Book Review: Like a Love Song by Gabriela Martins

.

We are an affiliate with Indiebound and Bookshop. If If you make a purchase through these links, at no additional cost to you, we will earn a small commission.

Reviewed by Alexandra Someillan

Cover for Like a Love Song (Underlined Paperbacks)

DESCRIPTION OF THE BOOK: Natalie is living her dream: topping the charts and setting records as a Brazilian pop star… until she’s dumped spectacularly on live television. Not only is it humiliating–it could end her career.

Her PR team’s desperate plan? A gorgeous yet oh-so-fake boyfriend. Nati reluctantly agrees, but William is not what she expected. She was hoping for a fierce bad boy–not a soft-hearted British indie film star. While she fights her way back to the top with a sweet and surprisingly swoon-worthy boy on her arm, she starts to fall for William–and realizes that maybe she’s the biggest fake of them all. Can she reclaim her voice and her heart?

MY TWO CENTS: Like a Love Song was the ultimate light-hearted book to get me out of my book funk, and it was the kind of book that reminded me why I love rom-coms so much. Gabriela Martins captures pop culture celebrities today and what it’s like living in a microscope. Natalie faces the pressures of being an international pop star as a young Latina trying to please everyone while dealing with one of the most humiliating breakup in front of the whole world.

As a registered celebrity-obsessed addict, nothing fascinates me more than a book that discusses the complexities of social media and how every move a celebrity makes is dissected and judged, even more so when it comes to young female stars. Natalie is the kind of character that reminds us of famous pop stars like Selena Gomez or Britney Spears and the intense media scrutiny they endure daily. She faces the heartbreaking reality of the constant expectation to be the poised and perfect pop star even after having her celebrity boyfriend break up with her on live television seconds before receiving her award.

Just like in the typical pop culture of today, Natalie getting dumped becomes a meme that is constantly posted and retweeted on social media. The author explores the distinction between male and female celebrities in a nuanced way and provides a realistic portrayal of who the public usually chooses to target in the aftermath of a scandal. Unfortunately, Natalie is the target, and her ex-boyfriend Trent comes out unscathed while her PR team scrambles to save Natalie’s career. Of course, the PR strategy involves getting her a fake boyfriend when all Natalie wants is to hide under the covers and stalk her ex-boyfriend’s Instagram.

Even though I thought that the relationship between Natalie and William was one of the most adorable opposites-attract love stories with all the rom-com feels, I came out of the story wanting more between these two characters. Normally, I am all about insta-love stories. Still, I felt that the relationship that developed between Natalie and William was a bit rushed, and this is probably due to the book being a relatively short read. Other than that, there were plenty of swoon-worthy parts in this book, and there were many times I caught myself smiling from ear to ear, loving the dynamic between a world-famous, glamorous pop singer and an indie actor with quirky socks.

One of Natalie’s main struggles that I found deeply relatable revolves around the theme of identity and what it means to be Brazilian. Throughout the story, Natalie questions her heritage and feels alienated from her Brazilian family. She chooses to assimilate to American culture, but she knows deep inside that something is missing. I loved the journey that Natalie goes through to find herself, and it’s something I can understand growing up Cuban-American in an extremely Americanized family.

This book is needed in Latinx publishing because it is one of the few rom-coms written by a Brazilian author, with a Brazilian main character, with queer representation, and features all the rom-com tropes we all know and love! Like a Love Song is the kind of story that reminds us to be ourselves instead of trying to meet other people’s expectations. When you are yourself, the people who accept you are the people who will be around you for life.

TEACHING TIPS: Gabriela Martin’s book could be used in a life skills class, where students could discuss the pressures of representing certain parts of yourself on social media and how to deal with online bullying.

The resource I recommend is from Mike’s Math Mall on https://www.teacherspayteachers.com/Product/Anti-Bullying-Campus-Social-Media-Campaign-using-Language-Arts-Story-Elements-436818.

There is a great activity where you can divide students into groups of four. You can have them create a social media campaign poster, skit, video, Instagram post, or short story related to online bullying, challenging the pressures of social media and learning how to protect yourself from cyberbullying. The activity includes many graphic organizers and templates students can use to organize their ideas.

.

ABOUT THE AUTHOR (from her website https://www.gabrielawrites.com/): GABRIELA MARTINS is a Brazilian kidlit author and linguist. Her stories feature Brazilian characters finding themselves and love. She was a high school teacher and has also worked as a TED Ed-Club facilitator, where she helped teens develop their own talks in TED format to present. She edited and self-published a pro-bono LGBTQ+ anthology (KEEP FAITH) with all funds going to queer people in need. When she’s not writing, she can be found cuddling with her two cats, or singing loudly and off-key.

.

.

.

.

.

ABOUT THE REVIEWER: Alexandra Someillan is a freelance book reviewer and teacher who lives in Miami, FL. She has written for Frolic Media, where she has raved about her favorite Latinx romances. Currently, she has been accepted in the Las Musas mentorship and is working on her Latinx contemporary novel with Nina Moreno. Usually, you can find Alexandra obsessing over nineties pop culture and eating too many pastelitos.

Down the Rabbit Hole: a Brazilian-Brit in the USA

 

By Juliana Spink Mills

When I was eight, my English father and Brazilian mother boxed up our lives and moved our family from London, UK, to São Paulo, Brazil. There were many reasons behind the move – jobs, lifestyle, extended family – and it was definitely one of the biggest milestones of my young life. I’ll never forget the sensation of heat and damp when we stepped off the airplane, or arriving at my grandparents’ house to lush gardens and a kidney-shaped pool glowing like a jewel in the grass.

As a travel gift, I was given the full set of Narnia books by C.S. Lewis. After arriving in a country where I didn’t understand the language or customs, those books were my lifeline. I bonded with Lewis’ characters over the strangeness of arriving in a world where everything was new and amazing, and also a little bit scary. And although my parents had read The Hobbit to me when I was small, this was probably where my love of fantasy novels comes from: that absolute identification with Lucy Pevensie and all the others who traveled through wardrobes and down rabbit holes, having to adapt and to reassess everything they knew.

I lived in Brazil for most of my life. I absorbed the language and the culture. I learned to embrace my duality: a dual citizen not just on paper, but in manner and speech, too. And I learned what it’s like to be the eternal gringa – not quite entirely English, nor wholly Brazilian.

My love of the fantastic in fiction grew throughout my life. I was the hobbit in Lord of the Rings, trying to navigate and understand a vaster world than the one I’d started out in. I was Leia in Star Wars: princess, politician, warrior, strategist – a bit of everything and at the same time still searching for meaning and a place to belong. Science fiction and fantasy gave me a space where I wasn’t the only one a little lost, a little strange, and a little bit of a stranger, too.

Four years ago, my husband and I – in a curious mirroring of my own parents’ decision all those years ago – packed up our house and kids and moved to Connecticut, USA. I was the gringa again, the one with the weird sort-of-British-but-not-quite accent that I get asked about over and over. I was back down Alice’s rabbit hole, and once again finding solace in speculative fiction. But this time, I was the one putting words to paper, and creating my own imagined realms.

My YA series, the Blade Hunt Chronicles (Woodbridge Press), is urban fantasy, a genre where fantastic and supernatural elements rub shoulders with modernity. My demons use cell phones, and my angels drive around in SUVs. I like the idea that the guy next to you in the grocery store might have an entire “secret identity”; in my stories, he might be a werewolf, or a pixie. I’ve always loved tales that bring us worlds within worlds – perhaps because I grew up feeling that I belonged to different universes at the same time. And writing fantasy lets me play around with this as much as I want.

My novels also gave me a chance to put little bits of my own identity into my work. I have an English vampire knight, and an entire clan of Brazilian-American witches who get plenty of page space in book 2, Night Blade. I have mentions of books, TV shows, and sports teams that are tributes to loved ones. Scattering personal Easter eggs into my writing helps make sense of these wardrobes I keep tumbling through and, together with the books I read, serves to anchor me and let me find my place in my own real life story.

 

       

 

ABOUT THE AUTHOR:  Juliana Spink Mills was born in England, but grew up in Brazil. Now she lives in Connecticut, and writes science fiction and fantasy. She is the author of Heart Blade and Night Blade, the first two books in the young adult Blade Hunt Chronicles urban fantasy series. Her short stories have appeared in anthologies and online publications. Besides writing, Juliana works as a Portuguese/English translator, and as a teen library assistant.