Spotlight on Latinx Illustrators: Sharon Sordo, Tatiana Gardel, Luciana Navarro Powell

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By Cecilia Cackley

This is the twelfth in a series of posts spotlighting Latinx illustrators of picture books. Some of these artists have been creating children’s books for many years, while others will have their first book out soon. They come from many different cultural backgrounds, but all are passionate about connecting with readers through art and story. Please look for their books at bookstores and libraries!

Sharon Sordo is an illustrator, cat hugger, and expert soup maker. As a Mexican girl growing up in the United States, Sharon found it difficult to relate to the many characters in children’s books that were available. Since then, she strives to represent different cultural backgrounds through her art. She lives in San Diego, California with her husband and cat.

Q: What or who inspired you to become an artist?

A: The magical way a story book can transport you into a new world through colorful illustrations captured my imagination as a young child. This is what inspired me to become an artist. Sharing my own stories and drawings with the people I love and igniting a sense of wonder in them, this is what will inspire me to do it forever. 

Q: Tell us something about your favorite artistic medium–why you like it, when you first learned it, etc. 

A: Through digital art, I have all of the traditional mediums at my disposal without the clean up and I can erase with ease. I don’t need a huge studio to store canvases and stinky oil paints, my pigments will never dry up, and sharing my art with the world and clients is amazingly simple. Drawing and painting in Adobe Photoshop along with my Wacom Cintiq, has made art more fun and stress free. One minute, I can try pastels, layer some watercolor on top, and finish it off with ink, never worrying about how these mediums will interact. I was introduced to digital art in college. It was there that I learned the basics. I’ve since continued to learn about different softwares for producing art and eventually landed on Adobe Photoshop as the most versatile and user friendly. I still dabble in traditional art, mainly ink and colored pencil, but I don’t think I will be illustrating children’s books this way anytime soon!

Q: Please finish this sentence: “Picture books are important because…”

A: Picture books are important because they allow children to escape into different worlds and adults to keep our inner children alive and happy. We can learn great lessons from the stories we read and share. Also, we all get to own a piece of unique and original art.

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Tatiana Gardel is a Brazilian illustrator and teaching artist based in New York City. She started her career in fine art, and while exploring other ways to express her creativity, she found a passion for storytelling and illustration. Tatiana co-founded #LatinxPitch and is a member of the Black Creators in KidLit. Her work has been recognized by the Society of Illustrators in New York and American Illustration.

She is the illustrator of the upcoming books Xavier’s Voice, written by Ashley Franklin (Innovation Press, 2023) and Painting the Sky with Love, written by Mary Baca Haque (Feiwel and Friends, 2023).

Q: What or who inspired you to become an artist?

 A: My grandfather had a passion for drawing and was the one to encourage me to draw when I was a child. I also grew up watching lots of cartoons, animes, reading comics, mangas, and playing video games. All of that sparked my interest in creating art and imagining stories. But it wasn’t until I was much older that I learned I could have a career as a professional artist.  

Q: Tell us something about your favorite artistic medium–why you like it, when you first learned it, etc. 

 A: I’m a traditional artist who transitioned to making digital art. In the past 2 years, I went from scanning and adjusting images to mixing up techniques to working fully digitally. This was an organic process and my goal was to mimic my traditional pieces. I really enjoy the freedom of working with this medium, how you can combine and explore possibilities without having to recreate the whole image. My portfolio is a blend of traditional, mixed media, and digital artwork.  

Q: Please finish this sentence: “Picture books are important because…”

 A: Picture books are important because they are a gateway to imagination, knowledge, empathy and connection.

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Luciana Navarro Powell is an artist living in San Diego, California, with her husband and two children. She has illustrated many children’s books over the years and has now started writing them as well. Her first two as both author and illustrator are My Dad Is the Best Playground and My Mom Is the Best Circus.

Q: What or who inspired you to become an artist?

A: There was not a single event or artist in particular that inspired me. Ever since I can remember myself as a child I was always drawing and reading, so storytelling through drawing evolved in an organic way. My father is an architect and I remember watching him sketching and marveling over beautiful architectural renderings, so I am sure that played a part as well. When it was time for me to go to college, there wasn’t a school that offered an Illustration major where I lived. I graduated with a degree in Industrial Design, which I enjoyed a lot and it had some classes that offered a good foundation for Illustration. I worked as a designer for a few years while I freelanced doing illustration projects. Eventually I circled back to become a full-time illustrator.

Q: Tell us something about your favorite artistic medium–why you like it, when you first learned it, etc.

A: I worked in a variety of analog media in the beginning of my career – acrylics, color pencils, printmaking;  but most often watercolor and pen and ink for black and white illustrations. When Photoshop came into the picture for me, it was a perfect way to integrate traditional media and digital art. My favorite artistic medium is mixed media, I used analog painted bits mixed with digital brushes. If I work on a book, the final art phase will usually last for about 3 months – when I finish it I usually take a few days off the computer by doing some analog-only projects on the side. Lately I have also enjoyed immensely doing sidewalk chalk art around my neighborhood and also plein-air painting with watercolor whenever I travel. You can check all these side projects at my Instagram account, @lucianaillustration !

Q: Please finish this sentence: “Picture books are important because…”

A: …they offer a merger of imagery and language that will be an essential building block for a child life-long love of reading!

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Cecilia Cackley is a Mexican-American playwright and puppeteer based in Washington, DC. A longtime bookseller, she is currently the Children’s/YA buyer and event coordinator for East City Bookshop on Capitol Hill. Find out more about her art at www.ceciliacackley.com or follow her on Twitter @citymousedc

Celebrating 25 Years of the Pura Belpré Award: A Conversation with Yuyi Morales and Donna Barba Higuera

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We are an affiliate with Indiebound and Bookshop. If If you make a purchase through these links, at no additional cost to you, we will earn a small commission.

The Pura Belpré Award is named after Pura Belpré, the first Latina librarian at the New York Public Library. The Pura Belpré Award, established in 1996, is presented annually to a Latinx writer and illustrator whose work best portrays, affirms, and celebrates the Latino cultural experience in an outstanding work of literature for children and youth.

We have been marking the award’s 25th anniversary in different ways on the blog. Today, Dr. Sonia Rodriguez and Cecilia Cackley talk with Yuyi Morales and Donna Barba Higuera.

YUYI MORALES is a Mexican author, illustrator, artist, and puppet maker. She has a bachelor’s degree in Psychology and Physical Education from the University of Xalapa, México and used to host her own Spanish-language radio program for children in San Francisco, California. She has won numerous awards for her children’s books, including the Caldecott Honor for Viva Frida and the Tomás Rivera Mexican American Children’s Book Award for Just a Minute: A Trickster Tale and Counting Book (2004) and Los Gatos Black on Halloween (2008). Yuyi has also won multiple Pura Belpré Author and Illustrator awards and honors:

  • Just a Minute: A Trickster Tale and Counting Book (2004 illustrator award)
  • Harvesting Hope: The Story of Cesar Chavez (2004 illustrator honor)
  • Los Gatos Black on Halloween (2008 illustrator award)
  • Just in Case: A Trickster Tale and Spanish Alphabet Book (2009 author honor)
  • Just in Case: A Trickster Tale and Spanish Alphabet Book (2009 illustrator award)
  • My Abuelita (2010 illustrator honor)
  • Niño Wrestles the World (2014 illustrator award)
  • Viva Frida (2015 illustrator award)
  • Dreamers (2019 illustrator award)

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DONNA BARBA HIGUERA grew up in central California surrounded by agricultural and oil fields. As a child, rather than dealing with the regular dust devils, she preferred spending recess squirreled away in the janitor’s closet with a good book. Her favorite hobbies were calling dial-a-story over and over again, and sneaking into a restricted cemetery to weave her own spooky tales using the crumbling headstones as inspiration. ​

Donna’s Middle Grade and Picture Books are about kids who find themselves in odd or scary situations.​ From language to cultural differences in being biracial, life can become…complicated. So. like Donna, characters tackle more than just the bizarre things that happen to them in their lives.

Donna likes to write about all things funny, but also sad, and creepy, and magical. If you like those things, she hopes you will read her books!

Donna lives in Washington State with her family, three dogs, and two frogs.

Donna’s novel, Lupe Wong Won’t Dance, won a 2021 Pura Belpré Honor Award.

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Sonia Alejandra Rodriguez, PhD is an Associate Professor of English at LaGuardia Community College (CUNY) where she teaches composition, literature, and creative writing. Her academic research focuses on decolonial healing in Latinx children’s and young adult literature. Sonia is a Mellon Emerging Faculty Leader.

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Cecilia Cackley is a Mexican-American playwright and puppeteer based in Washington, DC. A longtime bookseller, she is currently the Children’s/YA buyer and event coordinator for East City Bookshop on Capitol Hill. Find out more about her art at www.ceciliacackley.com or follow her on Twitter @citymousedc

Book Talk: Areli is a Dreamer by Areli Morales, illus. by Luisa Uribe

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We are an affiliate with Indiebound and Bookshop. If If you make a purchase through these links, at no additional cost to you, we will earn a small commission.

Welcome to another Book Talk, which can be found on our new YouTube channel!

Here, Dr. Sonia Rodriguez and Dora M. Guzmán talk about ARELI IS A DREAMER by Areli Morales, illustrated by Luisa Uribe. If you want more information about the illustrator, click on this link to read a previous post about her process while creating illustration for THE VAST WONDER OF THE WORLD.

ABOUT THE BOOK: When Areli was just a baby, her mama and papa moved from Mexico to New York with her brother, Alex, to make a better life for the family–and when she was in kindergarten, they sent for her, too.
 
Everything in New York was different. Gone were the Saturdays at Abuela’s house, filled with cousins and sunshine. Instead, things were busy and fast and noisy. Areli’s limited English came out wrong, and schoolmates accused her of being illegal. But with time, America became her home. And she saw it as a land of opportunity, where millions of immigrants who came before her paved their own paths. She knew she would, too.
 
This is a moving story–one that resonates with millions of immigrants who make up the fabric of our country–about one girl living in two worlds, a girl whose DACA application was eventually approved and who is now living her American dream.
 
The Deferred Action for Childhood Arrivals (DACA) is an immigration policy that has provided relief to thousands of undocumented children, referred to as “Dreamers,” who came to the United States as children and call this country home.

Click on the link below to watch the book talk and then add your comments below to join the conversation. ENJOY!

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Sonia Alejandra Rodriguez, PhD is an Associate Professor of English at LaGuardia Community College (CUNY) where she teaches composition, literature, and creative writing. Her academic research focuses on decolonial healing in Latinx children’s and young adult literature. Sonia is a Mellon Emerging Faculty Leader.

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Dora M. Guzmán is a bilingual reading specialist for grades K-5 and also teaches college courses in Children’s Literature and Teaching Beginning Literacy. She is currently a doctoral student with a major in Reading, Language, and Literacy. When she is not sharing her love of reading with her students, you can find her in the nearest library, bookstore, or online, finding more great reads to add to her never-ending “to read” pile!

Spotlight on Latinx Illustrators: Erika Meza

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We are an affiliate with Indiebound and Bookshop. If If you make a purchase through these links, at no additional cost to you, we will earn a small commission.

By Cecilia Cackley

This is the eleventh in a series of posts spotlighting Latinx illustrators of picture books. Some of these artists have been creating children’s books for many years, while others will have their first book out soon. They come from many different cultural backgrounds, but all are passionate about connecting with readers through art and story. Please look for their books at bookstores and libraries!

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Erika Meza

Erika Meza is a Mexican Migrant: colorful, bubbly, and a taco connoisseur. After studying graphic design back home (and moving house nearly 30 times) she lived in a dungeon with a princess in Paris to attend the Illustration (Image Imprimée) program at ENSAD, which got her addicted to chocolate éclairs and 2 am bike rides by the river.

She now lives with a cat in the UK where she works with ink, gouaches, and watercolor pencils as an author and illustrator.

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Q: What or who inspired you to become an artist? 

A: I remember vividly being four or five years old, and watching a making-of my parents had recorded for me on a Betamax cassette (for the younglings, that’s the grandfather of the VHS tape) about the ink-and-paint girls in the Disney studios. All those women having access to all of those paint colors, and creating all those beautiful and precise paint strokes, was for me the equivalent of a dream-world: it quickly became one of the most rewinded tapes of my childhood. Later on, becoming a children’s illustrator turned into the obvious choice: it meant I could write, design characters, and my own little universes: in short, to wear all of the creative hats I wanted.

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Q: Tell us something about your favorite artistic medium–why you like it, when you first learned it, etc. 

A: Oh gosh, watercolor pencils and inks. I love drawing, I love sketching – the messier it is, the better. But when I paint, I have a tendency to go clean and precise. As a result, people often told me that my final artwork lacked the energy and the vibrancy I had in my sketches.

It took a lot of patience and confidence, but watercolor pencils solved that problem for me. I sketch in my usual way directly on the final watercolor paper, and then allow the splashes of watercolors and inks to flow and help me discover the illustration as I go. It means letting go of a certain amount of control, which is hard for my perfectionistic brain to accept (and probably nerve-wrecking to the art directors who have never seen me work, haha). But the end result keeps being a surprise, and retains all the joy I have in making it, even if I have to paint it again from scratch if something went wrong. And I very much think it shows in the final result.

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Q: Please finish this sentence: “Picture books are important because…”

 A:…because they establish the relationship we will have to books growing up, as well as start helping us understand the world we live in. They are the first window we have to other cultures, other stories, and to our own imagination.

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Cecilia Cackley is a Mexican-American playwright and puppeteer based in Washington, DC. A longtime bookseller, she is currently the Children’s/YA buyer and event coordinator for East City Bookshop on Capitol Hill. Find out more about her art at www.ceciliacackley.com or follow her on Twitter @citymousedc

Cover reveals for May Your Life Be Deliciosa and They’re So Flamboyant by Michael Genhart, illus. by Loris Lora and Tony Neal

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We are delighted to host the cover reveals for TWO of Michael Genhart’s upcoming picture books: May Your Life Be Deliciosa, which releases September 14, 2021 with Cameron Kids, and They’re So Flamboyant, which releases October 19, 2021 with Magination Press.

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First, here’s a description of May Your Life Be Deliciosa:

“What is the recipe?” I ask. Abuela laughs. “It is in my heart, Rosie. I use mis ojos, my eyes, to measure. Mis manos, my hands, to feel. Mi boca, my mouth, to taste. My abuela gave it to me, and I am giving it to you.” Each year on Christmas Eve, Rosie’s abuela, mamá, tía, sister, and cousins all gather together in Abuela’s kitchen to make tamales—cleaning corn husks, chopping onions and garlic, roasting chilis, kneading cornmeal dough, seasoning the filling, and folding it all—and tell stories. Rosie learns from her abuela not only how to make a delicious tamale, but how to make a delicious life, one filled with love, plenty of spice, and family.

A delicious and fortifying picture book inspired by the author’s family, featuring the Mexican tradition of holiday tamale-making

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Now, here is some information about the creators:

Michael Genhart, PhD is a licensed clinical psychologist in private practice in San Francisco where he sees children, teens, and adults, specializing in matters impacting the LGBTQ+ community.  He is also the author of several picture books.  In 2021 his books include MAY YOUR LIFE BE DELICIOSA (Cameron Kids/Abrams) and THEY’RE SO FLAMBOYANT (Magination Press).  Other recent releases include ACCORDIONLY: ABUELO AND OPA MAKE MUSIC (Magination Press, 2020), RAINBOW: A FIRST BOOK OF PRIDE (Magination Press, 2019) and LOVE IS LOVE (Sourcebooks, 2018).  Michael is a SCBWI Marin County Co-Coordinator.  He is represented by Nicole Geiger of Full Circle Literary.  Check out his books at www.michaelgenhart.com.

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Loris Lora is a Los Angeles based illustrator and designer.  She is a multi-disciplinary artist who has worked with various publications, surface design, and featured in galleries across the globe. Her work is largely inspired by her Mexican upbringing and appreciation of mid-century design.

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And, here’s what the illustrator had to say about the process of creating the cover:

Growing up, the holidays have always been filled with color and warmth. It’s the time of year when you can gather with loved ones and enjoy cooking together. I wanted the cover to reflect the warm connection Abuelita Pina and Rosie have while learning to make tamales. The family relationship is so important in this book and I wanted to show that bond between the two characters. I was also inspired by the bright color palette often found in Mexican artisans and folk art. Things like floral oil cloths, decorative tins & tinsel, and cazuelas de barro are some of my favorite inspirations and I was happy to be able to include them in the cover. 

Finally, here is the cover of May Your Life Deliciosa

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GORGEOUS! BUT WAIT….THERE’S MORE!

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Here’s a description of They’re So Flamboyant:

flam·boy·ant – a person (or bird!) who tends to attract attention because of their confidence, exuberance, and stylishness

This fun and funny bird’s-eye tome to individuality, community, and harmony follows the reactions of a neighborhood full of birds when a “flamboyance” of flamingos moves in. Each band of birds—a gaggle of geese, a dole of doves, a charm of finches, a brood of chickens, a scream of swifts, and an unkindness of ravens—all have their feathers ruffled and express their apprehension about the new and different arrivals. Bright pink colors, long legs, how dare they! Even a watch of nightingales patrols after dark. When the band of jays decides it is time to settle down the neighborhood, the pride of peacocks takes the lead, with support from a waddle of penguins, a venue of vultures, a mob of emus, and a gulp of cormorants. Finally, they all land at the flamingos’ welcome party only to realize that they had all been birdbrained. Their new neighbors are actually quite charming, and not so scary and different after all. Includes a note from the author on helping children to learn about acceptance, avoid stereotyping, and model welcoming behavior.

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Now, here is some information about the illustrator:

Tony Neal is an illustrator from south Leicestershire, England. His passion for art and illustration has led him to a blooming career in children’s book illustration – where he now creates works for various publishing houses and clients worldwide. Tony’s work is inspired by everyday life and the quirky details that surround us. He loves to create charming characters in whimsical scenes and telling stories with his pictures.

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And, here’s what Tony had to say about the process of creating the cover:

Creating the cover for They’re So Flamboyant, I thought it would be nice to show the flamboyant flamingos and their colourful house centre stage! Their feathered neighbours are not too sure about the new arrivals, so I wanted to show this also, with some fun character expressions overlooking and peeking out of their curtains. I decided to use more muted colours for the neighbouring houses to help contrast with the colourful pink flamingo house for more impact. The artwork was created digitally in photoshop using a drawing tablet.

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Now, here is the cover of They’re So Flamboyant:

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LOOK AT THOSE FABULOUS FLAMINGOS!

Both May Your Life Be Deliciosa and They’re So Flamboyant are available for pre-order. Click on any of the links in this post to go to Indiebound.org

Spotlight on Middle Grade Authors Part 14: Ernesto Cisneros

 

By Cindy L. Rodriguez

This is the 14th in an occasional series about middle grade Latinx authors. We decided to shine a spotlight on middle grade writers and their novels because, often, they are “stuck in the middle”–sandwiched between and overlooked for picture books and young adult novels. The middle grades are a crucial time in child development socially, emotionally, and academically. The books that speak to these young readers tend to have lots of heart and great voices that capture all that is awkward and brilliant about that time.

Today, we highlight Ernesto Cisneros.

Ernesto Cisneros was born and raised in Santa Ana, California, where he still teaches. Efrén Divided is his first book. He holds an English degree from the University of California, Irvine; a teaching credential from California State University, Long Beach; as well as a master of fine arts in creative writing from National University. As an author, he believes in providing today’s youth with an honest depiction of characters with whom they can identify. The real world is filled with amazing people with diverse backgrounds and perspectives. His work strives to reflect that. You can visit him online at www.ernestocisneros.com.

 

Here is the publisher’s description:

Efrén Nava’s Amá is his Superwoman—or Soperwoman, named after the delicious Mexican sopes his mother often prepares. Both Amá and Apá work hard all day to provide for the family, making sure Efrén and his younger siblings Max and Mía feel safe and loved.

But Efrén worries about his parents; although he’s American-born, his parents are undocumented. His worst nightmare comes true one day when Amá doesn’t return from work and is deported across the border to Tijuana, México.

Now more than ever, Efrén must channel his inner Soperboy to help take care of and try to reunite his family.

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Ernesto Cisneros

Q. Who or what inspired you to become a writer?

A long, long time ago, during my senior year in high school, my teacher Sharon Saxton invited Helena Maria Miramontes to speak with our classroom about her anthology, The Moths and Other Short Stories. I was pleasantly surprised to find that someone else saw the world through a similar lens as me—same Latinx lens. Her story made me feel connected, grounded. This was the first time that the idea of being a writer ever entered my mind. It also served as my motivation for writing my first short story—which I am now turning into my very own YA novel, entitled: The Writing on the Wall.

Q. Why do you choose to write middle grade novels?

After giving up on a career writing screenplays, I decided to drop writing altogether and began teaching instead. The itch to write proved to be to powerful. I began writing short stories that served as prompts and writing samples for my students which they began to really enjoy. Before long, my students began pushing me to write. Eventually, I joined SCBWI and met a handful of individuals who helped me find my way.

Q. What are some of your favorite middle grade novels?

There so many fantastic middle grade novels out there, but the ones I turn to every time I need further encouragement are: Maniac Magee by Jerry Spinelli because of they way it deals with serious issues of race, running away, and mental health in a way that’s accessible to young children. There’s also Operation Frog Effect by Sarah Scheerger. I love the way she captures the voices of such diverse characters in an entertaining fashion—makes it all seem so effortless, although I know better.

Q. If you could give your middle-grade self some advice, what would it be?

My advice is to believe in myself and to value my heart. It is easily my most important asset I have because it definitely seeps its way into everything I write.

Q: Please finish this sentence: Middle grade novels are important because…

…they reach children while they are still at work shaping their views of the world. I feel that books can serve as moral compasses that can help instill morals, characters, and empathy—all things the world really needs.

 

 

photo by Saryna A. JonesCindy L. Rodriguez was a newspaper reporter for The Hartford Courant and researcher at The Boston Globe before becoming a public school teacher. She is now a reading specialist at a Connecticut middle school. Cindy is a U.S.-born Latina of Puerto Rican and Brazilian descent. She has degrees from UConn and CCSU. Her debut contemporary YA novel is When Reason Breaks (Bloomsbury 2015). She also has an essay in Life Inside My Mind (Simon Pulse 2018) and wrote the text for Volleyball Ace, a Jake Maddox book (Capstone 2020). She can be found on FacebookTwitter, and Goodreads