Today, we have the creators of Alejandria Fights Back! / ¡La Lucha de Alejandria!, a picture book released earlier this year as part of the Rise-Home Stories Project by The Feminist Press. The Rise-Home Stories Project is an innovative collaboration between multimedia storytellers and social justice advocates from several grassroots organizations who work at the nexus of housing, land, and racial justice in the US. The creators, in conversation through the link below, are Leticia Hernández-Linares and Robert LiuTrujillo.
LETICIA HERNÁNDEZ-LINARES is a bilingual, interdisciplinary writer, artist, and racial justice educator. The first-generation US-born daughter of Salvadoran immigrants, she is the author of Mucha Muchacha, Too Much Girl (Tía Chucha Press).
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ROBERT LIU-TRUJILLO is a life long Bay Area resident. Born in Oakland California, he’s the child of student activists who watched lots of science fiction and took him to many demonstrations. Always drawing, Rob grew up to be an artist falling in love with graffiti, fine art, illustration, murals, and children’s books. In that order, sort of. Through storytelling he’s been able to scratch the surface of so many untold stories. Rob is the author and illustrator of Furqan’s First Flat Top. He’s a dad of a teenage boy and a brand new baby girl. He loves ice cream and his wife who laughs big and corrects his grammar every chance she gets. Down with the system and soggy french fries!
Before we get to the conversation between the creators, here is the book’s description:
For nine-year-old Alejandria, home isn’t just the apartment she shares with Mami and her abuela, Tita, but rather the whole neighborhood. Home is the bakery where Ms. Beatrice makes yummy picos; the sidewalk where Ms. Alicia sells flowers with her little dog, Duende; and the corner store with friendly Mr. Amir. But lately the city has been changing, and rent prices are going up. Many people in el barrio are leaving because they can no longer afford their homes, and For Sale signs are popping up everywhere. Then the worst thing happens: Mami receives a letter saying they’ll have to move out too. Alejandria knows it isn’t fair, but she’s not about to give up and leave. Join Alejandria as she brings her community together to fight and save their neighborhood from gentrification!
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Now, check out the the book trailer:
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Finally, click on the play button below to listen to the creators discuss their book, Latinx representation in children’s literature, bilingual books, and youth activism.
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The Pura Belpré Award is named after Pura Belpré, the first Latina librarian at the New York Public Library. The Pura Belpré Award, established in 1996, is presented annually to a Latinx writer and illustrator whose work best portrays, affirms, and celebrates the Latino cultural experience in an outstanding work of literature for children and youth.
We will be marking the award’s 25th anniversary in different ways on the blog. Today, Dr. Sonia Rodriguez and Dora M. Guzmán talk about The Storyteller’s Candle by Lucía González, illustrated by Lulu Delacre. The book won a Pura Belpré Honor in 2009. You can find our book talks on our new YouTube channel!
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Sonia Alejandra Rodriguez, PhD is an Associate Professor of English at LaGuardia Community College (CUNY) where she teaches composition, literature, and creative writing. Her academic research focuses on decolonial healing in Latinx children’s and young adult literature. Sonia is a Mellon Emerging Faculty Leader.
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Dora Guzmán is a bilingual reading specialist for grades K-5 and also teaches college courses in Children’s Literature and Teaching Beginning Literacy. She is currently a doctoral student with a major in Reading, Language, and Literacy. When she is not sharing her love of reading with her students, you can find her in the nearest library, bookstore, or online, finding more great reads to add to her never-ending “to read” pile!
DESCRIPTION OF THE BOOK (from the front cover): Ava Gabriela is visiting her extended family in Colombia for the holidays. She’s excited to take part in family traditions such as making buñuelos, but being around all her loud relatives in an unfamiliar place makes Ava shy and quiet. How will Ava find her voice before she misses out on all the New Year’s fun?
MY TWO CENTS: This #OwnVoices picture book is a heartwarming story about New Year traditions in Colombia, as well as the development of Ava’s personality. While there is some mention of traditions such as buñuelos and the Old Year doll, the highlight is definitely the main character, Ava. She is a quiet, shy character. Ava and her family are busy making preparations for the New Year. As her family shows various Colombian traditions, Ava observes but does not say much. In the beginning, Ava hesitates to say hello or “speak up.” Yet after making buñuelos, Ava begins to giggle. Throughout the book, she begins to question why she is so shy and often shows what she means to say versus what she actually does with a signal or facial movement. As a teacher, her behavior and speech reminded me of a student who had a speech-language need, thus Ava may connect to students who share the experience of finding the words to say in public situations.
The illustrations span across the spread using bold colors and subtle details. The English and Spanish text is written in an authentic manner, one that I appreciate as a frequent Spanglish speaker. Additionally, the text placement allows for readers to focus on the illustrations. Overall, Ava’s character was a joy to follow throughout this story. I appreciated that all of her family members respected her participation, even if she did not verbally respond right away. The days were filled with family traditions, love, and most of all, patience, as they welcomed one another, shy or not.
TEACHING TIPS: Many of these teaching moments can be implemented in a grades K-5 setting, with a focus on the primary grades. This is a great addition to any classroom library and as a read aloud. Some ideas to focus on during instruction:
Themes: Culture & Traditions
The Author’s Note gives readers an insight into the Colombian traditions mentioned in the book, such as the twelve grapes and the Año Viejo traditions.
Themes: Character Empathy; Finding Voice
Focus on Ava, how she communicates with her family and the feelings she has throughout all her experiences.
Mentor Text: Writing in two languages
How to use and format both English and Spanish in a narrative text
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Photo by Dawn Yap @ YapOriginals
ABOUT THE AUTHOR: Alexandra Alessandri is a Colombian-American poet, English professor, and children’s author, who grew up surrounded by plenty of primos and primas. She’s obsessed with coffee and urban murals, and every year, she looks forward to buñuelos and el Año Viejo. When not writing or teaching, Alexandra spends her time daydreaming of Colombia, relearning the piano, and planning the next great adventure with her family. She lives in Florida with her husband, son, and hairless pup. Visit her online at alexandraalessandri.com
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From the illustrator’s website
ABOUT THE ILLUSTRATOR: Addy Rivera Sonda is a Mexican illustrator who loves color and nature. When not drawing, she explores ways to live a more sustainable life. Addy hopes her stories and art can build empathy and lead to a more inclusive world. She currently lives in California. Find her website at addyriverasonda.wixsite.com/portfolio.
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ABOUT THE REVIEWER:Dora M. Guzmán is a bilingual reading specialist for grades K-5 and also teaches undergraduate and graduate courses in Children’s Literature and Teaching Beginning Literacy. She is also a current doctoral student in NLU’s EDD Teaching and Learning Program with an emphasis on Reading, Language, and Literacy. When she is not sharing her love of reading with her students, you can find her in the nearest library, bookstore, or online, finding more great reads to add to her never-ending “to read” pile!
DESCRIPTION FROM THE PUBLISHER: Luca has never lived outside the U.S., but when his parents receive a letter in the mail, the family must pack up and leave home for a strange land. Together in their car, Luca, his brother Paco, and their parents head across the border to Mexico, where his parents were born. Luca doesn’t understand why he must leave the only home he’s ever known, his friends, and his school. He struggles through lonely and disorienting times–reflected both in Real’s delicate, symbolic illustrations and through Llanos’ description of his dreams–and leans on music, memory, and familial love for support. Luca’s Bridge / El puente de Luca is a story for everyone about immigration, deportation, home, and identity.
MY TWO CENTS: Luca lives in the United States with his parents. One day his parents receive a letter in the mail letting them know that they must leave the U.S. The entire family chooses to stay together and they leave the U.S. to go live in Mexico. Luca has a difficult time understanding why they must leave and he thinks about his friends, his school, and how he doesn’t speak Spanish. When he arrives in Mexico, he sees the small house where they will live and he has a difficult time imagining a life there. Luca uses music to help him cope with his new reality. He plays the trumpet and the entire family dances to the music reminding the readers that there is hope in what may appear to be a hopeless situation.
This bilingual picture books is timely considering the anti-immigrant sentiment in the United States and the realities for many families experiencing family separation due to immigration status. It is particularly important because it addresses the situation of many families who are considered to have mixed-family status, meaning that some in the family are authorized to live in the U.S. (typcially children who are U.S. citizens) and others are not (typcially the parent or parents).
The story begins with the family leaving together and the father telling his sons the following: “Mami and I don’t have the papers we need to stay here… we have to go back to Mexico if we want to stay together.” In the picture book, Luca fears what it means to return to a country that he does not know. He thinks about his friends and even wonders what will happen when he returns to his country since he does not speak Spanish. What makes this books particularly special is that allows the reader to have some insight into the emotional toll that immigration takes on children. The illustrations includes hues of gray and speak to the emotions that Luca is feeling. At one point, when Luca is thinking about how he doesn’t speak Spanish, the books states that “Luca sobbed quietly until he ran out of tears.” Another instance of a strong emotion is when Paco, Luca’s older brother, yells, “They don’t want us here,” when their parents received the letter.
This books sheds a light on the decisions that families must make in situations where the parents are not allowed to stay in the U.S. In the case of Luca’s family, the parents decide that they must stay together. This decision allows the family to stay together, but the sadness of leaving the only home that Luca knows is heartbreaking. This is one of the few picture books that addresses the issue of deportation and the strong sentiments that families experience when forced to make decisions that impact the entire family. The books also sheds light on the emotions that children experience when faced with realities of immigration.
The backmatter includes the author’s note that discusses the difficulties of immigration, describes the process of deportation, and the realities of family separation. The author discloses that she is an immigrant and discusses the need to address immigration in a humane way.
RESOURCES:
Toolkit for Educators from Teaching Tolearnce on supporting immigrant families
ABOUT THE AUTHOR: Born in Lima, Peru, to two journalists, Mariana Llanos developed an early passion for writing and studied theater in the prestigious CuatroTablas school in Lima. She has lived in Oklahoma since 2002, where she worked as a teacher in a preschool center. In 2013, Mariana self-published her first book, Tristan Wolf, which won a Finalist in the 2013 Readers’ Favorite Book Award. Since then, she has published seven books independently in English and Spanish and through virtual technology has chatted with students from more than 150 schools around the world to promote literacy.
ABOUT THE ILLUSTRATOR: Anna López Real is a freelance illustrator born in Guadalajara, Mexico. She spent her early years in a small town with a big lake, in a
bilingual home full of books, movies, diverse music and art. She has a degree Graphic Design from Universidad de Guadalajara. Since she was young, she has needed to feel colors, shadows, textures, and shapes with her own hands, which inspired her to use
traditional techniques. She is also the co-founder of a local stationary company. Her favorite place is the beach, and she loves to read and hang out with her family and her cats and dogs. She is passionate about human rights, animal rights and has a great
love for nature.
ABOUT THE REVIEWER:Sanjuana C. Rodriguez is an Assistant Professor of Literacy and Reading Education in the Elementary and Early Childhood Department at Kennesaw State University. Her research interests include the early literacy development of culturally and linguistically diverse students, early writing development, literacy development of students who are emergent bilinguals, and Latinx children’s literature. She has published in journals such as Journal of Language and Literacy Education, Language Arts, and Language Arts Journal of Michigan.