The Pura Belpré Awards turns 20 this year! The milestone will be marked on Sunday, June 26, from 1:00-3:00 p.m. during the 2016 ALA Annual Conference in Orlando, FL. According to the award’s site, the celebration will feature speeches by the 2016 Pura Belpré award-winning authors and illustrators, book signings, light snacks, and entertainment. The event will also feature a silent auction of original artwork by Belpré award-winning illustrators, sales of the new commemorative book The Pura Belpré Award: Twenty Years of Outstanding Latino Children’s Literature, and a presentation by keynote speaker Carmen Agra Deedy
Leading up to the event, we will be highlighting the winners of the narrative and illustration awards. Today’s spotlight is on Raul Colón, the winner of the 2006 Pura Belpré Illustration Award for Doña Flor: A Tall Tale About a Giant Woman with a Great Big Heart. Colón also received Pura Belpré Illustration Honors for Portraits of Hispanic American Heroes and My Name is Gabito: The Life of Gabriel García Márquez/Me llamo Gabito: la vida de Gabriel García Márquez.
Review by Sonia Alejandra Rodriguez
DESCRIPTION FROM THE PUBLISHER: Doña Flor is a giant lady who lives in a tiny village in the American Southwest. Popular with her neighbors, she lets the children use her flowers as trumpets and her leftover tortillas as rafts. Flor loves to read, too, and she can often be found reading aloud to the children.
One day, all the villagers hear a terrifying noise: it sounds like a huge animal bellowing just outside their village. Everyone is afraid, but not Flor. She wants to protect her beloved neighbors, so with the help of her animal friends, she sets off for the highest mesa to find the creature. Soon enough, though, the joke is on Flor and her friends, who come to rescue her, as she discovers the small secret behind that great big noise.
The creators of Tomás and the Library Lady, Pat Mora and Raul Colón, have once again joined together. This time they present a heartwarming and humorous original tall tale—peppered with Spanish words and phrases—about a giant lady with a great big heart.
MY TWO CENTS: Doña Flor, written by Pat Mora and illustrated by Raul Colón, tells the story of a giant woman that sleeps on clouds and makes piles of big tortillas. She protects her village from harm and she must do just that when the villagers inform her that a giant mountain lion threatens their safety. The biography of Raul Colón included on the dust jacket describes his illustrations as “an intriguing combination of watercolor washes, etching, and colored and litho pencils.”
When I look at Colón’s illustrations, the etchings remind me of fingerprints. The loops, the arches, the whorls, and all the lines that we might associate with fingerprints are visible in Colón’s illustrations. I am not familiar with techniques or the technicalities of etching and in saying that the illustrations remind me of fingerprints I do not mean to devalue the art in any way. My favorite illustration in this story is of Doña Flor using her thumb to carve out a riverbed in the village. Doña Flor is in a squatting position with her white skirt covering her thighs, and she has used her thumb to make a squiggly path for the water while the villagers look on. The riverbed has the details I associated with the fingerprints which, in this case, could be Doña Flor’s own prints.
Colón’s illustrations are beautiful, colorful, and magical. That I saw fingerprints when I looked closely at his illustrations speaks to the uniqueness of his art. While Doña Flor wears a blue shirt in most of the illustrations sometimes the shirt looks like it is embroidered and sometimes it looks like a plain T-shirt. The clouds on one page look round and fluffy and in the illustration where she’s made her bed of clouds it appears like she’s left her own fingerprints on the clouds she has gathered. Despite the uniqueness I see in his illustrations, there is certainly a sense of cohesion throughout the story. I’ve decided to focus on the etchings, the lines, and how much they appear like fingerprints because as I examined his illustrations, I also got the thought that our stories are as unique as our fingerprints. Colón’s illustrations in Doña Flor affirmed that for me. I couldn’t help but connect the details I saw in his art to the significance of the Pura Belpré award and the necessity for more Latinx children’s and young adult literature by and for Latinx.
- For younger readers: Ask younger readers to pick their favorite illustration and to pick a part of the image they’d like to recreate. For example, in the illustration with Doña Flor making the river, students can attempt to recreate the river, the clouds, the trees and hills, etc. Ask students to outline their chosen part and to fill it in by dabbing their fingerprints. This will recreate the etching effect they see in the illustrations.
- For middle grade readers: Discuss with students the effect and affect of etching. Does the etching force the reader to focus in a certain direction or a certain part of the page? How do the illustrations make you feel? For example, in the illustration where Doña Flor hugs the wind the lines of the etchings point in the same direction, making it appear like she is floating away with the wind.
- For young adult readers: By the end of the story Doña Flor learns that the loud roaring frightening the village is coming from a small puma roaring into a hollow log. Discuss with students the importance of perceptions and misconceptions. How might we connect the villagers’ fear and the puma’s amplified roars to racial/ethnic stereotypes?
Dr. Sonia Alejandra Rodriguez’s research focuses on the various roles that healing plays in Latinx children’s and young adult literature. She currently teaches composition and literature at a community college in Chicago. She also teaches poetry to 6th graders and drama to 2nd graders as a teaching artist through a local arts organization. She is working on her middle grade book. Follow Sonia on Instagram @latinxkidlit