Latinx Book Reviewers Having Their Say, Part 3

This is the third and final installment in a roundtable conversation with some of the reviewers on our team. It can’t be said too often: we’re overflowing with THANKS for the hard work and wisdom they pour into their reviews! Still, we figured they’d have more to say on the topic of children’s and YA lit, so we posed a few questions. 

Latinxs in Kid Lit: Tell us about yourself as a child reader. How do those experiences color your impressions of the books you read now?

Araceli Méndez Hintermeister

Araceli Méndez Hintermeister is a librarian and archivist with a background in public, academic, and culinary libraries. I was an avid reader as a child and have very fond memories of Scholastic Book Fairs. My dad, who was a teacher, was one of my biggest literacy advocates. He would bring home piles of books and advanced reader copies that his colleagues shared with him. As a Mexican immigrant, he was mostly happy that these books were in English. It made for a really diverse set and rarely included bestsellers. Today, I still look for diversity in genres and aim to search for hidden gems. I also tend not to read bestsellers until years after their release.

Maria Ramos-Chertok is a writer, workshop leader and coach with The Butterfly Series. As a bi-cultural child (Cuban immigrant father/Jewish American mother) growing up in a majority white neighborhood in the 1960 and 70s, I did not have any books that reflected my Latinx heritage. As a result, it was very challenging for me to articulate my identity. My father, who spoke English with a heavy accent, chose not to teach us Spanish. That further compounded my confusion as child named “Maria Diana Ramos” who did not speak or understand Spanish.

Cecilia Cackley is a performing artist, creator of puppet theater, and a children’s bookseller based in Washington, DC. I was a voracious reader as a child and it has been a huge part of my identity since I was about six or seven years old. In elementary school, I mostly read historical fiction—I didn’t get into fantasy or sci-fi until I was in middle school. I read a lot of what we term the ‘canon’ like Anne of Green Gables, Little Women, etc and only as an adult have I realized that I never read a chapter book about a Latinx character as a kid. Even though I went to a dual immersion school, most of the Spanish books in the library were translations of things like the Little House series. I work hard to hold onto the mindset of a kid when I read, especially when reading books about Latinx characters and try to imagine how they would have affected me if I had read them earlier in life.

LiKL: What is your reviewing process like? Do you take notes throughout your reading time? Are there sticky flags involved? Are there sticky fingers involved (because: sugary snacks)?

Cecilia Cackley

Cecilia: I usually read a book through once and often I’m not sure if I’m going to be the person reviewing it. Since I’m a book buyer, I’m reading most books about six months ahead of publication date and my first thought is always for whether or not I’ll purchase this book for the store and what short blurb I can write to get a customer interested in it. Once I know I’m reviewing it for the blog, I make a list of points that I thought were especially interesting about the book and I read it a second time, paying close attention to those elements.

Maria: I tend to read a book and then sit with it for a bit before writing. I like to see what it makes me think about. I don’t typically take notes or use sticky flags and I avoid eating when I write because I find it distracting (I take a dedicated break when I eat). I really don’t like people who earmark pages in books or who write in books with pen, so I avoid doing both. Over the course of a few days, I might jot down some phrases to jog my memory for when I do sit down to write. I prefer an organic flow on the page to the pre-outlined, thoughtful preparation. I’m that way in a lot of my life –not just writing (spontaneous versus planned).

Araceli: Most of my reading happens during my long commute on the Boston T, so I keep tools to a minimum. Before writing a review, I keep a document on my phone filled with notes by categories — overall thoughts, teaching connections, and related readings. I make a note of quotes and page numbers that speak to me and my Latina identity. On my happiest reading days, I sit on my couch next to my dog. Unfortunately, this means keeping my snacks to a minimum.

LiKL: Your work as an educator, youth librarian, scholar of children’s literature, or author of books for young readers is bound to affect your work as a reviewer. Help us understand the professional perspective you bring to the evaluation of texts.

Cecilia:  I used to be a third grade teacher and now I am a bookseller (I still teach art as a freelancer). My number one goal has always been to give kids and teens books they will love, books that will give them a greater understanding of the world and books that will reflect their own experiences. However, as a bookseller, I’m focused on selling, and I try to figure out who the audience is for the book and the best way to describe it in order to move it off the shelf. I’m not a trained critic and haven’t studied literature in an academic way, so a lot of how I approach books is from the point of view of “Who will read it?” and “How do I sell it?”

Maria Ramos-Chertok

Maria: In my youth, I worked a lot with kids who had severe challenges (sexual abuse, emotional disturbance, severe physical disability). I always had an acute awareness of how dependent children are on adults, and how the information we provide them, including the stories we tell, influences their development and sense of self. I never wanted to betray any child’s trust, so in my evaluation of texts I look for honesty and stories grounded in truth. I had my own children later in life, age forty and forty-two, and that perspective is what guides me most as a reviewer. I want a book that I would feel good reading to my two sons; I want a book that will make them think; I want a book that has characters that look like them.

Araceli: As a librarian, I try to be open-minded. While I may sometimes find fault with the story line or characters, that does not make a book bad. It just means it may not be for me! Reading is all about finding the right fit for yourself. I don’t believe there are people who aren’t readers, I just think they haven’t found the right literature yet. With so many formats, genres, book lengths, and topics, the possibilities are endless. With this perspective, I try to think about what type of reader each book is aimed for and highlight what they would find the most interesting.

LiKL: Let’s draw up a wish list for authors and publishers. Which genres, storylines, locations, representations, or other considerations do you pine for in books for children or teens?

Maria: I am the daughter of a mother who came out as a lesbian when I was fourteen. That was in 1976 and there were no books that I knew of then that spoke to my circumstance or to my changing family construct. I love that there are books on alternative families now, but I also want characters who are racially and culturally mixed. I want layered characters and I also want strong feminist characters.

Cecilia: Central-American representation, PLEASE! I live and work in a city where the majority of the Latinx community has ties to El Salvador, Guatemala and Honduras. Across the river in Virginia, we have a huge Bolivian community. I almost never see these kids represented in books, especially by authors who share their heritage.

LiKL: Now let’s flip the coin. What are your reading pet peeves? Specify the tired tropes, stereotypes, or overused plot machinations that cause you to roll your eyes—or to slam a book shut.

Cecilia: Books that treat Dia de los Muertos like Halloween, books where everyone from Latin America lives in a little village, books where all the Latina characters are the “tough girl,” books where all the Latinx characters are poor or in a gang.

Maria: I’m tired of girl meets cute boy and they have a crush. I know that sells, but there are many other realities related to sexual orientation that are non-binary and gender fluid. That is a huge challenge for kids and I’d like to see more fluidity in the gender roles and stories.

LiKL: What is your current hot read and which books are at the top of your to-be-read list?

Maria: Someone just sent me a copy of Dear Madam President: An Open Letter to the Women Who Will Run The World. It’s not a book I would have bought for myself, but I found it interesting and think it’s a good read — especially for young adult women. Also, two dear friends of mine Alma Flor Ada and F. Isabel Campoy wrote the book Yes! We are Latinos (2013) and gifted me a copy. I absolutely love that young adult book because it does exactly what I’ve always wanted in a book: share a diverse grouping of stories about the many different ways to identify as Latinxs. I wish I’d had a copy when I was growing up, but having it now is healing something inside of me.

Cecilia: I’m about to start WE SET THE DARK ON FIRE by Tehlor Kay Mejia and I’m super excited for it!

—————————————————————————————-

In case you missed the previous posts in this series, here are links to Parts 1 and 2.

Unfortunately, not every current or recent contributor was available to respond to this Q&A. Here’s a list of those reviewers–mil gracias to each one! 

Chantel Acevedo reviewed Martí’s Song for Freedom/Martí y sus versos por la libertad.

Dora M. Guzmán loves covering picture books. Here are her thoughts on Alma and How She Got Her Name/Alma y como obtuvo su nombre.

Carolina Hinojosa-Cisneros supplied great insights on Jabberwalking.

Christa Jiménez did an excellent round-up review of baby books from indy publishers.

Marcela Peres provided her insights on Sci-Fu: Kick it Off.

Lettycia Terrones gave us a breakdown of The First Rule of Punk.

 

Book Review: Anger is a Gift by Mark Oshiro

 

Review by Araceli Méndez Hintermeister

DESCRIPTION OF THE BOOK: Moss Jeffries is many things—considerate student, devoted son, loyal friend and affectionate boyfriend, enthusiastic nerd.

But sometimes Moss still wishes he could be someone else—someone without panic attacks, someone whose father was still alive, someone who hadn’t become a rallying point for a community because of one horrible night.

Six years ago, Moss Jefferies’ father was murdered by an Oakland police officer. Along with losing a parent, the media’s vilification of his father and lack of accountability has left Moss with near crippling panic attacks.

Now, in his sophomore year of high school, Moss and his fellow classmates find themselves increasingly treated like criminals by their own school. New rules. Random locker searches. Constant intimidation and Oakland Police Department stationed in their halls. Despite their youth, the students decide to organize and push back against the administration.

When tensions hit a fever pitch and tragedy strikes, Moss must face a difficult choice: give in to fear and hate or realize that anger can actually be a gift.

MY TWO CENTS: As a teenager, all you do is dream of being someone else, but for Moss, it is less about escaping his world and more about escaping himself. Since the loss of his father six years ago due to police negligence, Moss’s life is thrust into a state of disarray that is constantly afflicted by anxiety and self-doubt. Injustice is rampant in his community, and the death of his father is a marker of a world meant to dismantle communities that are different, whether it be in race, gender, sexuality, or other. Moss knows he should fight, but the pain is still real and it immobilizes him. While others want him to fight, rally, and march, Moss first wants to find peace so that freedom from his anger can finally bring about progress.

Through Moss, we learn that all the feelings he experiences are in fact his tools for survival. His mother teaches him that where he sees anger due to injustice, he can also find power, freedom, and strength that can lead to progress. Oshiro brilliantly gives us a challenging and truthful world that will foster profound discussion on a topic we shouldn’t be shying away from. I also admire that Anger is a Gift highlights how oppression targets so many due to their identities and shows us that we cannot ourselves rise while leaving others behind.

TEACHING TIPS: Police violence is a difficult topic to make sense of, let alone explain to others. With honesty, Anger is a Gift allows us to realize that the confusion and array of feelings that come with experiencing sensless violence in our communities are justified. Through Moss, we are allowed to experience how one individual utilizes those feelings to bring action rather than inmobilize him. Anger is a Gift can be used in conjunction to other books that explore police violence, but I encourage you to supplement your readings with news clips and articles that report on police violence. Encourage your students to identify the differences and potential biases in these reports.

RECOMMENDED READING: 

  • The Hate U Give by Angie Thomas
  • Tyler Johnson Was Here by Jay Coles
  • All American Boys by  Jason Reynolds & Brendan Kiely

 

Oshiro_Mark.jpgABOUT THE AUTHORMark Oshiro is the Hugo-nominated writer of the online Mark Does Stuff universe (Mark Reads and Mark Watches), where he analyzes book and TV series. He was the nonfiction editor of Queers Destroy Science Fiction! and the co-editor of Speculative Fiction 2015, and is the President of the Con or Bust Board of Directors. When not writing/recording reviews or editing, Oshiro engages in social activism online and offline. Anger is a Gift is his debut YA contemporary fiction novel.

.

.

.

.

ABOUT THE REVIEWER: Araceli Méndez Hintermeister is a librarian and archivist with a background in public, academic, and culinary libraries. She has an M.A. in history and MLIS from Simmons College, where she focused her studies on the role of libraries and archives in the cultural preservation of the U.S.-Mexican border. Additionally, she holds a BA in ethnic studies from Brown University. Her research is greatly influenced by her hometown of Laredo, TX, which has led her to work in serving immigrants and underrepresented communities. Her current work is bringing new and diverse literature to the T in Boston through Books on the T. You can find Araceli on Instagram.

 

Book Review: Bravo! Poems About Amazing Hispanics by Margarita Engle, illus. by Rafael López

 

Reviewed by Lila Quintero Weaver

FROM THE BOOK JACKET: Musician, botanist, baseball player, pilot—the Hispanics featured in this collection come from many different backgrounds and from many different countries. Celebrate their accomplishments and their contributions to collective history and a community that continues to evolve and thrive today!

Poems spotlight Aida de Acosta, Arnold Rojas, Baruj Benacerraf, César Chávez, Fabiola Cabeza de Vaca, Félix Varela, George Meléndez Wright, José Martí, Juan de Miralles, Juana Briones, Julia de Burgos, Louis Agassiz Fuertes, Paulina Pedroso, Pura Belpré, Roberto Clemente, Tito Puente, Tomás Rivera, and Ynés Mexia.

MY TWO CENTS: This beautiful and memorable picture book once again showcases the partnership of creative luminaries Margarita Engle and Rafael López, following their award-winning collaboration on Drum Dream Girl. In Bravo!, Engle’s eighteen poems and López’s accompanying illustrations highlight notable Hispanics with strong connections to the United States. Some subjects are Puerto Ricans, while many are Latinx notables from the U.S. mainland. Quite a few came to its shores as immigrants, exiles, or refugees. A few are world-famous, like Tito Puente, César Chávez, and Roberto Clemente, but most are not. In fact, some individuals whose thrilling achievements should have earned them a prominent place in history have yet to receive their due, such as Cuban American Aída de Acosta, the world’s first woman pilot. (I eagerly anticipate the March 2018 release entitled The Flying Girl: How Aída de Acosta Learned to Soar, a picture book by Margarita Engle illustrated by Sara Palacios, which should go a long way toward filling that gap.)

The profiles are arranged chronologically, and each featured individual receives a double-page treatment consisting of a brief poem and a portrait illustration. The first spot belongs to Juan de Miralles (1713-1780), a Cuban supporter of the American Revolution, whose intervention helped save George Washington’s troops from scurvy. The final selection is Tomás Rivera (1935-1984), an influential teacher, poet, and University of California chancellor, who was also one of Margarita Engle’s creative-writing professors.

As with her novels in verse, Engle presents the stories of the characters through first-person-voiced poems that draw attention not only to that individual’s contributions to society, but also to the passions that drove them to action.

As mentioned earlier, most of these historical figures are not widely recognized. For example, how many readers in the U.S. are familiar with poet Julia de Burgos (1914-1953), who advocated for her native Puerto Rico’s independence? In “My River of Dreams,” we learn of her poverty-stricken childhood and the natural world that she loved, as well as the heart of her advocacy:

I struggled to become a teacher

and a poet, so I could use words

to fight for equal rights for women,

and work toward meeting

the needs of poor children,

and speak of independence

for Puerto Rico.

Another selection, “Wild Exploration,” profiles Ynés Mexia (1870-1938), highlighting Mexía’s botanical studies in Mexico and South America, but also bringing out her bicultural origins, the anguish she suffered as the child of warring parents, and the fact that she discovered her true calling later in life than most:

But when I’m all grown up and really quite old,

I finally figure out how to feel useful,

Enjoying the adventure of a two-country life.

As with all eighteen of the profiled subjects, we can learn more about Ynés Mexía in the supplement “Notes About the Lives,” which explains that her career as a botanist began at age fifty-five and led to the discovery of five hundred new species.

In his bold, graphic portraits, Rafael López signals each person’s setting and historical period through carefully selected details in their apparel, the background scenery, and through visual symbolism that enriches the poetic text. One noteworthy example is in the profile of Félix Varela (1788-1853), an exiled Cuban priest whose ministry in New York focused on newly arrived Irish immigrants. In his portrait, Varela wears a clerical collar and holds an olive branch in his right hand, signifying the pacifism that set him at odds with his countrymen in Cuba. On the opposite page, a smaller and simply rendered three-leaf clover pays homage to Varela’s Irish parishioners.

Readers familiar with Margarita Engle, whose poetry often elevates the work of unsung Latinas, will not be surprised that the collection includes seven noteworthy women. In addition, a generous proportion of those featured are of African or indigenous ancestry, and this diversity is satisfyingly represented in López’s stunning portrait work. By showcasing extraordinary, yet under-represented achievers, Bravo! enhances their visibility and sends an affirming message to girls and children of diverse racial and ethnic backgrounds. With that said, this collection would have felt more complete if it offered a wider representation of ancestral lands. Among the eighteen profiles, there are no Dominicans, and only one of each from Central America and South America. (Editors, please take note that Latinx people represent a broad sweep of nations and cultures.) Perhaps in recognition of the impossible task of selecting just eighteen subjects, a supplement at the back of the book entitled “More and More Amazing Latinos” provides a list of over twenty more Latinx achievers. These include Tony Meléndez, a Nicaraguan American guitarist; Adriana Ocampo, a Colombian American planetary geologist for NASA; and Jaime Escalante, a teacher of mathematics from Bolivia.

Bravo! Poems About Amazing Hispanics is a jewel of a picture book. It offers children an introductory glimpse of important historical figures they may never otherwise hear about. And let’s face it: adults will learn a great deal from these pages, too. As members of the Latinx community, these history-makers represent a rich variety of educational and economic backgrounds, an impressive array of careers and causes, as well as a diverse range of racial and ethnic legacies. Taken together, the tributes in this beautiful book point to the depth, complexity, and durability of Hispanic contribution to culture, innovation, civic advances, and many other components of life in the United States.

ABOUT THE AUTHOR: Margarita Engle is the national Young People’s Poet Laureate, and the first Latino to receive that honor. She is the Cuban-American author of many verse novels, including The Surrender Tree, a Newbery Honor winner, and The Lightning Dreamer, a PEN USA Award winner. Her verse memoir, Enchanted Air, received the Pura Belpré Award, Golden Kite Award, Walter Dean Myers Honor, and Lee Bennett Hopkins Poetry Award, among others. Drum Dream Girl received the Charlotte Zolotow Award for best picture book text. For more information, visit Margarita’s website.

 

ABOUT THE ILLUSTRATOR: Rafael López, who was born in Mexico City, is an internationally recognized illustrator and artist. A children’s book illustrator, he won the 2016 Pura Belpré medal from the American Library Association for his illustrations for Drum Dream Girl and the 2010 Pura Belpré medal for Book Fiesta. In 2012, he was selected by the Library of Congress to create the National Book Festival poster. He has been awarded the 2017 Tomás Rivera Children’s Book Award, three Pura Belpré honors and two Américas Book Awards. The illustrations created by López bring diverse characters to children’s books and he is driven to produce and promote books that reflect and honor the lives of all young people. Learn more on his website.

 

 

ABOUT THE REVIEWERLila Quintero Weaver is the author-illustrator of Darkroom: A Memoir in Black & White. She was born in Buenos Aires, Argentina. Darkroom recounts her family’s immigrant experience in small-town Alabama during the tumultuous 1960s. It is her first major publication and will be available in Spanish in January 2018. Her next book is My Year in the Middle, a middle-grade novel scheduled for release in July 2018 (Candlewick). Lila is a graduate of the University of Alabama. She and her husband, Paul, are the parents of three grown children. She can also be found on her own websiteFacebookTwitter and Goodreads.

Book Review: Labyrinth Lost (Brooklyn Brujas #1) by Zoraida Córdova

 

Reviewed by Cindy L. Rodriguez and Cecilia Cackley; ARC received from Sourcebooks Fire.

Labyrinth Lost CoverDESCRIPTION FROM THE PUBLISHER:  Nothing says Happy Birthday like summoning the spirits of your dead relatives.

Alex is a bruja, the most powerful witch in a generation…and she hates magic. At her Deathday celebration, Alex performs a spell to rid herself of her power. But it backfires. Her whole family vanishes into thin air, leaving her alone with Nova, a brujo boy she can’t trust. A boy whose intentions are as dark as the strange marks on his skin.

The only way to get her family back is to travel with Nova to Los Lagos, a land in-between, as dark as Limbo and as strange as Wonderland…

OUR TWO CENTS: We’re thrilled to kick off our new blogging year with a celebration of Labyrinth Lost, an action-packed, urban, portal fantasy with a powerful, complex Latina main character. This novel tackles family, friendship, love, survival, and self-acceptance all while Alejandra Mortiz and her friends Nova and Rishi fight for their lives in a dangerous underworld.

Alex, a 16-year-old Ecuadorian-Puerto Rican, has been fighting against her magical powers for years, feeling her growing abilities are more of a burden than a blessing. She believes her magic is responsible for her father’s disappearance, and she fears more harm will come to herself and her family if she wholly embraces her magic during her Deathday ceremony. Alex, therefore, sabotages the ceremony, which causes her family to be kidnapped from their Brooklyn home to Los Lagos, where they may die at the hands of The Devourer, an evil, power-hungry bruja who’s happy to destroy anyone who gets in her way. The first few chapters really establish Alex’s character and her position in her family so that you understand and care about how conflicted and guilty she is about her family’s disappearance. The stakes could not be higher, and you want Alex to succeed.

Labyrinth 1Alex’s journey through Los Lagos feels very classic. The different communities she encounters, each with its own history and strengths and weaknesses, may remind readers of classic adventures like The Odyssey, Dante’s Inferno, and Alice in Wonderland. Every new area of Los Lagos brings a ton of action. Not every writer can create battle scenes so the reader can clearly visualize them without having to re-read. Zoraida is GREAT at this.

For those who like some romance with their action-adventure story, Labyrinth Lost delivers there as well. Alex has feelings for both Nova and Rishi throughout the narrative, making her one of the few bisexual Latinas in young adult fiction. We especially love that neither Alex’s bisexuality nor her bruja lifestyle are depicted as “issues” or morally problematic. Alex struggles to accept the responsibility and consequences of her magic and her place within her immediate family and the larger bruja community with its deep history and traditions. But, neither her cultural identities or sexual preferences are depicted as “the problems,” thank the Deos.

Labyrinth Lost, the first in a series, ends in a way that will leave you hungry for the sequel with promises of further family complications and more development of secondary characters, Nova and Rishi. We can’t wait!

TEACHING TIPS: 

  • compare/contrast inhabitants of Los Lagos with creatures from other folklore traditions and classical mythology
  • research Santeria and other traditions listed in the author note–which is amazing and a must-read
  • re-write a key scene from the point of view of Nova or Rishi
  • include this novel in a study of the supernatural, and witches specifically, in literature, along with titles such as MacBeth.

    Zoraida 3      Zoraida 2

AND NOW FOR TONS OF AWESOME BONUS STUFF, including Chapter 1, the book trailer, and a giveaway!!

FIRST, you’ve got to see this:

NOW, you’ve got to read this:

Chapter 1:

Follow our voices, sister.

Tell us the secret of your death.

—-Resurrection Canto,
Book of Cantos
The second time I saw my dead aunt Rosaria, she was dancing.

Earlier that day, my mom had warned me, pressing a long, red fingernail on the tip of my nose, “Alejandra, don’t go downstairs when the Circle arrives.”

But I was seven and asked too many questions. Every Sunday, cars piled up in our driveway, down the street, and around the corner of our old, narrow house in Sunset Park, Brooklyn. Mom’s Circle usually brought cellophane–wrapped dishes and jars of dirt and tubs of brackish water that made the Hudson River look clean. This time, they carried something more.

When my sisters started snoring, I threw off my covers and crept down the stairs. The floorboards were uneven and creaky, but I was good at not being seen. Fuzzy, yellow streetlight shone through our attic window and followed me down every flight until I reached the basement.

A soft hum made its way through the thin walls. I remember thinking I should listen to my mom’s warning and go back upstairs. But our house had been restless all week, and Lula, Rose, and I were shoved into the attic, out of the way while the grown–ups prepared the funeral. I wanted out. I wanted to see.

The night was moonless and cold one week after the Witch’s New Year, when Aunt Rosaria died of a sickness that made her skin yellow like hundred–year–old paper and her nails turn black as coal. We tried to make her beautiful again. My sisters and I spent all day weaving good luck charms from peonies, corn husks, and string—-one loop over, under, two loops over, under. Not even the morticians, the Magos de Muerte, could fix her once–lovely face.

Aunt Rosaria was dead. I was there when we mourned her. I was there when we buried her. Then, I watched my father and two others shoulder a dirty cloth bundle into the house, and I knew I couldn’t stay in bed, no matter what my mother said.

So I opened the basement door.

Red light bathed the steep stairs. I leaned my head toward the light, toward the beating sound of drums and sharp plucks of fat, nylon guitar strings.

A soft mew followed by whiskers against my arm made my heart jump to the back of my rib cage. I bit my tongue to stop the scream. It was just my cat, Miluna. She stared at me with her white, glowing eyes and hissed a warning, as if telling me to turn back. But Aunt Rosaria was my godmother, my family, my friend. And I wanted to see her again.

“Sh!” I brushed the cat’s head back.

Miluna nudged my leg, then ran away as the singing started.

I took my first step down, into the warm, red light. Raspy voices called out to our gods, the Deos, asking for blessings beyond the veil of our worlds. Their melody pulled me step by step until I was crouched at the bottom of the landing.

They were dancing.

Brujas and brujos were dressed in mourning white, their faces painted in the aspects of the dead, white clay and black coal to trace the bones. They danced in two circles—-the outer ring going clockwise, the inner counterclockwise—hands clasped tight, voices vibrating to the pulsing drums.

And in the middle was Aunt Rosaria.

Her body jerked upward. Her black hair pooled in the air like she was suspended in water. There was still dirt on her skin. The white skirt we buried her in billowed around her slender legs. Black smoke slithered out of her open mouth. It weaved in and out of the circle—-one loop over, under, two loops over, under. It tugged Aunt Rosaria higher and higher, matching the rhythm of the canto.

Then, the black smoke perked up and changed its target. It could smell me. I tried to backpedal, but the tiles were slick, and I slid toward the circle. My head smacked the tiles. Pain splintered my skull, and a broken scream lodged in my throat.

The music stopped. Heavy, tired breaths filled the silence of the pulsing red dark. The enchantment was broken. Aunt Rosaria’s reanimated corpse turned to me. Her body purged black smoke, lowering her back to the ground. Her ankles cracked where the bone was brittle, but still she took a step. Her dead eyes gaped at me. Her wrinkled mouth growled my name: Alejandra.

She took another step. Her ankle turned and broke at the joint, sending her flying forward. She landed on top of me. The rot of her skin filled my nose, and grave dirt fell into my eyes.

Tongues clucked against crooked teeth. The voices of the circle hissed, “What’s the girl doing out of bed?”

There was the scent of extinguished candles and melting wax. Decay and perfume oil smothered me until they pulled the body away.

My mother jerked me up by the ear, pulling me up two flights of stairs until I was back in my bed, the scream stuck in my throat like a stone.

Never,” she said. “You hear me, Alejandra? Never break a Circle.”

I lay still. So still that after a while, she brushed my hair, thinking I had fallen asleep.

I wasn’t. How could I ever sleep again? Blood and rot and smoke and whispers filled my head.

“One day you’ll learn,” she whispered.

Then she went back down the street–lit stairs, down into the warm red light and to Aunt Rosaria’s body. My mother clapped her hands, drums beat, strings plucked, and she said, “Again.”

AND NOW, you’ve got to get this:

To find Labyrinth Lost, check your local public library, your local bookstore, or IndieBound. Also, check out GoodreadsAmazon, and Barnes & Noble. You can also…..

CLICK HERE FOR A RAFFLECOPTER GIVEAWAY

317988_632439229822_92623787_nABOUT THE AUTHOR: Zoraida Córdova was born in Ecuador and raised in Queens, New York. She is the author of The Vicious Deep trilogy, the On the Verge series, and Labyrinth Lost. She loves black coffee, snark, and still believes in magic.

Author Website: http://www.zoraidacordova.com/

Labyrinth Lost Website: http://books.sourcebooks.com/labyrinth-lost/

Facebook: https://www.facebook.com/CordovaBooks

Twitter:  @zlikeinzorro

Instagram: https://www.instagram.com/wanderwheel/

Author Tumblr: http://wanderlands.tumblr.com/

Labyrinth Lost Tumblr: http://labyrinthlostbooks.tumblr.com/

YouTube: https://www.youtube.com/user/ZoraidaLand

Labyrinth Lost Coloring Page: http://www.sourcebooks.com/images/LabyrinthLost-ColoringPage.pdf

Our Latin@s in Kid Lit Favorite Titles of 2015

 

As the year draws to a close, we want to celebrate by highlighting current Latin@ children’s and YA books that captured our hearts.

2015 has been a good year, one that’s brought greater visibility to works by Latin@ authors and illustrators, as well as books by non-Latin@ creators that feature themes and characters with Latin@ connections. Make no mistake, the number of published titles originating in our community still remains at proportionately dismal levels, but this blog aims to promote, discuss, and amplify the voices that do exist. We also want to share our recommendations so that librarians, teachers, booksellers and parents will know about the best books out there.

Please note that this is a favorites list, and as such isn’t as comprehensive as a “best of” list. We’ve reviewed many of the 73 Latin@ titles published this year, but not all of them, including many we hear are worthy of acclaim. We hope you’ll share your own favorites in the comments! And rest assured, we’ll keep striving to give well-crafted, Latin@-leaning books their due in our Libros Latin@s book talks and other features.

Here’s what we focused on in compiling the list:

  • Children’s and young-adult books about Latin@s or by Latin@s, published in 2015
  • Respectful representations of Latin@s and their experiences
  • Rich stories with intersectionality of race, ethnicity, class, gender, generations, and/or languages
  • Titles for a range of age levels and genres
  • High literary quality and (when relevant) strong visuals
  • Books with heart!

So now that you know the backstory of our list, here are our Latin@s in Kid Lit Favorite Titles of 2015, presented in sections by reading level and alphabetized by title. Click on the links to read full reviews. 

Picture Books

22749711Drum Dream Girl: How One Girl’s Courage Changed Music by Margarita Engle and Rafael López. This is the inspiring true story of Millo Castro Zaldarriaga, a Chinese Afro Cuban girl enamored with drums. Because tradition in 1930s Cuba prohibits girls from taking up drumming, what Millo achieves by breaking this taboo is even greater than the music she makes. Through their combined art, Engle and López enchantingly encapsulate Millo’s dreams. For our full review, click here.

 

20786680Finding the Music/En Pos de la Música by Jennifer Torres & Renato Alarcão. Before Reyna was born, her abuelito played in a mariachi band. His specialty was the vihuela, a small guitar-like instrument that has since fallen into disrepair. Reyna takes up the quest to get the repairs made. The vihuela becomes a powerful artifact that jump-starts the memory of the past, the important history of the community that tends to be invisible but is so essential to understanding the present. Here’s our review.

 

24795948Funny Bones: Posada and His Day of the Dead Calaveras by Duncan Tonatiuh. Nineteenth-century Mexican artist José Guadalupe Posada created now-famous engravings of calaveras, skeletons engaged in everyday activities that have become synonymous with the Day of the Dead. In this picture book, author-illustrator Tonatiuh presents Posada’s life story, complete with background information on contextual events, such as the Mexican Revolution. Read our full review.

 

22747814Growing Up Pedro: How the Martinez Brothers Made It From the Dominican Republic All the Way to the Major Leagues by Matt Tavares. Dominican baseball star Pedro Martinez, who helped lead the Boston Red Sox to a World Series win, got his start with plenty of help from his big brother Ramón. This is a story of brotherhood and of dreaming big and achieving bigger, powerfully illustrated by the author. Here’s our review.

 

24727082Mango, Abuela, and Me by Meg Medina & Angela Dominguez. Can a grandmother and granddaughter develop a close relationship when one speaks Spanish and the other speaks English? Of course! In Meg Medina’s warm tale of love, patience, and language, Mia and her abuela – along with a parrot named Mango – teach each other more than just words. Angela Dominguez’s rich, clean illustrations amplify this beautiful book. Check out this review.

 

22750413Salsa: Un Poema Para Cocinar/A Cooking Poem by Jorge Argueta, Duncan Tonatiuh & Elisa Amado. Argueta has created several bilingual poetry books that celebrate traditional Latin American dishes–including Guacamole, Sopa de frijoles / Bean Soup, and Arroz con leche / Rice Pudding – and Salsa is just as mouth-watering. This story poem creates playful connections between salsa’s vegetable ingredients and the musical instruments that they resemble. Tonatiuh’s signature illustrations bring extra flavor to the mix. Don’t miss our review.

 

cover-remembering-dayThe Remembering Day/ El Día de los Muertos by Pat Mora and Robert Casilla. This is a beautiful story about remembering our ancestors and their customs. Mora creates a loving relationship between a granddaughter and her grandmother that grows stronger as they practice their indigenous traditions together. For the grandmother, remembering is a significant aspect of everyday life but as the “leaves turn golden and fall from the trees” remembering becomes a celebration of those that have passed. After grandmother’s death it becomes the granddaughter’s responsibility to remember and honor her grandmother. Mora and Casilla’s story emphasizes that El Día de los Muertos is more about remembering than it is about calaveras and flowers. Here’s a review by La Bloga.

 

24694189Two White Rabbits by Jairo Buitrago & Rafael Yockteng. A timely and moving picture book, originally published in Spanish, about a father and daughter traveling north towards the U.S. border. From counting what’s around her to meeting people and a “coyote”, this story, told from the child’s point of view, portrays migrant refugees journeys with deep empathy. Check out this review.

 

Vamonos Let's GoVámonos/Let’s Go by René Colato Laínez & Joe Cepeda does more than simply render the English and Spanish versions of “The Wheels on the Bus” side by side. Instead, it extends the songs to explore the sounds of all kinds of vehicles—and to track the lively journey of two children on the bus as they make their way to the park. Classroom activities available from Holiday House.

Early Readers/ Chapter Books

Lola Levine is Not MeanLola Levine is Not Mean! by Monica Brown & Angela Dominguez. In this delightful short chapter book, second grader Lola tackles soccer balls, annoying little brothers and runaway guinea pigs. Perfect for fans of school stories, family stories and all-around awesome characters! Check out the starred review Kirkus gave it.

 

 

SofiaMartinezFamilyAdventureSofía Martinez: My Family Adventure by Jacqueline Jules. This series is a lovely addition to the world of early chapter books. Lively main character Sofia keeps herself in the middle of the action in her loving, playful extended family, and her adventures are light and joyful with a touch of mischief. The charming illustrations by Kim Smith will bring giggles to young readers. We reviewed it here.

 

Middle Grade

22749539Echo by Pam Muñoz Ryan. Breaking from traditional narrative, this novel traces the connected stories behind a magical harmonica. Using diverse characters that live in far-flung geographical locations, the story introduces less familiar aspects of well-known historical events: laws regarding children with birth ‘defects’ in 1930’s Germany, conditions for orphans during the Depression in the US, and the segregation of schools in California for children of Mexican descent during World War II. Here’s our review.

 

24612558Moving Target by Christina Diaz Gonzalez is a middle-grade fantasy thriller starring Cassie Arroyo, a Cuban-American expatriate living in Italy. After Cassie’s father is struck by a hail of bullets, whisked off to surgery, and then vanishes, she discovers that she, not her father, is the main target of the assassins. She then teams up with Asher and Simone to recapture the Spear of Destiny, a medieval artifact mysteriously linked to Cassie’s family line and the reason that her formerly blasé life at a private school is shattered overnight. Here’s our review.

 

22504701Roller Girl by Victoria Jamieson. In this highly engaging graphic novel, 12-year-old Astrid Vasquez finds her calling on a roller-derby track. Never mind that she brings no skating abilities to her first day of practice, or that her best friend would rather be at ballet camp. With the help of a savvy coach and teammates, and inspiration from a star jammer on the Rose City Rollers pro team, Astrid locates her derby groove. Check out this review.

 

22639675Unusual Chickens for the Exceptional Poultry Farmer by Kelly Jones. Moving from Los Angeles to a farm, Sophie gets quite a surprise when she encounters a cranky chicken with supernatural abilities. It’s easy to love Sophie, the half-Latina main character in this middle grade novel that upgrades the “new girl in town” idea by adding cool, magical chickens and letters from the beyond. Yes, we reviewed it.

 

Young Adult

22609281Barefoot Dogs: Stories* by Antonio Ruiz Camacho, a debut collection of interconnected stories, captures the flawed but fascinating humanity of the extended Arteaga family as they flee Mexico City after the kidnapping of the family patriarch. Even in exile, theirs is a relatively charmed existence. Unlike Latino immigrants driven north by more quotidian hardships, these scattering family members have no difficulty obtaining legal access to Palo Alto, Madrid, Austin, and New York City. They are not, however, wholly unsympathetic, and the particulars of the stories offer a counterweight to assumptions about Mexican immigrant experiences. Several stories, including “It Will Be Awesome Before Spring” and “Okie,” take the perspective of grandchildren in the family. For a full review, click here.

 

24612544Becoming Maria: Love and Chaos in the South Bronx by Sonia Manzano. Sonia Manzano is an actor widely recognized for her role as Maria on Sesame Street. This memoir provides generations of readers with an opportunity to experience Sonia’s evolution from a young Latina, a puertorriqueña, in the Bronx into a promising performer. She powerfully reveals struggles to reconcile the love and abuse she witnessed in her family life. Don’t miss our review.

 

23309551Enchanted Air: Two Cultures, Two Wings: A Memoir, by Margarita Engle. In this personal and deep mirror of her childhood, Engle showcases historical and emotional stories of life between two countries and two cultures. A memoir-in-verse that softly intertwines a love letter to Cuba and life, family, and memories attached to the island. Young readers will get a solid coming-of-age tale of growing up bicultural and the joys and pains found through that journey. Check out this review.

 

19542841More Happy Than Not by Adam Silvera. Growing up in the Bronx with rough memories of his father’s suicide, Aaron Soto gets by with the help of a supportive girlfriend and a hardworking mom. But the promise of relief from the memories lures him into considering a radical procedure, and there are other self-discoveries to come. This debut novel offers a unique confrontation of race, class and sexuality. The main character is easy to root for in this ever-so-slightly sci-fi story. Read our full review here.

 

25256386Out of Darkness by Ashley Hope Pérez. The 1937 New London, Texas, school explosion—the worst school disaster in American history—serves as the backdrop for this riveting novel about segregation, love, family, and destructive forces beyond the control of its teen characters. The novel opens with the explosion, and then flashes back to show how the characters’ lives intersect before the event. Check out our full review.

 

25364635Queer Brown Voices: Personal Narratives of Latina/o LGBT Activism* by Uriel Quesada, Letitia Gomez & Salvador Vidal-Ortiz, interweaves the traditions of testimonio and institutional history in a collection of 14 personal essays and oral histories that demonstrate how lesbian, gay, bisexual and transgender Latina/o activists helped shape the LGBT movements of the 1970s, ’80s, and ’90s. This collection corrects the tendency to overlook the many Latinas/os who were fighting for LGBT causes well before more widely known white leaders, like Harvey Milk, became active. For a full review, click here.

 

22295304Shadowshaper by Daniel José Older. Sierra Santiago’s expectations of a normal fun summer in Brooklyn flip upside down when supernatural events intrude: zombies, weeping graffiti murals, Caribbean magic. But Sierra is the kind of heroine who makes plans and follows through, is clear-eyed about the shortcomings of people she loves, and takes charge with attitude. Read more of our review.

 

23395349Show and Prove by Sofia Quintero. The year is 1983. Blend together teenagers, hip-hop, urban plight, and racial tension; mix in summer camp trips and hanging out with friends, and you arrive at Show and Prove. This is a book about negotiating feelings and mistakes and tragedy. It’s a political book, examining identity and racism and bias in a way that never feels forced. For our full review, go here.

 

22609306Signal to Noise* by Silvia Moreno-Garcia. This literary fantasy about coming–of-age romance, mixtapes and sorcery is set against the background of Mexico City in two time frames. It relates the intimate story of teenage Meche in 1988 and how she has grown up – and not – in the intervening 20 years. The universal themes of alienation and parental discord are emotions that anyone of any age can relate to. Modern teens may find themselves fascinated by the description of life in Mexico City nearly 30 years ago and discover it’s not so different from their lives today. Yes, we reviewed it.

 

23013839Surviving Santiago by Lyn Miller-Lachman is the continuing story of the Aguilar family from Miller-Lachman’s novel Gringolandia. In this novel, Tina returns to Chile, which continues to be ruled by the Pinochet dictatorship in 1989. Tina falls in love with a local boy named Frankie, who has dangerous political connections and is a threat to her and her father, Marcelo, an important, targeted voice in the democracy movement. Here’s our review.

 

20734002The Weight of Feathers by Anna-Marie McLemore is a 2016 William C. Morris Award finalist for good reason. McLemore’s lyrical prose centers on two traveling performance families, the Corbeaus and Palomas, hated rivals for generations who violently clash whenever they perform in the same town. A dangerous, forbidden romance develops between Lace Paloma and Cluck Corbeau that leads to family secrets revealed and a stunning climax filled with gorgeous magical realism. We will be reviewing the book in February and Anna-Marie will be writing a guest post for us. Check back then! In the meantime, check out this review.

 

22032788When Reason Breaks by Cindy L. Rodriguez. On the surface, Emily and Elizabeth share little in common besides 10th-grade lit class and the study of Emily Dickinson’s poetry. But they’re both hovering on the edge of an emotional precipice and one of them will attempt suicide. Set in New England, this captivating novel delivers a strong portrayal of Latin@s and a cast of satisfyingly complex characters from diverse backgrounds. Check out our full review here.

*Not technically classified as YA, these are adult books which may be of interest to teens.

Guest Post: Amber J. Keyser on Heritage and Healing

 

WayBackFromBrokenToday, we’re thrilled to have a guest post by Amber J. Keyser, author of The Way Back From Broken (Carolrhoda Lab, 2015). Amber’s debut novel earned a starred review from Booklist, which described it as “an exquisite and enthralling exploration of loss, love, and healing” and concluded that “this vivid, moving exploration of grief and recovery hits all the right notes.” Here’s the publisher’s description of The Way Back from Broken:

Rakmen Cannon’s life is turning out to be one sucker punch after another. His baby sister died in his arms, his parents are on the verge of divorce, and he’s flunking out of high school. The only place he fits in is with the other art therapy kids stuck in the basement of Promise House, otherwise known as support group central. Not that he wants to be there. Talking doesn’t bring back the dead.

When he’s shipped off to the Canadian wilderness with ten-year-old Jacey, another member of the support group, and her mom, his summer goes from bad to worse. He can’t imagine how eight weeks of canoeing and camping could be anything but awful.

Yet despite his expectations, the vast and unforgiving backcountry just might give Rakmen a chance to find the way back from broken . . . if he’s brave enough to grab it.

And now, here’s Amber.


My debut novel, The Way Back From Broken, is about two young people thrown together by shared tragedy who find healing in the Canadian wilderness. When I set about writing it, I knew I wanted to explore the different ways people navigate the difficult terrain of loss. How do we grieve? What helps us heal? Where are the pitfalls that can trap us? I wanted to write about how loss reverberates through families and threatens to tear them apart.

There are two families at the center of The Way Back From Broken—the Cannons and the Tatlases. Their lives intersect at Promise House in a support group for families who have lost children. Loss is their common ground. It links these families across differences of race and religion.

Fifteen-year-old Rakmen Cannon is biracial. His father, Michael, is black, and his mother, Mercedes, is a Catholic from Mexico. Ten-year-old Jacey Tatlas’s family is white. Her mother, Leah, is an agnostic who would rather be hiking than in church and has little use for organized religion of any kind.

The story that I’ve written belongs to Rakmen and Jacey. The Way Back From Broken explores what happens to them, but in this post, I wanted to write about the relationship between their mothers. Although it is touched upon very lightly in the final version of the book, it is still foundational to the story.

When Rakmen and Jacey’s mothers first meet, Mercedes (Rakmen’s mother) has been coming to the support group for nearly ten months after the death of her infant daughter. She is a woman of faith who does not shy away from the hard work of grief. She goes to group and therapy; she also finds comfort in prayer. She embraces Leah, whose loss is much fresher.

Leah has never been a religious person. She is a biology teacher who likes to hike and canoe. For her, comfort and solace are found in nature. But the loss of her stillborn son has shaken her to the core. She feels as if her own body has betrayed her.

As she and Mercedes become friends, Leah sees the comfort that Mercedes finds in her faith and wishes that she were able to access the spiritual sustenance that Mercedes does. Desperate to find a way to make some sense of her loss, Leah decides to return to the cabin where she spent many happy summers as a child.

This decision—and the trust these two women share—sets many things in motion during the course of The Way Back From Broken. One of the powerful things to come from the crucible of their loss is the way their families become connected, which sets much of the rest of the story in motion. Mercedes chooses to send Rakmen along with Leah and Jacey to Canada, where the stories of their families become even more intertwined. The differences that too often hold people apart make all of them stronger, especially their children. And in the end, they forge a new kind of family.

 

AmberKeyserAbout the author: Amber J. Keyser is an evolutionary biologist-turned-writer, who loves stories about heroes, scientists, and adventurers. She grew up in Oregon backpacking, fishing, and white-water rafting. Now she lives on the dry side of the mountains with her husband, two kids, and dog named Gilda. Every summer she returns to a cabin in Canada that was built by her grandmother, Algonquin Park’s first licensed, female canoe guide. If she had a choice, she would travel everywhere by canoe or on horseback.

Some of Amber’s forthcoming and recent books include The V-Word (Beyond Words, 2016), an anthology of personal essays by women about first time sexual experiences, and Sneaker Century: A History of Athletic Shoes (Twenty-First Century Books, 2015). She is the co-author with Kiersi Burkhart of the middle grade series Quartz Creek Ranch (Darby Creek, 2017). She can be reached by email at amber.j.keyser@gmail.com. Information about upcoming appearances can be found on her website at www.amberjkeyser.com.