Guest Post: Five Things I’ve Learned After Marketing My Young Adult Debut

By Heather Marie

2014-03-07_1394157700After you sign a publishing agreement, whether it’s your first book or tenth, you immediately start to consider your marketing strategy. What people don’t tell you upfront is that you are about to embark on a crazy adventure of ups and downs, sometimes more downs than ups, and you’ll find yourself overwhelmed, exhausted, and maybe even depressed.

Don’t get me wrong, getting published is a flippin’ amazing experience! But the work doesn’t stop there. You wrote the book. You got it published. Now you have to sell it. And, yes, I mean you.

Your publisher and/or marketing team/publicist will be there to help you, but you have to be ready to put in some leg work. There are some things that work better for others, and some things you do that’ll completely flop, or some things that’ll blow everything else out of the water. The most important thing to remember is that you actually don’t have to do everything at once, if at all. You only have to do what works for you, period.

I learned this the hard way. After driving myself into the ground with marketing, I finally had time to reflect on what I won’t be doing next time around to spare my sanity.

1. Purchasing swag without draining your bank account in the process.

The minute you get the okay to tell the world about your book deal, you instantly want every promotional piece of swag you can get. First of all, swag is an excellent way to get your book out there. People love it and they’ll gladly take it off your hands, but let’s remember what happens to that swag once people get it. *eyes bookmarks scattered throughout my apartment* I can honestly say that my bookmarks have in no way helped with promotion. They’re just pretty to look at and that’s perfectly okay. However, I think next time I’ll save them for events or send them in bulk to libraries.

The pins and posters were fun as well, and I think the pins were a bigger hit than anything else. But I broke my back trying to get all of this stuff even after everyone told me not to. My advice would be to stick with what you can afford, but don’t feel obligated to go big. Of course, do what works for you, but also consider saving your funds to attend conventions where you can meet new readers in real life. If I’d known ahead of time the amount of money I’d end up spending, I would have held back and saved up for all the events I’ve missed out on.

2. When promoting on social media, timing is everything.

As exciting as it is to share that new piece of big news, try holding off on posting until you know people will see it. The best way to do this is to test a few things on your media accounts and see when you get the most hits. I’ve seen several people post brand new happenings in the super late hours when absolutely no one is around to see it, or in the way earlier hours when no one is even awake. What I’ve found is that my Facebook page gets the most hits on Monday’s in the late morning. I know that sounds crazy, but it’s true. Twitter on the other hand gets the most hits in the early afternoon on Fridays.

Obviously, I don’t only post big news on these days, but you can see what I mean about timing. I’ve gotten myself familiar with the certain times throughout the week that really make a difference. It’s easy for your posts to get lost in the craziness of social media, and if you want people to share or celebrate along with you, you have to familiarize yourself. Trust me. You’ll notice a huge difference in your posts when you do this. It’s hard for me to hold back, but if I find something out on a Saturday, I’ll wait until Monday to share it. Learning how to market yourself is so important. And when you do it is even more so.

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3. Breaking up your marketing so you’re not hitting your readers over the head.

Now that we’ve gone over the timing, let’s go over how much marketing you do at once. For instance, I had one week during release where I had a few major interviews/posts going up at once. I was honestly so sick of talking about myself at that point that I knew everyone else was sick of me, too.

Sometimes you don’t have control over what gets posted or when. At one point I had this amazing interview all scheduled with another major thing, and the interview was moved to another date which left my marketing team and I stuck. We had to run with it anyway, but ultimately the major thing wasn’t as successful as it could have been. Also, I had things get switched around so much that I was stuck promoting a billion things at once that flooded each other out.

The thing I learned here is that it’s okay to space things out. If that means waiting a few days or a few weeks, by all means do it. Sometimes it’s better to let people forget you have a new shiny book coming out and just be your normal human self for a while. That way, when that big thing gets promoted, people will actually stop and listen, as opposed to being like ‘meh.’

4. Telling people to buy your book is not going to make them buy your book.

It’s one thing to promote your book with fun posts and interviews or even a giveaway, but spamming them into buying your book isn’t going to work.

That is one thing I have never done, nor will I ever. Though that doesn’t necessarily mean I haven’t seen it done. An easy way to lose followers aka new readers is by spamming them with constant tweets and posts about buying your book. You know what I mean. The tweets that are very clearly generated through a website that posts your Amazon link every thirty minutes. What I am guilty of (going back to the fact #3) is promoting too many things at once, which can repel people from ever wanting to check your book out.–not because they don’t want to necessarily, but because it doesn’t seem new anymore.

People want to buy something they’re excited about. If something has been shoved into their face (newsfeed) enough, they’ll lose interest quick. Be yourself. Be real. That’ll sell your book more than any promotional link.

5. After all of this is said and done, please take time out for yourself.

You’ve published a book. Be proud of yourself right now. Allow it to sink in and really enjoy it. I’m serious. Being a published author is one of the greatest feelings of accomplishment. I’ve never been happier, but damn, do I wish I would have allowed myself time to appreciate the small things.

I worked myself so hard those last few months prior to release, that afterwards I hit rock bottom. I was exhausted emotionally, mentally, physically, and whatever else. Being a writer means your job is never done and that is absolutely true. There will always be something you have to do, whether that’s your next manuscript, an interview, an event, etc. I’m excited for these things. I love it! But I always, always forget to take care of myself first.

I ignored all the signs that told me to slow down. When my personal life was getting too complicated, I dived even further into my writing. I pushed myself so hard that I didn’t realize how burnt out I was until I emotionally fell apart.

Your book and readers will always be important, but remember that your health is priority. Take a day off. Go out with your friends. Read a book or two over the weekend. Do anything!

Just don’t forget to take care of you.

Heather-AuthorPhotos-3-WEBSIZEHeather Marie lives in Northern California with her husband and spends the majority of her time at home reading. Before she followed her dreams of becoming a writer, Heather worked as a hairstylist and makeup artist for several years. Although she enjoyed the artistic aspect of it all, nothing quite quenched her creative side like the telling of a good story. When the day had come for her to make a choice, she left behind her promising career to start another and never looked back.

Heather was included in a Cosmopolitan Magazine article as a “Latina YA Author You Need on Your Radar.” Her debut novel, The Gateway Through Which They Came released in August from Curiosity Quills Press.

Guest Post: Stephanie Diaz, YA Author of EXTRACTION , talks about diversity and her debut novel

This month, we are taking a look at Latin@s in science fiction and fantasy. Today, we have a guest post from Stephanie Diaz, debut author of Extraction, which releases July 22.

By Stephanie Diaz

Extraction coverThanks so much to Latin@s in Kid Lit for having me here on the blog today! I wanted to share a few of my thoughts on diversity in science fiction, stemming from my experiences as a half-Latina writer of YA.

My father’s side of my family is Latino, primarily of Mexican and Spanish descent. My mother’s ancestors were white Europeans, mostly French and German. I grew up in an English-speaking household, in a Southern California town a state away from my dad’s side of the family. As such, I’ve never been hugely in touch with the Latina side of my roots, except during Christmas vacation, and for a long time it had no great influence on my writing.

My first book, which I wrote in middle school, was a story about a family in the Civil War era. My second book was a fantasy with demons and magical swords. The book I wrote in college and sold to a publisher, Extraction, was my first try at writing science fiction. It wasn’t until I was well into revising the novel that conversations about diversity in fiction grew more widespread and caught my attention. For the first time, I took a long, hard look at my characters and realized I’d made some of the supporting characters different races, but the main characters of the cast were pretty much all white. And my book was supposed to be set on a planet in a completely different galaxy! Here I’d had so much potential to diversify my made-up world, and I’d wasted it.

I plan on doing a better job in the future. I’m still working on the second and third books in the Extraction trilogy, making sure I pay attention and don’t automatically whitewash every new character I introduce to the cast. I’m also working on an unrelated YA sci-fi with a multi-racial/multi-species cast. The beauty of stories set in the future or in distant worlds is that there are so many ways for a writer to imagine how cultures will grow and influence one another over time. Science fiction allows me to imagine all sorts of possibilities that don’t exist in real life, but real life has to be an influence to make the story believable.

My goal is to tell stories that show life the way it is and the way it could evolve—and life is diverse. In physical characteristics, but also in a wealth of traditions. I’m learning that understanding the differences in all the world’s cultures is key to creating new ones, whether they be human or a made-up species.

My hope is that my own books and other books in this genre will grow more and more diverse in the coming years, drawing on little-known cultures to expand the worldview of all readers. I hope to be able to pay homage to my Latina heritage, as well as the other cultures in my blood, in future novels I write. But more than that, I hope to tell many stories about different kinds of people, not just the people I know best. After all, how can I grow as a writer—or a person—if I never venture out of my comfort zone?


Stephanie Diaz author photoTwenty-one-year-old Stephanie Diaz wrote her debut novel, Extraction, when she should’ve been making short films and listening to class lectures at San Diego State University. When she isn’t lost in books, she can be found singing, marveling at the night sky, or fan-girling over TV shows. Visit her online at www.stephaniediazbooks.com.

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You can email her at: stephaniediazbooks@gmail.com

Extraction, published by St. Martin’s Press, releases July 22. Here is a description of Stephanie’s debut novel:

Clementine has spent her whole life preparing for her 16th birthday when she’ll be tested for Extraction, in the hopes of being sent from Kiel’s toxic Surface to the much safer Core, where people live without fear or starvation. When she proves promising enough to be “extracted,” she must leave without Logan, the boy she loves. Torn apart from her only sense of family, Clem promises to come back and save him from brutal Surface life. What she finds initially at the Core is a utopia compared to the Surface—it’s free of hard labor, gun-wielding officials, and the moon’s lethal acid—but life is anything but safe, and Clementine learns that the planet’s leaders are planning to exterminate Surface dwellers—and that means Logan, too. Trapped by the steel walls of the underground and the lies that keep her safe, Clementine must find a way to escape and rescue Logan and the rest of the planet. But the planet’s leaders don’t want her running—they want her subdued.