Book Review: Tía Fortuna’s New Home: A Jewish Cuban Journey written by Ruth Behar, illustrated by Devon Holzwarth

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Reviewed by Maria Ramos-Chertok

DESCRIPTION FROM THE PUBLISHER: A poignant multicultural ode to family and what it means to create a home as one girl helps her Tía move away from her beloved Miami apartment.

When Estrella’s Tía Fortuna has to say goodbye to her longtime Miami apartment building, The Seaway, to move to an assisted living community, Estrella spends the day with her. Tía explains the significance of her most important possessions from both her Cuban and Jewish culture, as they learn to say goodbye together and explore a new beginning for Tía.

A lyrical book about tradition, culture, and togetherness, Tía Fortuna’s New Home explores Tía and Estrella’s Sephardic Jewish and Cuban heritage. Through Tía’s journey, Estrella will learn that as long as you have your family, home is truly where the heart is.

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MY TWO CENTS: I am a big fan of Ruth Behar’s and have enjoyed her adult books as much as her middle grade books Lucky Broken Girl (2017) and Letters from Cuba (2019). Tía Fortuna’s New Home is her first picture book aimed at younger audiences.

The book’s landscape is the relationship between an aunt and her niece. The story follows little Estrellita as she tracks the process of her aunt moving out of her beloved home into a facility for the elderly. This move is the second big move in Tia’s life, the first being when she immigrated to the United States from Havana, Cuba. While both of these moves are objectively hard ones, Tia manages to enjoy the present and keep an optimistic attitude which positively influences Estrellita’s experience. 

I liked that the story focused on the opportunities inherent in changing one’s circumstances and presented an uplifting paradigm. Having Sephardic characters and bilingual text enhances the story by providing a personal and unique slice of life. I wish this book had been available to me when I was young.

The illustrations by Devon Holzwarth are amazing, and I found myself being drawn into the story more and more through the vivid and colorful artwork.

TEACHING TIPS: I could see using this book to discuss life transitions generally and the attitude one brings to change. Students can discuss the contrast between focusing on the negative versus the positive aspects of a pending life transition. For students who have a grandparent moving into assisted living, this book would be a great orientation to one way that move can happen.

The book can also be used as part of a module on cultural diversity, as it covers Cuban-Jewish characters.  In a Jewish Day School, the book would be ideal in exposing students to the multiculturalism of the Jewish people.

In teaching about family trees, the book references how family recipes are passed down from generation to generation. In this vein, it would be interesting to have children interview their parents or grandparents to find out what recipes they make that were passed down to them and from whom. 

The Author’s Note at the end of the book is a story unto itself and where I’d recommend teachers begin in order to gain context before sharing the book with students. There is also a fabulous glossary of words that could be a fun addition for students to learn new words.

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ABOUT THE AUTHOR (from her website): As a storyteller, traveler, memoirist, poet, teacher, and public speaker, Ruth Behar is acclaimed for the compassion she brings to her quest to understand the depth of the human experience. Born in Havana, Cuba, she grew up in New York, and has also lived in Spain and Mexico. Her recent memoirs for adults, An Island Called Home and Traveling Heavy, explore her return journeys to Cuba and her search for home as an immigrant and a traveler. Her books for young readers are Lucky Broken Girl and Letters from Cuba. She was the first Latina to win a MacArthur “Genius” Grant, and her honors also include a John Simon Guggenheim Fellowship, a Distinguished Alumna Award from Wesleyan University, and an honorary doctorate in Humane Letters from the Hebrew Union College. She is an anthropology professor at the University of Michigan and lives in Ann Arbor, Michigan.

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ABOUT THE ILLUSTRATOR (from her website): Devon Holzwarth is a picture book illustrator, author, and painter. Born in Washington D.C., Devon grew up in Panama surrounded by nature and her dad’s art supplies, and has lived in many other places over the years. She currently lives in Germany with her family including her husband, two kids, a galgo dog from Spain and a little dachshund from Romania.

Devon earned her BFA in 2000 from the Rhode Island School of Design focusing on screen printing and painting. She has written & illustrated two picture books: FOUND YOU and SOPHIE’S STORIES, with Alison Green Books/Scholastic UK. She has a number of picture books publishing in 2022, including “Tia Fortuna’s New Home” (Knopf Books, English & Spanish language versions), “Listen” (Dial Books and Penguin UK), and “Everywhere With You” (Walker Books US and Walker Books UK).

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Maria Ramos-Chertok is the author of The Butterfly Series: Fifty-two weeks of Inquiries for Transformation and a contributor to three anthologies: All the Women in My Family Sing: Essays on Equality, Justice, and Freedom (FEB 2018) edited by Deborah Santana, She’s Got This! Essays on Standing Strong and Moving On (FEB 2019), and What We Didn’t Expect: Personal Stories About Premature Birth edited by Melody Schreiber (NOV 2020). For more information and/or to receive her monthly blogs posts visit www.mariaramoschertok.com

How Do I Keep My History? How Do I Honor It? A Guest Post by Author Mia García

 

By Mia García

Okay, here’s the thing, I’m a rambler. I tend to talk in circles until I figure out what I need to say, which usually boils down to a sentence.

So bear with me if you can – if not I totally understand; I’m sure there are many things you could be watching on Netflix right now. I’ve been thinking a lot about stress and fear, particularly in relation to family and history, which sounds horrible and insulting, but it will make sense. At least I hope so.

For years, I’ve been that person who wanted to do that Ancestry DNA thing, but never had the time or the money or the motivation (most likely these last two). Plus as a Puerto Rican born and raised in PR, I’ve always been taught that my ancestry boiled down to Spanish, African, and Taíno. (Which is a crazy simplification of the diversity of people who lived on the island, which include the above and Chinese, Irish, Scottish, French, German…Okay, I should stop here before I go into a full history of the island and this parenthesis gets crazy long.)

But in terms of actual knowledge, I only know a little bit about my Spanish side, like which city my great-grandparents came from and a whole lot of nothing about the rest of it, which after the test (I finally did it!) turns out to be about eight different things, half of which made my parents go: “Where did that come from?”

For those interested, it included Spanish, African, Italian, Native American, Middle Eastern, Great Britain, and a few small traces in Caucasus and Ireland. My parents’ “WTF?” reactions came from the Great Britain, Caucasus, Middle East, and Ireland revelations.

The test itself didn’t cause the anxious thoughts, but rather sparked interest in my past. The fear and stress came from the links to my past that are slowly disappearing. It’s sad to think about the family history and stories I know nothing about and will, most likely, never know anything about because as time passes there are fewer connections to it.

Not long ago, my dad was diagnosed with Alzheimer’s Disease, which after a few years of paralyzing sadness made me realize that I needed to safeguard as many of his memories as I could. And recently, I almost lost my mom due to a serious medical issue, but we were blessed enough to get the news we needed in time. Because of these events, I re-ignited my plan to sit my parents and family members down to talk about, well, anything they can remember while I record them on my computer (this is something that truly annoys my mother because I never give her enough time to fix her hair and make-up, but I digress), which doesn’t always happen, which then leads to the stress, the worry, and fear.

Even If the Sky Falls CoverHow much do we lose with each generation? What will I remember for my children? (I don’t have any at the moment, but that doesn’t stop my mind from going there.) But that’s only where it starts, because it’s not only about how do I keep this history, but how do I honor it? Then I start spiraling into thoughts about my book. A sweet romance about a Puerto Rican in New Orleans hanging out with a musician for a night…but maybe it should’ve been a book about my parent’s history? What have I done to represent and document my family, my people, or my culture?

I should’ve done it all in one book. Clearly, I am a failure.

And there it is.

That tangle of thoughts that many of us face each time we pick up a pen and write our stories, trying to capture every moment that has made up our lives (but not too much, because then it’s a memoir, right?), holding on tightly to the past because if we don’t who will do it? Wondering if it’s okay to just tell a story about a young Puerto Rican girl falling in love without a history lesson or maybe just a small one. Feeling like your culture flows in your veins, but you haven’t quite honored it yet…

I realize now this is not just a blog post but a conversation. That I don’t want to talk into the void, but I want to hear from my fellow Latinx community. So if you are reading this, I want to hear from you!

Have you had similar thoughts? Do you feel like you need to represent every part of your culture when you write? Tell me about yourself, your family, the stories you write!

What do you think?

If you are a Latinx creator and want to discuss the “tangle of thoughts that many of us face each time we pick up a pen and write our stories,” please email us at latinosinkidlit@gmail.com with your blog post idea. We’d love to keep this conversation going.

 

5pv_6utvxrzzwbjesfqoku0ic1kqe1dzq1c5cnsydmyM. García was born and raised in San Juan, Puerto Rico. She moved to New York where she studied creative writing at The New School, worked in publishing, and now lives under a pile of to-be-read books. Her debut novel, Even If the Sky Falls, from Katherine Tegen books (an imprint of Harper Collins) is out now. Visit her at MGarciaBooks.com