Here, Dora M. Guzmán and Alexandra Someillan talk about LOBIZONA by Romina Garber.
ABOUT THE BOOK:
Some people ARE illegal.
Lobizonas do NOT exist.
Both of these statements are false.
Manuela Azul has been crammed into an existence that feels too small for her. As an undocumented immigrant who’s on the run from her father’s Argentine crime-family, Manu is confined to a small apartment and a small life in Miami, Florida.
Until Manu’s protective bubble is shattered.
Her surrogate grandmother is attacked, lifelong lies are exposed, and her mother is arrested by ICE. Without a home, without answers, and finally without shackles, Manu investigates the only clue she has about her past—a mysterious “Z” emblem—which leads her to a secret world buried within our own. A world connected to her dead father and his criminal past. A world straight out of Argentine folklore, where the seventh consecutive daughter is born a bruja and the seventh consecutive son is a lobizón, a werewolf. A world where her unusual eyes allow her to belong.
As Manu uncovers her own story and traces her real heritage all the way back to a cursed city in Argentina, she learns it’s not just her U.S. residency that’s illegal. . . .it’s her entire existence.
Click on the link below to watch the book talk and then add your comments below to join the conversation. ENJOY!
Dora M. Guzmán is a bilingual reading specialist for grades K-5 and also teaches college courses in Children’s Literature and Teaching Beginning Literacy. She is currently a doctoral student with a major in Reading, Language, and Literacy. When she is not sharing her love of reading with her students, you can find her in the nearest library, bookstore, or online, finding more great reads to add to her never-ending “to read” pile!
Alexandra Someillan is a freelance book reviewer and teacher who lives in Miami, FL. She has written for Frolic Media, where she has raved about her favorite Latinx romances. Currently, she has been accepted in the Las Musas mentorship and is working on her Latinx contemporary novel with Nina Moreno. Usually, you can find Alexandra obsessing over nineties pop culture and eating too many pastelitos.
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Reviewed by María Dolores Águila
DESCRIPTION OF THE BOOK: Mateo Garcia and his younger sister, Sophie, have been taught to fear one word for as long as they can remember: deportation. Over the past few years, however, the fear that their undocumented immigrant parents could be sent back to Mexico started to fade. Ma and Pa have been in the United States for so long, they have American-born children, and they’re hard workers and good neighbors. When Mateo returns from school one day to find that his parents have been taken by ICE, he realizes that his family’s worst nightmare has become a reality. With his parents’ fate and his own future hanging in the balance, Mateo must figure out who he is and what he is capable of, even as he’s forced to question what it means to be an American.
Daniel Aleman’s Indivisibleis a remarkable story — both powerful in its explorations of immigration in America and deeply intimate in its portrait of a teen boy driven by his fierce, protective love for his parents and his sister.
MY TWO CENTS: I read this book in one sitting. I couldn’t put it down because I had to find out what was going to happen to Mateo and Sophie. Daniel Aleman does an amazing job of pulling the reader deeper and deeper into Mateo’s world with every turn of the page.
“Ma is always telling me how I feel too much.”
This is the opening line of the novel, and it does an excellent job of encapsulating who Mateo is and helps the reader understand Mateo’s point of view. When things are heavy, they drag him down. When things are good, he’s floating on air.
Within the first ten pages, the stakes of the story become apparent. Mateo’s working at his parent’s bodega, Adela’s Corner Store, stacking tortillas, when an ICE Agent comes and asks about his father. As the cashier informs the ICE Agent that Mateo’s father is not there, Mateo watches in horror, cycling through emotions – shock, fear, and ultimately numbness.
For a few days, the Garcia family is in limbo, constantly looking over their shoulder, while they wait to see what’s going to happen. When will they come back? And why is ICE looking for Mateo’s father anyway? Enough time passes and the family writes the incident off as a fluke, and Mateo goes back to focusing on his SAT and GPA so he can go to NYU and pursue his Broadway dreams.
The next day, he’s hit with the worst news possible: his parents were arrested by ICE while he was at school.
Mateo’s world is flipped upside down, and as a reader, I was devastated when he had to tell Sophie the news. Mateo finds himself as the head of household, having to take care of his parent’s bodega, their apartment, and his little sister. He turns inward, and keeps what happened to himself, not even telling his best friends Adam and Kimmie what has transpired.
It’s heart wrenching to read about the impacts on a family ripped apart by ICE, and readers will empathize with Mateo’s struggle to keep his emotions contained and act like nothing happened. When things can’t get any worse, we learn that CPS is looking for Mateo and Sophie. In a desperate bid to keep his sister with him, Mateo contacts his Uncle Jorge, who’s really a family friend, and asks to stay with him until his parents have their court hearing.
While Uncle Jorge is happy to have Mateo and Sophie stay at his apartment, his wife Amy, who just had a baby, is not thrilled. Pressure builds as they struggle to cohabitate and learn that his parents’ court hearing did not go in their favor. They have been deported and find themselves back in Mexico after building a life in the United States for the last twenty years.
It’s another blow. Mateo had been hoping against hope that things would go back to normal, but it’s clear now that things will never be the same. Sophie takes the news worse than Mateo does. She is crushed by the turn of events and falls into a deep depression.
Meanwhile, Mateo’s parents struggle to find jobs, housing, and a way to support themselves. They want the kids to stay in the United States and finish their schooling, but Sophie is desperate to be reunited with their parents. Mateo doesn’t know how he is supposed to continue to take care of the bodega, their apartment, and Sophie while pursuing his dreams now that he knows his parents are not coming back anytime soon.
This further complicates the situation with Uncle Jorge, where a temporary stay has turned indefinite, escalating the tension in the household and things begin to unravel.
Daniel slowly realizes that he cannot do it by himself, and he reluctantly opens up to his friends about what’s happened. To his surprise, they rally around him, supporting him in ways he never expected.
Mateo’s story ends on an unexpected, yet bittersweet note, tinged with sadness, but still full of hope.
“And no matter how hard they tried to separate us, how much the distance hurt, or how it nearly broke us, we are really, truly indivisible.”
Daniel Aleman’s Indivisible masterfully weaves a raw and heartfelt story that dares the reader to look away from the aftermath of what happens when ICE tears apart a family. Aleman challenges readers to examine their own biases when it comes to immigration and the myth of the “good immigrant”. At the core of this story, we discover how love allows perseverance in the face of seemingly insurmountable odds and propels us through it. In between these moments of deep despair, there is also levity, in the form of a sweet queer romance with someone who Mateo never expected and other tiny bits of joy with his best friends, that give the reader reprieve. The themes of this text — immigration, mixed status families, citizenship, family, love, hope, and friends — easily lead to complex discussions for book clubs and classrooms. Fans of We Are Not From Hereby Jenny Torres Sánchez, I’m Not You’re Perfect Mexican Daughter by Erika Sánchez, and Furiaby Yamile Saied Méndez will enjoy reading this book.
ABOUT THE AUTHOR (from his website): Daniel Aleman was born and raised in Mexico City. A graduate of McGill University, he is passionate about books, coffee, and dogs. After spending time in Montreal and the New York City area, he now lives in Toronto, where he is on a never-ending search for the best tacos in the city. He is the debut author of Indivisible, a young adult novel available now from Little, Brown Books for Young Readers.
ABOUT THE REVIEWER: María Dolores Águila is a Chicana writer based in San Diego, California. She writes picture books, middle grade and young adult novels celebrating and exploring the nuances of Chicanx culture and identity. She’s also a moderator of Kidlit Latinx, a writing group dedicated to supporting and amplifying Latinx voices in Children’s Literature. She has a forthcoming picture book coming in 2023. She is represented by Lindsay Auld of Writers House Literary Agency. Connect with her on Instagram and Twitter.
Review by Sonia Alejandra Rodríguez, PhD & Ingrid Campos
DESCRIPTION OF THE BOOK: Efrén Nava’s Amá is his Superwoman—or Soperwoman, named after the delicious Mexican sopes his mother often prepares. Both Amá and Apá work hard all day to provide for the family, making sure Efrén and his younger siblings Max and Mía feel safe and loved.
But Efrén worries about his parents; although he’s American-born, his parents are undocumented. His worst nightmare comes true one day when Amá doesn’t return from work and is deported across the border to Tijuana, México.
Now more than ever, Efrén must channel his inner Soperboy to help take care of and try to reunite his family.
A glossary of Spanish words is included in the back of the book.
OUR TWO CENTS: Ernesto Cisneros’ Efrén Divided (2020) centers Efrén Nava, a young Mexican-American boy who lives with his parents and two siblings in Highland, California. In the novel, Amá works as well as takes care of household responsibilities and Apá goes off to work. Efrén refers to Amá as Soperwoman, after her Mexican sopes, for being able to whip up culinary miracles from the very little they have. While Efrén is a U.S Citizen, his parents are undocumented and the possibility of them being deported hangs over Efrén each night his Amá out late working–afraid she might not return. When Amá goes out to interview for a different job she is caught by ICE and is immediately deported to Tijuana, Mexico. Amá’s absence disrupts the family’s routine and Efrén finds himself responsible for his two younger siblings while Apá works countless, sleepless nights to send Amá money for her return. One day on their way to school, Efrén’s best friend, David, decides he wants to run for school president. After Amá gets deported, Efrén is unable to concentrate and unable to meet his school responsibilities. Efrén embarks on a journey into Mexico where he meets a friendly taxi man, Lalo, who helps him find his way to his mother. While Amá’s return is uncertain, Efrén decides if running for class president against his best friend is the best thing for him.
With Efrén Divided, Cisneros shines a spotlight on the emotional toll of having a mixed-status family when the U.S. government is bent on separating families. Efrén hears about families getting separated at the U.S./Mexico border from the news, from his friends, and from people around his neighborhood. ICE has become an ominous presence in his personal life but also in his community: “He’d heard about ICE setting up checkpoints and literally taking people off the street. He’d heard about ICE helicopters scaring people out of their homes and hauling them away. He’d even heard of ICE making stops at Mexican-geared supermarkets and handcuffing anyone who couldn’t prove they belonged. Whether the rumors were true or not, they sounded real enough to worry him” (Cisneros 49). Constantly hearing about ICE coming and taking family members is psychologically taxing, and for children, this type of violence disrupts any sense of safety children may be trying to create for themselves. Efrén doesn’t know if ICE is, in fact, arresting people, but he knows enough about ICE to be worried anyway. At 12 years old, he knows enough about systemic power and the ways it’s abused to know that he doesn’t need to see ICE separating families to believe it’s happening and to fear it could happen to his family. He is also aware that the issue with citizenship is one of belonging in some sort of American imaginary where only certain people belong. After his mother is deported, Efrén learns more about ICE, raids, and crossing the border from doing online research and from gossip at his local laundromat. There’s a sense that being more informed is empowering to Efrén, but there are moments when all of the information is debilitating because he feels helpless–not just to help his mother but powerless to tackle an entire system.
After Amá is deported, Efrén undergoes an adultification process–readers will see him take on more adult responsibilities like taking care of his younger siblings, maintaining the household, and becoming his father’s confidant. It’s clear these responsibilities fall on him because he’s the oldest child. Through this process, Efrén has to learn to do everything Amá did for them and he develops greater empathy for all of this labor. One of the ways this adultification is evident is in Efrén’s concern over money for food. Apá gives him the little money he can, but when it’s not enough, Apá suggests he use Amá’s stash of quarters for laundry. As a way to stretch out the money as much as he can, he decides to also take food from school: “He leaned up against the closest trash bin and grabbed some of the unopened bags of celery and crackers students had thoughtlessly tossed away” (Cisneros 91). Efrén recognizes the act of taking the food as stealing and as a necessary risk to help his family. This moment is particularly interesting because he’s put in a position that forces him to question what he’s learned about “right and wrong.” It’s wrong to steal, but it would also be wrong to let his younger siblings go hungry. He resolves that “taking the food from the trash bin wasn’t really stealing” (93). He learns more about these adult “gray areas” throughout the novel including when he learns that what Amá plans to do to get back to her family is considered a crime and later when he witnesses families holding one another through a man-made border wall.
Apá’s decision to let Efrén cross into Tijuana by himself is another example in the novel of the ways that the current immigration system in the U.S. forces children to grow up. Efrén and his dad need to get Amá the money to live in TIjuana and eventually make her way back to the U.S. Apá is ready to take the risk of crossing the border to deliver the money, knowing full well that, if he gets caught, he will also be separated from his children. Efrén convinces him that another separation will not help, so Efrén is then tasked with taking a large amount of money over the border to give to his mother. The entire section that takes place in Tijuana is both nerve-wracking and tender. Cisneros does an excellent job at building tension and at rewarding the reader with a heartfelt mother/son reunion. But again, Tijuana is a reminder of how Efrén has been forced to act as an adult because the system is set up against his family. What he witnesses in Tijuana also allows for a moment of introspection on what it means to be a U.S. citizen. Readers also see the ways that Efrén’s parents have been disempowered because of the lack of citizenship; even though Efrén sees his parents as superheroes, there’s a system in place created to dehumanize them, and people like them.
Parallel to the storyline of Amá getting deported is also the storyline of the 7th grade class elections. Efrén volunteers as campaign manager for David, who is running against their classmate, Jennifer. David is white and from a broken family, and he thinks winning the election will give him enough clout to change how his peers view him. On the other hand, Jennifer is running to help children and parents who are undocumented like her. After confiding in one another that they both have mixed-status families Jennifer says, “‘Nos quisieron enterrar, pero no sabían que éramos semillas […] My mom likes to remind me of this every day. She’s right though. That’s why I’m running. Figured I could make a difference, even if just at school” Cisneros 31). The Mexican saying indeed plants itself in Efrén’s mind and grows as the novel progresses, later informing his decision to also run against his best friend for president and to help keep his community informed on immigration issues and their rights. For both Jennifer and Efrén, the school elections become a way to effect changes where they can. The elections and Efrén’s participation show readers that even the smallest form of governing, like class elections, can serve as forms of empowerment for students and for the community at large. Additionally, school elections are an excellent way to discuss power and governing bodies with young people. Jennifer and Efrén demonstrate that power can be used for good rather than using it to exploit those without it.
We recommend everyone read Efrén Divided. With Efrén, Cisneros has created a sensitive and caring young boy—of which we need more and more representations. Efrén is an intelligent 12-year-old, but what helps him understand his family’s circumstances and the political climate around him is his kindness. While the story focuses on immigration, it’s also about finding self-empowerment while living in a system determined to disenfranchise people. We also particularly liked the focus on the emotional toll that children with citizenship in mixed-status families experience. Cisneros makes clear that the emotional burden is due to a broken immigration system and not, in this case, because of any decisions made by the parents. Throughout the novel, it’s also evident that ICE is terrorizing communities and, ultimately, traumatizing people. And one of the ways this happens is by not allowing parents to parent their children by forcefully removing the parent from the picture because of citizenship status. With everything impacting his mental health, Efrén still lets hope guide him to fight for a more just system for all. Efrén Divided is a powerful and heartwarming read about a young boy’s desire to bring his family together after being separated by ICE and learning that he has more power than he realized. Cisneros reminds readers that at the end “somos semillitas.”
ABOUT THE AUTHOR: Ernesto Cisneros was born and raised in Santa Ana, California, where he still teaches. Efrén Dividedis his first book. He holds an English degree from the University of California, Irvine; a teaching credential from California State University, Long Beach; as well as a master of fine arts in creative writing from National University. As an author, he believes in providing today’s youth with an honest depiction of characters with whom they can identify. The real world is filled with amazing people with diverse backgrounds and perspectives. His work strives to reflect that. You can visit him online at www.ernestocisneros.com.
Click here for a Q&A we did with Ernesto Cisneros.
ABOUT THE REVIEWERS: Sonia Alejandra Rodriguez, PhD is an Associate Professor of English at LaGuardia Community College (CUNY) where she teaches composition, literature, and creative writing. Her academic research focuses on decolonial healing in Latinx children’s and young adult literature. Sonia is a Mellon Emerging Faculty Leader.
Ingrid Campos is a 19-year-old college student interested in Latinx Literature. After graduating from LaGuardia Community College (CUNY) this year with an associates in Writing and Literature, she will continue her studies at Queens College to earn her Bachelors in English Education 7-12 . Ingrid was born and raised in Queens, New York. As a Mexican-American living in Queens and graduating from the public school system, Ingrid is inspired to become a high school teacher. One of her main goals is to center academic curriculums around more diversity and inclusivity towards Black and Brown students.
DESCRIPTION FROM THE BOOK JACKET: What happens when a small girl suddenly starts turning green, as green as a cilantro leaf, and grows to be fifty feet tall? She becomes Super Cilantro Girl, and can overcome all obstacles, that’s what! Esmeralda Sinfronteras is the winning super-hero in this effervescent tale about a child who flies huge distances and scales tall walls in order to rescue her mom. Award-winning writer Juan Felipe Herrera taps into the wellsprings of his imagination to address and transform the concerns many first-generation children have about national borders and immigrant status. Honorio Robledo Tapia has created brilliant images and landscapes that will delight all children.
MY TWO CENTS: Upon learning that her mother has been detained at the border, Esmeralda Sinfronteras transforms into a superhero to rescue her mother from ICE. She uses the power of cilantro to grow taller than a house, with hair longer than a bus, and skin so green it could have only come from cilantro. Super Cilantro Girl flies to the border, climbs the dark and dreary detention center to her mother’s window, and simply picks her up and puts her in her pocket and they fly home. The ICE agents are so mesmerized by the power of cilantro that they do not notice or prevent Super Cilantro Girl from rescuing her mother. The next morning, Esmeralda makes a huge discovery about her and her mother.
Author Juan Felipe Herrera and illustrator Honorario Robledo Tapia have created a magnificent children’s book about the transformative power of imagination. Esmeralda is emblematic of the many children who have been separated from their families due to unjust and xenophobic immigration laws. Herrera and Tapia go beyond common debates about immigration to give a face and a voice to the children impacted. Esmeralda gains the power and courage she needs to confront ICE from the environment around her. Her grandmother and the land serve as vessels for alternative knowledge that guide Esmeralda through her journey. Furthermore, Herrera’s and Tapia’s reclamation of the color green juxtaposes Esmeralda’s power with the cultural and social power of the “green card.” In Esmeralda’s imagination, her power is much stronger than anything ICE or a green card could ever have.
There are several ways to read race, gender, and class into this story in order to come up with a thorough analysis of how immigration impacts Latina/o children and their families. What I appreciate most about Herrera’s children’s book is that hope and empowerment are central to the narrative. Giving Esmeralda superpowers reveals the possibility for change that manifests from a child’s imagination. Super Cilantro Girl encourages children to dream, hope, and fight for their rights even if it means going against an entire state apparatus like ICE.
TEACHING TIPS: Super Cilantro Girl can be taught thematically by focusing on issues of (im)migration. The story’s emphasis on alternative healing methods is resonant of Gloria Anzaldua’s Prietita and the Ghost Woman and Friends from the Other Side. All three texts pay particular attention to holistic healing methods that include using nature as a resource. This is especially important because it allows the children protagonists to gain empowerment from their environments—much in the same way that Esmeralda finds power in cilantro.
Focusing on the superhero theme presents an opportunity to connect art activities with reading. Yuyi Morales’s Niño Wrestles the World prompted the creation of Niño masks to accompany the story—something similar can be done with Herrera’s Super Cilantro Girl. The relationship between social justice and superheroes in this story can be addressed by asking students to draw and imagine their own superhero. Students can imagine what a superhero in or from their community might look like or students can find inspiration from their community to create a superhero. Xavier Garza’s Charro Claus and the Tejas Kid is another excellent example of a child protagonist using his culture and community to be heroic.
There are several Latino kid’s books that focus on lucha libre that will pair wonderfully with Super Cilantro Girl. Lucha libre connects superhero-like characters with fantasy and reality and that can generate a powerful conversation about superheroes in our communities and culture as well as how children and youth can be their own heroes. Morales’s Niño Wrestles the World and Xavier Garza’s Lucha Libre: The Man in the Silver Mask are a few examples that tell stories about children and luchadores.
Sonia Alejandra Rodríguez has been an avid reader since childhood. Her literary world was first transformed when she read Rudolfo Anaya’s Bless Me, Última as a high school student and then again as a college freshman when she was given a copy of Sandra Cisneros’s The House on Mango Street. Sonia’s academic life and activism are committed to making diverse literature available to children and youth of color. Sonia received her B.A. in English from the University of Illinois at Urbana-Champaign. She is currently a PhD candidate at the University of California, Riverside, where she focuses her dissertation on healing processes in Latina/o Children’s and Young Adult Literature.