, as well as popular YA authors like Nova Ren Suma, Malinda Lo, Brandy Colbert, Courtney Summers, and many more. Altogether, the book features more than forty-four pieces, with an eight-page insert of full-color illustrations.

Here We Are is a response to lively discussions about the true meaning of feminism on social media and across popular culture and is an invitation to one of the most important, life-changing, and exciting parties around.

MY TWO CENTS: This is an excellent, comprehensive look at feminism from many different perspectives. For the purposes of this book talk, I will be focusing on three essays in particular, but the whole book is a great balance of voices. By turns funny, serious, personal, or historical, it includes comics, lists, poetry, song lyrics, and interviews. This collection is the perfect book to hand to a teen who strongly identifies as a feminist, as well as the teen who is trying to figure out what it’s all about. In short, there is something for everyone here.

Three essays in particular are of interest to us here at Latinxs in Kid Lit (full disclosure, one is by my fellow blogger Ashley Hope Pérez) and they couldn’t be more different. “Pretty Enough” by Alida Nugent, is a personal story about growing up feeling out of place because of her Puerto Rican features and the change in her self-image after a trip to Puerto Rico. ‘The “Nice Girl” Feminist” by Ashley Hope Pérez is an amusing but incisive list of unspoken commandments for being a “nice girl” that really should be broken. And “Many Stories, Many Roads” by Daniel José Older is a stirring call to action and a testament to the truth that there are many different journeys to being a feminist.

Nugent’s description of her hometown in Westchester is amusing. “Antique shops, cider festivals and designer purses” are some points she includes on the list, along with high school friends who questioned her background (“Where are you from again?”) and pointed out her physical differences. It was a trip to Puerto Rico and her mother’s hometown that helped Nugent figure out that it wasn’t that she didn’t like her looks, but that she was tired of being the one person who stuck out. For teens growing up in similar situations where they feel out of place, Nugent holds out the promise that we can find somewhere to belong and be ourselves–whatever that looks like.

I laughed when I saw the title of Pérez’s piece. “Nice girl” is not a label I would have applied to myself as a teen. And yet, although I grew up in a much more liberal environment than Pérez, I was also one of those girls who didn’t understand the big deal about orgasms (like Pérez, I eventually figured it out). Not all teens are comfortable speaking loudly and challenging authority. One of the best things about Pérez’s piece is that she demonstrates how big injustices have their roots in small, everyday attitudes toward women and girls—attitudes that teens can absolutely challenge in small ways. In the end, Pérez writes, realizing you don’t have to conform to someone else’s expectations is a feminist act all by itself.

Older sets his essay in Barcelona and builds a strong setting, taking the reader along as he wanders through the city to the harbor. As he walks, he meditates both on the past he is processing (history, personal relationships, career experiences) and the future he is trying to figure out. Older makes clear that he considers art (specifically storytelling) to be essential to his activism and that being a feminist is a process, one that requires constant learning, unlearning and relearning. His prose is both reassuring and energizing at the same time, so that by the end of the essay, I felt ready to move forward, try again, and do better. You can’t ask for more from a book for young people.

TEACHING TIPS: Many of the selections here would be great to assign and discuss in a high school class on history, sociology, or psychology. My 16-year-old brother is currently in the middle of a gender inequality unit in his AP English class, and he is using this book to fulfill an independent reading assignment. Nova Ren Suma’s piece about gender inequality in school reading lists is a great choice to start a discussion about curriculum, canon, and the choices made by teachers and professors.

The short length of the selections and incorporation of lists, photos, and questionnaires make this a great book to recommend to teens who are interested in the subject, but not ready to tackle something lengthy by bell hooks or Simone de Beauvoir. Many of the contributors, such as Kody Keplinger, Brandy Colbert, Malinda Lo, Nova Ren Suma and Erika Wurth have other published work that readers can seek out and read as well. The piece by Wendy Davis would be an excellent choice for a government or civics class when talking about women in politics and schools reading Michaela DePrince’s autobiography can use her essay to further their knowledge about her life and art.

ABOUT THE EDITORKelly Jensen is a former teen librarian who worked in several public libraries before pursuing a full-time career in writing and editing. Her current position is with Book Riot, the largest independent book website in North America, where she focuses on talking about young adult literature in all of its manifestations. Her writing has been featured on The Huffington Post, at Rookie Magazine, The Horn Book, BlogHer, School Library Journal. She contributed an essay and a guide to teen sexuality in pop culture for Amber J. Keyser’s The V-Word: True Stories of First-Time Sex and is the author of the book It Happens: A Guide to Contemporary Realistic Fiction for the YA Reader from VOYA Press.

OTHER LINKS:

Interview with Daniel José Older:

http://www.teenlibrariantoolbox.com/2017/01/feminism-is-for-everyone-here-we-are-editor-kelly-jensen-interviews-contributor-daniel-jose-older/

Interview with Alida Nugent:

http://www.teenlibrariantoolbox.com/2017/01/here-we-are-feminism-for-the-real-world-kelly-jensen-talks-with-contributor-alida-nugent-about-social-justice-feminism-finding-and-using-your-voice/

 

Cackley_headshotABOUT THE REVIEWER: Cecilia Cackley is a performing artist and children’s bookseller based in Washington, DC, where she creates puppet theater for adults and teaches playwriting and creative drama to children. Her bilingual children’s plays have been produced by GALA Hispanic Theatre and her interests in bilingual education, literacy, and immigrant advocacy all tend to find their way into her theatrical work. You can find more of her work at www.witsendpuppets.com.

February 2017 Latinx Book Deals

Compiled by Cecilia Cackley

This is a monthly series keeping track of the book deals announced by Latinx writers and illustrators. The purpose of this series is to celebrate book deals by authors and illustrators in our community and to advocate for more of them. If you are an agent and you have a Latinx client who just announced a deal, you can let me know on Twitter, @citymousedc. If you are a Latinx author or illustrator writing for children or young adults, and you just got a book deal, send me a message and we will celebrate with you! Here’s to many more wonderful books in the years to come.

February 28

None.

February 24

Kathy Landwehr at Peachtree has acquired 2982 Days, a free-verse middle grade book by rocket engineer Suzanne Slade, about the Apollo missions and the daring astronauts who paved the way for the first moon landing. Thomas Gonzalez will illustrate; publication is planned for fall 2018.

February 16

Michael Strother at HarlequinTeen has acquired Toil & Trouble, an anthology of feminist stories of witchcraft, co-edited by Tess Sharpe (l.) and Jessica Spotswood and featuring contributions from Brandy Colbert, Zoraida Cordova, Andrea Cremer, Kate Hart, Emery Lord, Elizabeth May, Anna-Marie McLemore, Tehlor Kay Mejia, Karuna Riazi, Lindsay Smith, Nova Ren Suma, Robin Talley, Shveta Thakrar, Tristina Wright, and Brenna Yovanoff. The book will be published in fall 2018.

February 14

Emma Ledbetter at Atheneum has acquired Keith Calabrese’s debut picture book, Lena’s Shoes Are Nervous: A Kindergarten Dilemma, to be illustrated by 2017 Pura Belpré Award winner Juana Medina, about a girl who projects first-day-of-school jitters onto her shoes, and, with help from her other clothes, calms their nerves and gets them out the door. Publication is planned for fall 2018.

February 9

Brittany Rubiano at Disney Press has signed Diana López to write a middle grade novel inspired by Disney-Pixar’s forthcoming film, Coco, featuring original content. Publication is set for October 2017.

February 7

None.

February 2

Jennifer Ung at Simon Pulse has bought Juleah del Rosario‘s debut YA novel-in-verse, 500 Words or Less. The story follows a high school senior who attempts to salvage her reputation by writing her Ivy League-obsessed classmates’ college admissions essays, while she struggles with a moral compass that no longer points north. Publication is slated for fall 2018.

Stacy Whitman of Tu Books has acquired world rights for Clockwork Curandera, a YA steampunk graphic novel reimagining of Frankenstein set in an alternate colonial Mexico, by Pura Belpré Honor recipient David Bowles and illustrated by Pura Belpré winner Raúl the Third. Publication is set for fall 2019.

Latinxs and the MFA: A Chat with Emerging Writer Yamile Saied Méndez

ysmfamily

Writer Yamile Saied Méndez, surrounded by her family

Many aspiring writers look to MFA programs as the surest path to refining their writing skills. Yamile Saied Méndez, a native of Argentina who resides in Utah, is a recent graduate of the Vermont College of Fine Arts MFA in Writing program (VCFA). We were delighted to chat with her about her experiences.

LKL: Let’s get some background. When and how did you catch the writing bug?

Yamile: I’ve always loved stories and books. It wasn’t until my grandfather died, when I was six years old, that I wanted to tell my own stories. True to my writing process (which I recognized much later in life), the story simmered in my mind for a couple of years. I finally put my experiences and feelings on paper when the story had taken total possession of me, and I couldn’t go one more day without telling it.

So I wrote about a princess named Joanna who went out to find a cure for her grandfather’s cancer.

From my beginnings, my writing has been a tool to explore what’s happening in my life and the world around me, although my stories aren’t technically autobiographical. I write about third-culture children, sports, my beloved city of Rosario, life in small-town Utah, spirituality, etc.

Writing has always been a part of my life, but I never thought I could one day be a writer. I left Argentina at age nineteen to attend Brigham Young University, where I majored in International Economy. But during those years, I learned Portuguese and eventually became a translator. I devoured books from the library. When my children were born, I savored the books I didn’t have in my childhood (like Where the Wild Things Are, Ferdinand, and Good Night Moon, among others).

When my own stories started taking full possession of me, and I couldn’t go another day without telling them, I started writing. After the birth of my fourth child, I decided that I wanted to share my writing with the world. I rolled up my literal sleeves and started my writing apprenticeship.

LKL: Before VCFA, what types of self-directed activities or writing classes did you utilize to develop your craft?

Yamile: NaNoWriMo was the catalyst that sent the proverbial writing stone rolling for me. I was very active in the blogging community, and on November 6th, 2007, I read a casual comment about a novel-writing challenge. I headed over to the NaNoWriMo website, signed up, and started writing a story that had been germinating in my mind for a while and I hadn’t even noticed. The euphoria of typing The End is addictive, and after the first time, I couldn’t stop.

I wrote every day and learned there was much more to writing than pouring words on the page. I found books on self-editing, story structure, character development, and eventually, the publishing industry. With the help of my critique group (the Sharks and Pebbles, whose name originated from this spoof), finished a manuscript and queried it without apparent success. Some agents who rejected my piece were very encouraging, and that was all I needed to stay motivated.

I attended my first writers conference, LDS Storymakers, which is the largest writing conference in Utah, and entered the first-chapter contest. My entry won the first place in the Young Adult category, which told me I was on the right track.

I also attended the Writing and Illustrating for Young Readers conference and workshop, organized and directed by VCFA alumna and award-winning author Carol Lynch Williams, and my life changed forever. At WIFYR I workshopped with Ann Dee Ellis, Martine Leavitt, and Cynthia Leitich-Smith. After savoring this yearly feast on craft and art, I wanted more. I knew Martine and Cynthia taught at VCFA, and when my fifth child was one-year-old (and in my mind, capable of surviving without me during the ten-day residency periods), I applied to the program.

LKL: Please share about your experiences with your MFA, starting with the decision to apply. How did you choose VCFA? What are some of the factors you would recommend for other writers to consider?

Yamile: I had looked into VCFA for years, but my four children were very young, my husband had (and still has) a very demanding job, and I didn’t think I had the skills required for such an intensive program. I perused the website nightly, and when I turned to the Acknowledgements page of a favorite book and read the author’s dedication and/or gratitude to VCFA, and its faculty and student body, my desire to apply intensified.

One day I realized that time kept going, and that my children were growing up quickly. If I wanted to pursue advanced education, now was the time. Fortunately, my husband was very encouraging. After all, I had supported him when he pursued his MBA degree and as he advanced in his career. Armed with my family’s support, I applied. When the acceptance letter arrived, I was thrilled.

LKL: Take us into the world of an MFA student. What were some of the turning points or eureka moments for you as a writer?

Yamile: In my first semester, I learned to be a flexible writer. I’d already written two MG novels before VCFA, and I was determined to write YA during my two years as a student. With my first advisor, I wrote YA, but I also wrote poetry, picture books, early readers, and my favorite surprise: short stories. Exploring with the format allowed me to study plot and story structure. It taught me to make my words count. Two of my YA projects were born of short stories. The experience was illuminating in regards to my own writing process. Another thing I valued from the beginning was being open to critique, but also trusting my writerly instincts. In our graduation ceremony, VCFA Thomas Christopher Greene told us graduates that we had earned a Master’s degree over our own writing. To trust this authority. I remind myself of this lesson daily.

yamile-daughterLKL: During your enrollment, you were also busy with family life. Could you share some tips for getting the most from classwork while also meeting everyday demands?

Yamile: As I flew back home from my first residency, I considered the work load for each of the five packets ahead of me that semester (40 pages of creative writing, 2 critical essays, an annotated bibliography of ten to fifteen books, and a detailed letter to my advisor), and I was overwhelmed.

How in the world was I ever going to do it all?

I learned to prioritize. I put myself on a schedule that started much earlier than my children’s so I could have uninterrupted writing time. With my kids in school, I had almost three hours of sacred morning writing time (I still do most of my writing during the morning when the kids are at school). Still, my obligations didn’t fit into 24 hours.

I learned to say no. I didn’t volunteer at the kids’ schools as much (or at all during my third semester). I gave up TV.

I also had obligations to my agent, my freelance writing job, and my church. I reached a point in which I put my writing, my family, my obligations ahead of my health. I started learning (I’m still learning this) to maximize my time so I could sleep a full night. I learned simple recipes, and my children helped with household chores. When they saw my dedication to my school work, my family teamed up to help me meet my deadlines. We read my “homework” before bedtime. We listened to audiobooks in the car. The kids brought me books from their school libraries to help with essays or research. Again, I also learned how to be a flexible writer. I wrote or read during halftime at soccer matches or long dance competitions. I did “character studies” during carpool (15 year-old boys will say the funniest things when they believe the driver can’t hear them). I learned to let go of things I couldn’t control, like the sea of Legos in the playroom. These habits prepared me for the writing life after the MFA. Nowadays, although I don’t have an advisor waiting for my packet, I have an agent waiting for my revision. A VCFA friend and I became accountability partners. It helps to have someone cheering for me and celebrating accomplishments at the end of a busy week.

The MFA was a family affair, and I couldn’t have done it without the support of so many friends and family.

LKL: A few years ago, Junot Díaz wrote a stinging essay about the experiences of people of color at various MFA programs. On its website, VCFA makes a strong commitment to diversity. In your view, how well do they honor this promise?

fellowlatinas

Yamile with fellow Latinas at VCFA

Yamile: I’m embarrassed to confess I didn’t know Junot Díaz until my first semester advisor assigned me one of his short stories. The beauty, honesty, and clarity of Junot’s words stunned me. My perception of my world, my writing, my country, and myself changed dramatically. I measured all I learned against my new perception of what it means to be a POC in a graduate program.

At VCFA, the student body is still not diverse enough. The staggering price of tuition and room/board is a deterrent to many POC applicants. VCFA is trying to mitigate the financial burden by granting scholarships (The Angela Johnson Scholarship for New Students of Color or Ethnic Minority established by literary agent Barry Goldblatt).

As far as the faculty goes, VCFA boasts an incredible roll of award-winning stars with ties to diverse communities: Cynthia Leitich-Smith, Uma Krishnaswami, An Na, Will Alexander, Daniel José Older, Kekla Magoon, and Shelley Tanaka, among others.

The rest of the faculty is invested in diversity and the promotion of writers from marginalized communities. Workshops and lectures are sensitive to the importance of inclusion and supporting marginalized voices. Alumni POC are wonderful role models and mentors. In the admissions department, prospective, current, and past students have a super champion in Ann Cardinal, a self-declared Gringa-Rican.

To summarize my answer, yes, VCFA honors their commitment to diversity, and they continue to strive to better serve the interests of all students, especially writers of color.

LKL: What advice would you give to aspiring Latinx writers about considering a creative writing program or preparing to enroll in one?

Yamile: I’m a strong advocate for education. However, I’d advise people to consider the motivations for pursuing a MFA.

Is it to take a shortcut on publication or success?

Keep in mind that there aren’t any promises for either publication or success even for VCFA MFA holders.

Is it to teach?

An MFA will provide the writer with better opportunities to teach at a university level, since it’s a terminal degree.

Is it to improve their craft?

You could also acquire these tools on your own, or by attending conferences and workshops. But during a structured program, you will be committed to do your work every day, no matter what.

Is it for the community?

At VCFA, I made personal connections with fellow students, faculty, and alumni, some of whom graduated years before I even started. The VCFA family is a tight-knit group, and I’m honored to be part of it.

Also, consider your financial situation.

Lastly, look into your heart. I always wanted to be a writer, but I felt I needed to study something practical, and that’s how I ended up studying economics. My love for writing and reading never waned though, so when I had the chance, I chose VCFA. I wonder how my story would have been different if I’d gone with my heart years ago.

If a writing program is what you want to do, then go for it.

LKL: Now that you’re an MFA grad, what’s next? What are you working on?

Yamile: I finished VCFA with a portfolio of exciting material. I’m revising an MG story about a girl, the star of an all-boy fútbol team. When she gets her period and gets kicked off the team, she goes on to earn a spot in a girls’ team, and to fight for the National Championship. For my critical thesis, I wrote on the importance of portraying girls’ puberty in middle grade, and following on the heels of that, this story has been fun and empowering to write. Eleven-year-old me would have loved it.

I’m also working on a story I call it my gender-bender Hamilton meets Joan D’Arc–my love letter to refugees and immigrants everywhere.

Next spring, I’m teaching a diversity class at Storymakers, and I applied to Junot Díaz’s VONA workshop, because education never ends.

LKL: Finally, permit us to show off a little on your behalf. You had an amazing 2015: You were named a finalist in Lee and Low’s New Voices Award. You secured a literary agent. You enrolled at VCFA. At some point, We Need Diverse Books named you a recipient of its inaugural Walter Deans Myers Grant. Wow! What has the Walter Dean Myers grant meant to your writing career? Tell us how 2015 fits into the story of where you’ve come from—and where you see yourself going—as a writer.

Yamile: The validation I felt after winning the New Voices Honor, and being chosen as an inaugural Walter Dean Myers Grant recipient was the fuel I needed to keep me motivated and engaged in learning as much as I could at VCFA. To think that I taught myself how to read and write English with a bilingual dictionary! I’m inspired to keep working towards publication, to tell the stories that I wanted to read as a child and that also reflect the reality of a large portion of the population of our country. My dream is to visit schools to tell children like my own that their voices matter. I’m excited for the future generation and the stories they’ll produce.

Keep up with Yamile on her website, where she blogs about the writing life, or on Twitter: @yamilesmendez. 

 

 

Latinx in Publishing: Spotlight on Literary Agent Linda Camacho

 


Today, we are starting what we hope will be an ongoing, occasional series that highlights Latinx in the publishing industry. Our first post is a Q&A with Linda Camacho, an agent with the Prospect Agency

LiKL: Please tell us about your background and how you became a literary agent.

prospect-agency-profile-picLinda: After I graduated from college, I worked at Penguin on the adult side and eventually left to pursue other things. I flirted with the idea of law school, but I missed publishing, so it wasn’t very long before I decided to return to it. Only, the job market had just begun its plummet, so I couldn’t actually land a job. That led to a series of internships in various departments at Dorchester, Simon & Schuster, Random House, and Writers House literary agency. Thankfully, Random House eventually took pity and hired me! I did children’s marketing there, during which time I discovered a passion for kid lit as well—so much so, that I got my MFA in children’s writing from Vermont College of Fine Arts.

Initially, I wanted to be an editor, but my time at Writers House turned me onto the idea of agenting. Until then, I never really understood what agents actually did until I was given the chance to see it for myself. When I was later offered my position at Prospect Agency, I knew the flexibility of the role would be a better fit for me.

LiKL: We’d love for you to shed some light on all you do as a literary agent. What are all the things you handle? Is there such thing as a “typical” day that you can describe?

Linda: There’s so much that an agent does! We handle all our clients’ business affairs, so beyond contract negotiation, we represent their foreign, film/TV, audio and other subsidiary rights. We generally act as the liaison between the author and publisher (particularly when things get sticky) and help in the more mundane matters like payment collection for them as well. That’s on top of reading the queries and manuscripts of potential clients.

There’s really no typical day on the job, really. After answering emails first thing in the morning, I’ll check in on client submissions, nudging any editors who still have a manuscript and noting any passes or interest. I also try to go through queries pretty quickly. I get about 20 a day, so maybe no more than an hour, if that. Additionally, I edit client manuscripts for those I’m getting ready to submit to editors and, if time permits, I try to catch up on reading requested manuscripts from querying writers. That’s between editor lunches, client phone calls, and more emails that come up. It can feel pretty scattered.

LiKL: What is the most challenging part of your job? What is the most rewarding?

Linda: The most challenging part of the job is managing expectations. Even when my clients have reasonable ones, it can be difficult to keep their spirits buoyed in the face of rejection. I give plenty of pep talks, that’s for sure. Thankfully, I like talking (just ask my family members)! The most rewarding part? Why, making that call to my client to let them know they have an offer. That’s thrilling. Another agent once told me we’re like fairy godmothers that way, helping people’s wishes come true. I like that image!

LiKL: As a Latina in publishing, do you face any particular challenges?

Linda: In terms of challenges, I’m always looking to find more Latinx who are interested in not just writing, but in other areas of publishing as well. The fact is, not enough Latinx know about publishing as a viable career option. I’m part of an group called Latinx in Publishing, whose aim is to recruit and provide mentorship to help diversify our industry.

LiKL: With the brighter spotlight on diverse books, thanks to We Need Diverse Books and other groups, are you seeing a change in the types of manuscripts you’re receiving and/or what publishers want?

Linda: As a result of the diversity conversations occurring now more than ever, I’m seeing more under-represented writers submit to me, so that’s promising! And more editors are asking for diversity, so I remain hopeful that things will continue to evolve. It’s going to take a long time, but there has definitely been a shift. I’m also starting to get more commercial queries, which is exciting, because it can’t be all about “issue” books.

LiKL: What do you want? What’s on your wish list?

Linda: For adult fiction, I’d love to see more diverse romance and women’s fiction romance (please, please!). For kidlit, I do the occasional picture book, but those are very select. I’m focusing more on middle grade and young adult genre fiction across all genres–if it’s great writing coupled with a strong hook, send it my way!

LiKL: Are you open to queries? If so, how can writers submit to you?

Linda: I am! I accept queries via the electronic form on Prospect Agency’s submission page (http://www.prospectagency.com/boathouse.html)

LiKL: What is one of your all-time favorite kid lit books? Why?

Linda: Anne of Green Gables, hands down. Anne (with an e) is that smart, imaginative, short-tempered girl I always longed to be. Plus, I grew up in the Bronx and Anne’s life in the countryside couldn’t have been more different from my city upbringing.

LiKL: Anything else you’d like to add?

Linda: We need diverse writers, so I urge them to not give up. We also desperately need more diverse folks on the other side of the publishing table (i.e., in editorial, marketing, sales), so please apply to those openings and seek people out who can connect you to those jobs. We need you.

Book Review: Stef Soto, Taco Queen by Jennifer Torres

 

Reviewed by Caissa Casarez

Stef Soto, Taco Queen CoverDESCRIPTION FROM THE BOOK’S BACK COVER: Estefania “Stef” Soto is itching to shake off the onion-and-cilantro embrace of Tia Perla, her family’s taco truck. She wants nothing more than for Papi to get a normal job and for Tia Perla to be a distant memory. Then maybe everyone at school will stop seeing her as the Taco Queen.

But when her family’s livelihood is threatened, and it looks like her wish will finally come true, Stef surprises everyone (including herself) by becoming the truck’s unlikely champion. In this fun and heartfelt novel, Stef will discover what matters most and ultimately embrace an identity that even includes old Tia Perla.

MY TWO CENTS: Jennifer Torres doesn’t waste any time introducing the readers to Stef and the people in her life, including Papi and her best friend Arthur in the first scene outside of their Catholic middle school. She notices Papi in his taco truck – known as Tia Perla for the rest of the book – and she gets angry because he had originally promised to let her meet him at a nearby gas station. This is the first of many conflicts Stef has with her parents about maturity at the seventh-grade level. The conflicts are about issues that come up in many houses of middle school students.

One of my favorite scenes of the book is in chapter 3, when Stef reminisces about the early stages of Tia Perla being in her family’s life. From what Torres describes as “kitchen-table whispers” about the kinds of beans and salsa it’ll feature (“nothing from a jar,” insists Mami) to learning the origin of the name (Stef’s pick), the entire scene was sweet and a key part of the story. The chapters in the entire book are short but detailed enough for readers of any age to get a glimpse into Stef’s life.

Despite the joy Tia Perla once brought to Stef, she feels anything but joy about the beloved truck as the book goes on. She tries to be nice to former-friend-turned-popular-girl Julia by offering her a ride home in Tia Perla, but Julia turns around and calls Stef the “Taco Queen” behind her back. This comes after Julia makes a scene before the start of their English class by announcing she has tickets to see local pop sensation Viviana Vega in concert. Torres then takes the readers into more of Stef’s life at Saint Scholastica School – trying to fit in and leave Tia Perla in the dust. Stef’s favorite day of the week is Tuesday, which she realizes is not common, because it’s when she has her art class. “And in art class,” Torres writes, “I never hear Mami’s voice telling me I’m too young, or Papi’s nagging me to be careful. I am in charge of the blank piece of paper in front of me, and I can turn it into something as vivid and adventurous or as quiet and calm as I want.” This part of the story stuck out to me because of the way Torres compares making art with wanting independence.

Stef spends every Saturday helping her Papi and Tia Perla during their busiest day of the week. They travel to farmers markets, parks, and other outdoor common areas in their city to feed the crowds with the scrumptious food they’re known for. Even though Papi seems grateful every time Stef helps him out, she still wants nothing to do with Tia Perla, especially when it gets in the way of her independent life she’s trying to create.

During a stop on one of Tia Perla’s routine Saturdays, Stef visits her other best friend, Amanda, after her soccer game. While the two are cooling off with the help of strawberry soda, they listen to the radio and eventually win concert tickets to see Viviana Vega. Stef is cautiously optimistic about her parents letting the two attend the concert alone – until they say no, despite her papi giving her a cell phone she thinks is to check in with them at the concert.

The book then turns its focus to two more complex and meaningful issues previously introduced before Stef’s blowup with her papi. Stef and her classmates decide to work together in a unique way to get more art supplies (hint: a school-wide event is included). And, in a move that impacts Stef more than she realizes, Papi’s business (and Tia Perla) is threatened by new proposed city rules that would impact all food trucks in the area, specifically the taco trucks. Stef seems more mature than others her age when she mentions translating important notes for her papi and others from English into Spanish.

The book ends with a couple of different twists that I didn’t see coming, but I believe both twists worked really well to help bring the story to a close. Stef learns to love all of the parts that make up her identity – even Tia Perla.

Torres does a wonderful job describing the characters and each place they’re in throughout the book. I felt like I was following Stef and her family and friends through their adventures. The book addresses many important topics that may be tough for some kids and families to discuss, but I believe the issues were written in a way that kids can understand. I felt for Stef during some of the scenes with her parents.

There are some basic Spanish words and sentences in the book, most of which are italicized except for one – Orale! That word appears several times in the book with several different meanings, which I loved. It helped set the tone for each of the different chapters, especially when Stef described each way it was written for each scene.

Overall, Stef Soto, Taco Queen is a wonderful read. It’s recommended for kids in grades 4-7 (ages 9-12), but I would suggest it to anyone looking for a story about a girl trying to find herself in this crazy world.

TEACHING TIPS: This book could be used to discuss the idea of working together to help solve problems, especially in the face of adversity. Stef’s art teacher, Mr. Salazar, helped his class raise money to bring in more art supplies, even though he was skeptical about their idea at first. The book could also be used in a way to discuss local politics for students. Not many middle-school students get involved with politics in such a way that Stef did, but I believe the book would be a good way to teach students how to make a difference in their community.

jtorresABOUT THE AUTHOR (from the book’s back cover): Jennifer Torres was 17-years-old–a senior at Alverno High School in Sierra Madre, California—when the first time a story of hers was published in a newspaper. The story was about making tamales with her family, but it was also about love and tradition and growing up. She went on to study journalism at Northwestern University and the University of Westminster. Today, she works as a freelance journalist and is the author Finding the Music, a picture book from Lee & Low. Jennifer lives with her husband and two little girls in central California. Stef Soto, Taco Queen is her debut novel.

BOOK LINKS: Amazon, Barnes & Noble, IndieBound, GoodReads

 

assertABOUT THE REVIEWER: Caissa Casarez is a proud multiracial Latina and a self-proclaimed nerd. When she’s not working for public television, Caissa loves reading, tweeting, and drinking cold brew. She especially loves books and other stories by fellow marginalized voices. She wants to help reach out to kids once in her shoes through the love of books to let them know they’re not alone. Caissa lives in St. Paul, MN, with her partner and their rambunctious cat. Follow her on Twitter & Instagram at @cmcasarez.

2017 Titles By/For/About Latinx!!

 

Get your To-Be-Read lists out! Here are the 40+ titles we know about that are releasing in 2017 that are by Latinx creators with or without Latinx characters and by non-Latinx creators with Latinx characters. We plan to review as many of these as we can, so please check the site often or follow the blog for updates.  The coming year brings new books from Benjamin Alire Sáenz, Anna-Marie McLemore, Lulu Delacre, Jenny Torres Sanchez, Adam Silvera, Veronica Chambers, Carmen Agra Deedy, Monica Brown, Maragarita Engle, and Diana Rodriguez Wallach. We will also see a few authors crossing genres. Morris Award winner Sofia Quintero will have a new chapter book out, and picture book writer Jennifer Torres will release a debut middle grade novel. The books are listed by the publishing date. Please let us know in the comments if we are missing any!

HAPPY READING!!

 

Because of the Sun CoverBECAUSE OF THE SUN by Jenny Torres Sanchez (Delacorte Press, January 3, 2017). Young Adult. Dani Falls learned to tolerate her existence in suburban Florida with her brash and seemingly unloving mother by embracing the philosophy Why care? It will only hurt. So when her mother is killed in a sudden and violent manner, Dani goes into an even deeper protection mode, total numbness. It’s the only way she can go on. But when Dani chooses The Stranger by Albert Camus as summer reading for school, it feels like fate. The main character’s alienation after his mother’s death mirrors her own. Dani’s life is thrown into further turmoil when she is sent to New Mexico to live with an aunt she never knew she had. The awkwardness between them is palpable. To escape, Dani takes long walks in the merciless heat. One day, she meets Paulo, who understands how much Dani is hurting. Although she is hesitant at first, a mutual trust and affection develop between Dani and Paulo, and Dani begins to heal. And as she and her aunt begin to connect, Dani learns about her mother’s past. Forgiving isn’t easy, but maybe it’s the only way to move forward. Our review: https://latinosinkidlit.com/2017/01/12/book-review-because-of-the-sun-by-jenny-torres-sanchez/

Image result for stef soto taco queenSTEF SOTO, TACO QUEEN by Jennifer Torres (Little, Brown Books, January 3, 2017). Middle Grade. Estefania “Stef” Soto is itching to shake off the onion-and-cilantro embrace of Tia Perla, her family’s taco truck. She wants nothing more than for her dad to get a normal job and for Tia Perla to be put out to pasture. It’s no fun being known as the “Taco Queen” at school. But just when it looks like Stef is going to get exactly what she wants, and her family’s livelihood is threatened, she will have to become the truck’s unlikely champion. Our review: https://latinosinkidlit.com/2017/02/02/book-review-stef-soto-taco-queen-by-jennifer-torres/

 

 

History Is All You Left Me CoverHISTORY IS ALL YOU LEFT ME by Adam Silvera (Soho Teen, January 17, 2017). Young Adult. Starred reviews from Kirkus, Publisher’s Weekly, Booklist, School Library Journal. When Griffin’s first love and ex-boyfriend, Theo, dies in a drowning accident, his universe implodes. Even though Theo had moved to California for college and started seeing Jackson, Griffin never doubted Theo would come back to him when the time was right. But now, the future he’s been imagining for himself has gone far off course. To make things worse, the only person who truly understands his heartache is Jackson. But no matter how much they open up to each other, Griffin’s downward spiral continues. He’s losing himself in his obsessive compulsions and destructive choices, and the secrets he’s been keeping are tearing him apart. If Griffin is ever to rebuild his future, he must first confront his history, every last heartbreaking piece in the puzzle of his life. Young Adult.

25883033THE RADIUS OF US by Marie Marquardt (St. Martin’s Griffin, January 17, 2017). Young Adult. Starred review from School Library Journal. Ninety seconds can change a life — not just daily routine, but who you are as a person. Gretchen Asher knows this, because that’s how long a stranger held her body to the ground. When a car sped toward them and Gretchen’s attacker told her to run, she recognized a surprising terror in his eyes. And now she doesn’t even recognize herself. Ninety seconds can change a life — not just the place you live, but the person others think you are. Phoenix Flores-Flores knows this, because months after setting off toward the U.S. / Mexico border in search of safety for his brother, he finally walked out of detention. But Phoenix didn’t just trade a perilous barrio in El Salvador for a leafy suburb in Atlanta. He became that person — the one his new neighbors crossed the street to avoid. Ninety seconds can change a life — so how will the ninety seconds of Gretchen and Phoenix’s first encounter change theirs? Told in alternating first person points of view, The Radius of Us is a story of love, sacrifice, and the journey from victim to survivor. It offers an intimate glimpse into the causes and devastating impact of Latino gang violence, both in the U.S. and in Central America, and explores the risks that victims take when they try to start over. Most importantly, Marie Marquardt’s The Radius of Us shows how people struggling to overcome trauma can find healing in love.

33276882MORNING STAR HORSE by Margarita Engle. (Horizon Bound Books, January 30, 2017). Middle Grade. Award winning author Margarita Engle brings a tale of history mixed with a touch of fantasy. A young girl stricken with rickets and her mother face the aftermath of the Spanish-American War, the challenges of a new century and innovative teachers. Dreams realized and dreams crushed exploring the freedoms only a magical horse can offer.

 

 

 

The Rooster Who Would Not Be Quiet!THE ROOSTER WOULD NOT BE QUIET written by Carmen Agra Deedy and illustrated by Eugene Yelchin. (Scholastic, January 31, 2017). Picture Book. Starred reviews from Publisher’s Weekly and Kirkus. La Paz is a happy, but noisy village. A little peace and quiet would make it just right. So the villagers elect the bossy Don Pepe as their mayor. Before long, singing of any kind is outlawed. Even the teakettle is afraid to whistle! But there is one noisy rooster who doesn’t give two mangos about this mayor’s silly rules. Instead, he does what roosters were born to do. He sings: “Kee-kee-ree-KEE!”

 

30201884ABC PASTA by Juana Medina Rosas (Penguin Young Readers Group, February 7, 2017). Picture Book. Starred reviews from Booklist and School Library Journal.

A is for angel hair acrobat
M is for Macaroni the Magician
and T is for tortellini trapeze artist.
It’s an ABC circus that’s good enough to eat! Feb 7

 

30363752LOLA LEVINE MEETS JELLY AND BEAN written by Monica Brown and illustrated by Angela Dominguez. (Little, Brown Books, February 7, 2017.) Chapter BookThe Levines are finally getting a pet–a furry one that is. They are excited about adopting a kitty they name Jelly, but they don’t get very far in the process when Ben starts sneezing. Oh no, he’s allergic! Lola is devastated and sets out to find Jelly a good home. Luckily, Lola is rewarded with a very happy (and still furry) ending! With Lola’s trademark humor, we can expect a few mishaps, many funny moments, and a cute new pet all wrapped in one adorable book. LOLA LEVINE AND THE VACATION DREAM will be released April 25, 2017, and LOLA LEVINE AND THE HALLOWEEN SCREAM will be released July 3, 2017.

Image result for education of margot sanchezTHE EDUCATION OF MARGOT SANCHEZ by Lilliam Rivera (Simon & Schuster, February 21, 2017). Young Adult. After “borrowing” her father’s credit card to finance a more stylish wardrobe, Margot Sanchez suddenly finds herself grounded. And by grounded, she means working as an indentured servant in her family’s struggling grocery store to pay off her debts. With each order of deli meat she slices, Margot can feel her carefully cultivated prep school reputation slipping through her fingers, and she’s willing to do anything to get out of this punishment. Lie, cheat, and maybe even steal…Margot’s invitation to the ultimate beach party is within reach and she has no intention of letting her family’s drama or Moises—the admittedly good looking but outspoken boy from the neighborhood—keep her from her goal. Our review: https://latinosinkidlit.com/2017/03/02/book-review-the-education-of-margot-sanchez-by-lilliam-rivera/

29506205FUTURE THREAT by Elizabeth Briggs (Albert Whitman, March 1, 2017). Young Adult. Six months ago Aether Corporation sent Elena, Adam, and three other recruits on a trip to the future where they brought back secret information–but not everyone made it back to the present alive. Now Elena’s dealing with her survivor’s guilt and trying to make her relationship with Adam work. All she knows for sure is that she’s done with time travel and Aether Corporation. But Aether’s not done with her–or Adam, or fellow survivor Chris. The travelers on Aether’s latest mission to the future have gone missing, and Elena and her friends are drafted into the rescue effort. They arrive in a future that’s amazingly advanced, thanks to Aether Corporation’s reverse-engineered technology. The mission has deadly consequences, though, and they return to the future to try to alter the course of events. But the future is different yet again. Now every trip through time reveals new complications, and more lives lost–or never born. Elena and Adam must risk everything–including their relationship–to save their friends.

 Image result for the inexplicable logic of my heartTHE INEXPLICABLE LOGIC OF MY LIFE by Benjamin Alire Sáenz (Clarion Books, March 7, 2017). Young Adult. Starred reviews from Kirkus, School Library Journal, Publisher’s Weekly. Sal used to know his place with his adoptive gay father, their loving Mexican-American family, and his best friend, Samantha. But it’s senior year, and suddenly Sal is throwing punches, questioning everything, and realizing he no longer knows himself. If Sal’s not who he thought he was, who is he?

 

 

 

The Chupacabra Ate the Candelabra CoverTHE CHUPACABRA ATE THE CANDELABRA by Marc Tyler Nobleman, illustrated by debut artist Ana Aranda (Nancy Paulsen/Penguin, March 7, 2017). Picture Book. With its hilarious dialogue, trio of bumbling goats, and fantastically zany villain, this unique, laugh-out-loud story based on a legendary monster is sure to crack up kids and grown-ups alike.

 

 

 

28143051PROOF OF LIES: Anastasia Phoenix series by Diana Rodriguez Wallach (Entangled Teen, March 7, 2017). Young Adult. Anastasia Phoenix has always been the odd girl out, whether moving from city to international city with her scientist parents or being the black belt who speaks four languages. And most definitely as the orphan whose sister is missing, presumed dead. She’s the only one who believes Keira is still alive, and when new evidence surfaces, Anastasia sets out to follow the trail―and lands in the middle of a massive conspiracy. Now she isn’t sure who she can trust. At her side is Marcus, the bad boy with a sexy accent who’s as secretive as she is. He may have followed her to Rome to help, but something about him seems too good to be true. Nothing is as it appears, and when everything she’s ever known is revealed to be a lie, Anastasia has to believe in one impossibility. She will find her sister.

 

29102833BRAVO! Poems About Amazing Latinos by Newbery Honor-winner Margarita Engle, illustrated by Pura Belpré Award winner Rafael López (Holt/Macmillan, March 14, 2017). Middle Grade. Starred reviews from School Library Journal, Booklist, The Bulletin of the Center for Children’s Books. Spanish language edition also available. Musician, botanist, baseball player, pilot—the Latinos featured in this collection come from many different countries and from many different backgrounds. Celebrate their accomplishments and their contributions to a collective history and a community that continues to evolve and thrive today! Biographical poems include: Aida de Acosta, Arnold Rojas, Baruj Benacerraf, César Chávez, Fabiola Cabeza de Baca, Félix Varela, George Meléndez, José Martí, Juan de Miralles, Juana Briones, Julia de Burgos, Louis Agassiz Fuertes, Paulina Pedroso, Pura Belpré, Roberto Clemente, Tito Puente, Ynes Mexia, Tomás Rivera.

31258127LUCIA THE LUCHADORA written by Cynthia Leonor Garza and illustrated by Alyssa Bermudez (POW! March 17, 2017). Picture Book. Starred review from Kirkus. Lucia zips through the playground in her cape just like the boys, but when they tell her “girls can’t be superheroes,” suddenly she doesn’t feel so mighty. That’s when her beloved abuela reveals a dazzling secret: Lucia comes from a family of luchadoras, the bold and valiant women of the Mexican lucha libre tradition. Cloaked in a flashy new disguise, Lucia returns as a recess sensation! But when she’s confronted with a case of injustice, Lucia must decide if she can stay true to the ways of the luchadora and fight for what is right, even if it means breaking the sacred rule of never revealing the identity behind her mask.

colato-lainez_romeroTELEGRAMS AL CIELO: La infancia de Monsenor Oscar Romero/TELEGRAMS FROM HEAVEN: The Childhood of Archbishop Oscar Romero written by René Colato Laínez; illustrated by Pixote Hunt (Luna’s Press, March 24, 2017). Picture Book. A bilingual picture book biography about Óscar Arnulfo Romero, Archbishop of San Salvador who was assassinated during the Civil War, to published on his Feast Day and anniversary of his assassination.

 

 

31179207VIVA, ROSE! by Susan Krawitz (Holiday House, March 30, 2017). Middle Grade. When fourteen-year-old Rose Solomon’s brother, Abe, left El Paso, he told the family he was heading to Brooklyn. But Rose discovers the truth the day she picks up the newspaper at Pickens General Store and spies a group photograph captioned The Southwestern Scourge of 1915! There stands Abe alongside none other than Pancho Villa and his army! Rose is furious about Abe’s lie; fearful for his safety; and worried about her traditional parents who, despite their strict and observant ways, do not deserve to have an outlaw for a son. Rose knows the only way to set things right is to get Abe home, but her clandestine plan to contact him goes awry when she is kidnapped by Villa’s revolutionaries and taken to his hideaway. Deep in the desert, amidst a richly rendered assortment of freedom-seekers that includes an impassioned young reporter, two sharp-shooting sisters with a secret past, and Dorotea, Villa’s tyrannical young charge, Rose sees no sign of Abe and has no hope of release. But as she learns to lie, hide, and ride like a bandit, Rose discovers the real meaning of freedom and what she’s willing to risk to get hers back.

Lucky Broken Girl CoverLUCKY BROKEN GIRL by Ruth Behar (Nancy Paulsen Books, April 11, 2017). Middle Grade. Starred review from Kirkus. Based on the author’s childhood in the 1960s, a young Cuban-Jewish immigrant girl is adjusting to her new life in New York City when her American dream is suddenly derailed. Ruthie Mizrahi and her family recently emigrated from Castro’s Cuba to New York City. Just when she’s finally beginning to gain confidence in her mastery of English and enjoying her reign as her neighborhood’s hopscotch queen, a horrific car accident leaves her in a body cast and confined her to her bed for a long recovery. As Ruthie’s world shrinks because of her inability to move, her powers of observation and her heart grow larger. She comes to understand how fragile life is, how vulnerable we all are as human beings, and how friends, neighbors, and the power of the arts can sweeten even the worst of times.

Saint Death CoverSAINT DEATH by Marcus Sedgwick (Roaring Brook Press, April 25, 2017). Young Adult. Starred review from Booklist. Anapra is one of the poorest neighborhoods in the Mexican city of Juarez – twenty meters outside town lies a fence – and beyond it – America – the dangerous goal of many a migrant. Faustino is one such trying to escape from the gang he’s been working for. He’s dipped into a pile of dollars he was supposed to be hiding and now he’s on the run. He and his friend, Arturo, have only 36 hours to replace the missing money, or they’re as good as dead. Watching over them is Saint Death. Saint Death (or Santissima Muerte) – she of pure bone and charcoal-black eye, she of absolute loyalty and neutral morality, holy patron to rich and poor, to prostitute and narco-lord, criminal and police-chief. A folk saint, a rebel angel, a sinister guardian.

32332948UGLY CAT & PABLO by Isabel Quintero (Scholastic, April 25, 2017). Chapter Book. Ugly Cat is dying for a paleta (ice pop) and his friend Pablo is determined to help him get one by scaring a little girl who is enjoying a coconut paleta in the park. Things go horribly wrong when, instead of being scared, the little girl picks Pablo up and declares that he would make great snack for her pet snake. Oh and there’s also the small problem that Ugly Cat may have inadvertently swallowed Pablo in all of the commotion!

 

 

 

32672758ROOTING FOR RAFAEL ROSALES by Kurits Scaletta. (Albert Whitman & Company, April 25, 2017). Middle Grade. Rafael has dreams. Every chance he gets he plays in the street games trying to build his skills, get noticed by scouts, and someday play Major League Baseball. Maya has worries. The bees are dying all over the world, and the company her father works for is responsible, making products that harm the environment. Follow Rafael and Maya in a story that shifts back and forth in time and place, from Rafael s neighborhood in the Dominican Republic to present-day Minnesota, where Maya and her sister are following Rafael s first year in the minor leagues. In their own ways, Maya and Rafael search for hope, face difficult choices, and learn a secret the same secret that forever changes how they see the world.

Image result for step up to the plate maria singhSTEP UP TO THE PLATE, MARIA SINGH by Uma Krishnaswami (Tu Books, May 1, 2017). Middle GradeNine-year-old Maria Singh longs to play softball in the first-ever girls team forming in Yuba City, California. It’s the spring of 1945, and World War II is dragging on. Miss Newman, Maria’s teacher, is inspired by Babe Ruth and the All-American Girls League to start a girls softball team at their school. Meanwhile, Maria’s parents Papi from India and Mama from Mexico can no longer protect their children from prejudice and from the discriminatory laws of the land. When the family is on the brink of losing their farm, Maria must decide if she has what it takes to step up and find her voice in an unfair world. In this fascinating middle grade novel, award-winning author Uma Krishnaswami sheds light on a little-known chapter of American history set in a community whose families made multicultural choices before the word had been invented.

Image result for it's not like it's a secretIT’S NOT LIKE IT’S A SECRET by Misa Sugiura (HarperTeen, May 9, 2017). Young Adult. Sixteen-year-old Sana Kiyohara has too many secrets. Some are small, like how it bothers her when her friends don’t invite her to parties. Some are big, like that fact that her father may be having an affair. And then there’s the one that she can barely even admit to herself—the one about how she might have a crush on her best friend. When Sana and her family move to California she begins to wonder if it’s finally time for some honesty, especially after she meets Jamie Ramirez. Jamie is beautiful and smart and unlike anyone Sana’s ever known. There are just a few problems: Sana’s new friends don’t trust Jamie’s crowd; Jamie’s friends clearly don’t want her around anyway; and a sweet guy named Caleb seems to have more-than-friendly feelings for her. Meanwhile, her dad’s affair is becoming too obvious to ignore anymore. Sana always figured that the hardest thing would be to tell people that she wants to date a girl, but as she quickly learns, telling the truth is easy… what comes after it, though, is a whole lot more complicated.

30174679GABBY GARCIA’S ULTIMATE PLAYBOOK by Iva-Marie Palmer. (Katherine Tegen Books, May 9, 2017). Middle Grade. If life were a baseball game, all-star pitcher Gabby Garcia would be having her Best. Season. EVER! Until she’s suddenly sent to another school and her winning streak is about to disappear—both on and off the field. But Gabby never gives up! She has a PLAN to keep her champion status intact, and every step of is written out—PLAY by PLAY. How could it not work? This new series written by Iva-Marie Palmer is filled with funny illustrations, sports facts, and blooper-reel moments that will have readers laughing and rooting for more.

 

32673416THE GO-BETWEEN by Veronica Chambers. (Delacorte, May 9, 2017). Young Adult. She is the envy of every teenage girl in Mexico City. Her mother is a glamorous telenovela actress. Her father is the go-to voice-over talent for blockbuster films. Hers is a world of private planes, chauffeurs, paparazzi and gossip columnists. Meet Camilla del Valle Cammi to those who know her best. When Cammi’s mom gets cast in an American television show and the family moves to LA, things change, and quickly. Her mom’s first role is playing a not-so-glamorous maid in a sitcom. Her dad tries to find work but dreams about returning to Mexico. And at the posh, private Polestar Academy, Cammi’s new friends assume she s a scholarship kid, the daughter of a domestic. At first Cammi thinks playing along with the stereotypes will be her way of teaching her new friends a lesson. But the more she lies, the more she wonders: Is she only fooling herself?

25226215THE EPIC FAIL OF ARTURO ZAMORA by Pablo Cartaya (Viking, May 16, 2017). Middle Grade. Starred review from Kirkus. For Arturo, summertime in Miami means playing basketball until dark, sipping mango smoothies, and keeping cool under banyan trees. And maybe a few shifts as junior lunchtime dishwasher at Abuela’s restaurant. Maybe. But this summer also includes Carmen, a cute girl who moves into Arturo’s apartment complex and turns his stomach into a deep fryer. He almost doesn’t notice the smarmy land developer who rolls into town and threatens to change it. Arturo refuses to let his family and community go down without a fight, and as he schemes with Carmen, Arturo discovers the power of poetry and protest through untold family stories and the work of José Martí.

33099907MARTÍ ‘S SONG FOR FREEDOM/Martí y sus versos por la libertad by Emma Otheguy, illustrated by Beatriz Vidal (Lee & Low, May 1, 2017). Debut author Emma Otheguy’s picture book biography of poet and Cuban national hero Jose Martí.  Written in verse, with excerpts from Martí’s seminal work, Versos sencillos, this is a beautiful tribute to a brilliant political writer and courageous fighter of freedom for all men and women.

 

 

32309404 NO GOOD DEED by Goldy Moldavsky. (Scholastic, May 30, 2017). Young Adult. He’s not asking for much. All Gregor Maravilla wants to do is feed all of the starving children on the planet. So when he’s selected to join Camp Save the World, a special summer program for teenage activists from all over the country to champion their cause, Gregor’s sure he’s on the path to becoming Someone Great. But then a prize is announced. It will be awarded at the end of summer to the activist who shows the most promise in their campaign. Gregor’s sure he has the prize in the bag, especially compared to some of the other campers’ campaigns. Like Eat Dirt, a preposterous campaign started by Ashley Woodstone, a famous young actor who most likely doesn’t even deserve to be at the camp. Everywhere Gregor goes, Ashley seems to show up ready to ruin things. Plus, the prize has an unforeseen side effect, turning a quiet summer into cutthroat warfare where campers stop focusing on their own campaigns and start sabotaging everyone else’s.

32278040ESTEBAN de LUNA, BABY RESCUER / ESTEBAN de LUNA, RESCATADOR de BEBES! written by Larissa M. Mercado-Lopez, illustrated by Alex Pardo DeLange, and translated by Gabriela Baeza Ventura (Piñata Books, May 31, 2017). Bilingual Picture Book. Esteban loves his long green cape, but there is just one problem–it does not do ANYTHING! But when a doll is left behind at a park, Esteban discovers that while his cape does not have magical powers, he can still use it to be a hero!”

32126347AN UNINTERRUPTED VIEW OF THE SKY by Melanie Crowder (Philomel, June 13, 2017). Young Adult. It’s 1999 in Bolivia and Francisco’s life consists of school, soccer, and trying to find space for himself in his family’s cramped yet boisterous home. But when his father is arrested on false charges and sent to prison by a corrupt system that targets the uneducated, the poor, and the indigenous majority, Francisco’s mother abandons hope and her family. Francisco and his sister are left with no choice: They must move into the prison with their father. There, they find a world unlike anything they’ve ever known, where everything—a door, a mattress, protection from other inmates—has its price.Prison life is dirty, dire, and dehumanizing. With their lives upended, Francisco faces an impossible decision: Break up the family and take his sister to their grandparents in the Andean highlands, fleeing the city and the future that was just within his grasp, or remain together in the increasingly dangerous prison. Pulled between two equally undesirable options, Francisco must confront everything he once believed about the world around him and his place within it.

Image result for the first rule of punkTHE FIRST RULE OF PUNK illustrated middle grade debut by Celia C. Pérez (Viking, Penguin, August 22, 2017). There are no shortcuts to surviving your first day at a new school—you can’t fix it with duct tape like you would your Chuck Taylors. On Day One, twelve-year-old Malú (María Luisa, if you want to annoy her) inadvertently upsets Posada Middle’s queen bee, violates the school’s dress code with her punk rock look, and disappoints her college-professor mom in the process. Her dad, who now lives a thousand miles away, says things will get better as long as she remembers the first rule of punk: be yourself.  The real Malú loves rock music, skateboarding, zines, and Soyrizo (hold the cilantro, please). And when she assembles a group of like-minded misfits at school and starts a band, Malú finally begins to feel at home. She’ll do anything to preserve this, which includes standing up to an anti-punk school administration to fight for her right to express herself! From debut author and longtime zine-maker Celia C. Pérez, The First Rule of Punk is a wry and heartfelt exploration of friendship, finding your place, and learning to rock out like no one’s watching. Black and white illustrations and collage art throughout make this a perfect pick for fans of books like Roller Girl and online magazines like Rookie.

31145004SING, DON’T CRY by Angela Dominguez (Henry Holt, Aug. 22, 2017). Picture Book. Once a year, Abuelo comes from Mexico to visit his family. He brings his guitar, his music and his memories. In this story inspired by the life of Apolinar Navarrete Diaz, author Angela Dominguez’s grandfather and a successful mariachi musician, Abuelo and his grandchildren sing through the bad times and the good. Lifting their voices and their spirits, they realize that true happiness comes from singing together.

 

 

US, IN PROGRESS: SHORT STORIES ABOUT YOUNG LATINOS by Lulu Delacre. (HarperCollins, August 29, 2017). Middle GradeIn this book, you will meet many young Latinos living in the United States, from a young girl whose day at her father’s burrito truck surprises her to two sisters working together to change the older sister’s immigration status, and more. Turn the pages to experience life through the eyes of these boys and girls whose families originally hail from many different countries; see their hardships, celebrate their victories, and come away with a better understanding of what it means to be Latino in the U.S. today.

ALL THE WAY TO HAVANA by Maragarita Engle. (Henry Holt and Co., August 29, 2017). Picture Book. A family drives into the city of Havana to celebrate a cousin’s first birthday. Before their journey, the boy helps his papa tune up their old car, Cara Cara, which has been in their family for many years. They drive along the sea wall, along the coast, past other colorful old cars. The sounds of the city are rich the putt putts and honks and bumpety bumps of other cars chorus through the streets. A rich celebration of the culture of the Cuban people, their resourcefulness and innovative spirit, and their joy.

34228239FOREST WORLD by Margarita Engle. (Atheneum Books for Young Readers, August 29, 2017.) Middle Grade. Edver isn’t happy about being shipped off to Cuba to visit the father he barely knows. The island is a place that no one in Miami ever mentions without a sigh, but travel laws have suddenly changed, and now it’s a lot easier for divided families to be reunited. Technology in Cuba hasn’t caught up with the times, though, and Edver is expecting a long, boring summer. He was NOT expecting to meet a sister he didn’t know he had. Luza is a year older and excited to see her little brother, until she realizes what a spoiled American he is. Looking for something—anything—they might have in common, the siblings sneak onto the Internet, despite it being forbidden in Cuba, and make up a fake butterfly. Maybe now their cryptozoologist mother will come to visit. But their message is intercepted by a dangerous poacher, and suddenly much more than their family is at stake. Edver and Luza have to find a way to overcome their differences to save the Cuban jungle that they both have grown to love.

34228241YO SOY MUSLIM: A Father’s Letter to His Daughter by Mark Gonzales, illustrated by Mehrdokht Amini (Salaam Reads, August 29, 2017). Picture Book.  From Muslim and Latino poet Mark Gonzales comes a touching and lyrical picture book about a parent who encourages their child to find joy and pride in all aspects of their multicultural identity.

Dear little one,
…know you are wondrous.
A child of crescent moons,
a builder of mosques,
a descendant of brilliance,
an ancestor in training.

Written as a letter from a father to his daughter, Yo Soy Muslim is a celebration of social harmony and multicultural identities. The vivid and elegant verse, accompanied by magical and vibrant illustrations, highlights the diversity of the Muslim community as well as Indigenous identity. A literary journey of discovery and wonder, Yo Soy Muslim is sure to inspire adults and children alike.

LA PRINCESA AND THE PEA written by Susan M. Elya, illustrated by LA MADRE GOOSE illustrator Juana Martinez-Neal (Putnam/Penguin, September 5, 2017). Picture BookEl príncipe knows this girl is the one for him, but, as usual, his mother doesn’t agree. The queen has a secret test in mind to see if this girl is really a princesa. But the prince might just have a sneaky plan, too . . . Readers will be enchanted by this Latino twist on the classic story, and captivated by the vibrant art inspired by the culture of Peru.

29220714THEY BOTH DIE AT THE END by Adam Silvera (HarperCollins, September 5, 2017). Young adult. On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: they’re going to die today. Mateo and Rufus are total strangers, but, for different reasons, they’re both looking to make a new friend on their End Day. The good news is: there’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure—an unforgettable day that will change both their lives forever.

 

 

28807785FRIDA KAHLO AND HER ANIMALITOS by Monica Brown, illustrated by Pura Belpré Honor winner John Parra (North South Books, September 5, 2017). Monica Brown’s latest picture book biography takes a look at the popular and iconic female artist with a child-friendly view of the many animals that surrounded her art and her life. Spanish edition also available.

 

 

 

34051373SHADOWHOUSE FALL (Shadowshaper #2) by Daniel José Older (Arthur A. Levine Books, September 12, 2017). Young Adult. Sierra and Shadowhouse have been thrust into an ancient struggle with enemies old and new — a struggle they didn’t want, but are determined to win. Revolution is brewing in the real world as well, as the shadowshapers join the fight against systems that oppress and incarcerate their community. To protect her family and friends in every sphere, Sierra must take down the Hound and master the Deck of Worlds … or else she could lose everything that matters most.

 

 

33158561WILD BEAUTY by Anna-Marie McLemore (Feiwel & Friends/Macmillan, October 3, 2017). Young Adult. In Wild Beauty, McLemore introduces a spellbinding setting and two characters who are drawn together by fate—and pulled apart by reality. For nearly a century, the Nomeolvides women have tended the grounds of La Pradera, the lush estate gardens that enchant guests from around the world. They’ve also hidden a tragic legacy: if they fall in love too deeply, their lovers vanish. But then, after generations of vanishings, a strange boy appears in the gardens. The boy is a mystery to Estrella, the Nomeolvides girl who finds him, and to her family, but he’s even more a mystery to himself; he knows nothing more about who he is or where he came from than his first name. As Estrella tries to help Fel piece together his unknown past, La Pradera leads them to secrets as dangerous as they are magical in this stunning exploration of love, loss, and family.

29010395 I AM NOT YOUR PERFECT MEXICAN DAUGHTER by Erika L. Sánchez (Knopf Books for Young Readers, October 17, 2017). Young AdultPerfect Mexican daughters do not go away to college. And they do not move out of their parents’ house after high school graduation. Perfect Mexican daughters never abandon their family. But Julia is not your perfect Mexican daughter. That was Olga’s role. Then a tragic accident on the busiest street in Chicago leaves Olga dead and Julia left behind to reassemble the shattered pieces of her family. And no one seems to acknowledge that Julia is broken, too. Instead, her mother seems to channel her grief into pointing out every possible way Julia has failed. But it’s not long before Julia discovers that Olga might not have been as perfect as everyone thought. With the help of her best friend Lorena, and her first kiss, first love, first everything boyfriend Connor, Julia is determined to find out. Was Olga really what she seemed? Or was there more to her sister’s story? And either way, how can Julia even attempt to live up to a seemingly impossible ideal?

34380219 AMERICA by Gabby Rivera, illustrated by Joe Quinones (Marvel Comics, Volume 1 releases October 31, 2017.) She was a Young Avenger. She leads the Ultimates. And now she officially claims her place as the preeminent butt-kicker of the entire Marvel Universe! But what’s a super-powered teenager to do when she’s looking for a little personal fulfi llment? She goes to college! America just has to stop an interdimensional monster or two first and shut down a pesky alien cult that’s begun worshipping her exploits before work can begin. Then she can get on with her first assignment: a field trip to the front lines of World War II – with Captain America as her wingman!

 

RAFI AND ROSI: PIRATES! by Lulu Delacre (Lee & Low Books, October 31, 2017). Picture Book.

imageTHE CLOSEST I’VE COME by Fred Aceves (Harper Collins, November 2017). Marcos Rivas wants to find love. He’s sure as hell not getting it at home where his mom’s racist boyfriend beats him up. Or from his boys, who aren’t exactly the “hug it out” type. Marcos yearns for love, a working cell phone, and maybe a pair of sneakers that aren’t falling apart. But more than anything, Marcos wants to get out of Maesta, his hood—impossible. When Marcos is placed in a new after-school program for troubled teens with potential, he meets Zach, a theater geek whose life seems great on the surface, and Amy, a punk girl who doesn’t care what anyone thinks of her. These new friendships inspire Marcos to open up to his Maesta crew, too, and along the way, Marcos starts to think more about his future and what he has to fight for. Marcos ultimately learns that bravery isn’t about acting tough and being macho; it’s about being true to yourself.

TITO THE BONECRUSHER by Melissa Thompson (FSG, Winter 2017). A middle-grade debut about a boy who seeks the help of a pro-wrestler turned action star to rescue his dad from a deportation detention center, in a story about heroes, friendship, and forgiveness.

STARRING CARMEN written by Anika Denise and illustrated by Lorena Alvarez (Abrams 2017) Picture Book. About a big sister who learns to share the spotlight with an adoring (if annoying) little brother.