Book Review: A New Home/ Un Nuevo Hogar by Tania de Regil

 

Review by Dora M. Guzmán

DESCRIPTION OF THE BOOK: As a girl in Mexico City and a boy in New York City ponder moving to each other’s locale, it becomes clear that the two cities — and the two children — are more alike than they might think.

But I’m not sure I want to leave my home.
I’m going to miss so much.

Moving to a new city can be exciting. But what if your new home isn’t anything like your old home? Will you make friends? What will you eat? Where will you play? In a cleverly combined voice — accompanied by wonderfully detailed illustrations depicting parallel urban scenes — a young boy conveys his fears about moving from New York City to Mexico City while, at the same time, a young girl expresses trepidation about leaving Mexico City to move to New York City. Tania de Regil offers a heartwarming story that reminds us that home may be found wherever life leads. Fascinating details about each city are featured at the end.

MY TWO CENTS: A New Home/ Un Nuevo Hogar is a friendly comparison of what home means for two, young characters. More importantly, it showcases the intricacies of each character’s home and the memories that make each city special. Each page has bold visuals that highlight each piece of home and what makes it unique to each child. One child lives with his family in New York City, while another child lives with her family in Mexico City. Now, the twist comes in when both of these children will be moving to a new home, which happens to be the location where the other child is currently living. So, think of it as a home location swap! While the text is simple, the reader deeply connects to each child’s life in the city, like their versions of food, concerts, museums, and sports events. The illustrations also hold details that are representative of landmarks from each city. More importantly, each set of pages illustrate what the child will miss the most from their home. The text is available in English and Spanish.

Overall, an addition that represents diverse cities and what makes each one a home. I highly recommend it as a read aloud, or as a part of a community and/or identity unit. At the end of the picture book, the author has also included information on each city’s landmark that is represented in the story. Great for more in-depth research and learning about what makes each major city memorable! Students can also create their own text while using this text as a writing mentor text. In the end, the reader embraces that our homes go beyond the physical location of where we live. Home is the history, the music, the people; in other words, it is everything around us.

TEACHING TIPS: Many of these teaching moments can be implemented in a grades K-5 setting, with a focus on the primary grades.

  • Researching beyond the text
    • Illustrations leave ample room for readers to engage in looking for cultural artifacts, like landmarks, clothing, and traditions from each major city
      • Students can research these landmarks and why it is so important to the city and culture.
  • Comparing and Contrasting focus
    • Compare and contrast major cities like New York City and Mexico City
    • Students can research more about each major city and compare it to their current location.
    • Students can compare major cities or locations, especially if they have experienced a move
    • Creating their own book, report, piece of art
  • Students can create their own book or report on what they love about their home, city, region, and/or country. Students can then present or create written or artistic pieces that showcases all of our homes, and what we will miss if you were to move.

 

CHECK OUT THE BOOK TRAILERS:

 

ABOUT THE AUTHOR-ILLUSTRATOR: Tania de Regil studied fashion design at Parsons School of Design in New York City before moving back to her native Mexico City, where she finished her degree. A New Home is her U.S. publishing debut. She lives in Mexico City with her filmmaker husband and travels to the United States frequently.

Her art encompasses a diverse set of media like watercolor, gouache, color pencils, wax pastels, and ink. Both of her debut picture books are published by Candlewick Press. Check out her author page here!

For more information about Tania de Regil, click HERE for a short Q&A that is a part of our Spotlight on Latina Illustrators series.

 

 

img_0160ABOUT THE REVIEWER: Dora M. Guzmán is a bilingual reading specialist for grades K-5 and also teaches undergraduate and graduate courses in Children’s Literature and Teaching Beginning Literacy. She is also a current doctoral student in NLU’s  EDD Teaching and Learning Program with an emphasis on Reading, Language, and Literacy.  When she is not sharing her love of reading with her students, you can find her in the nearest library, bookstore, or online, finding more great reads to add to her never-ending “to read” pile!

Cover Reveal: A New Home/Un Nuevo Hogar by Tania de Regil

We are delighted to host the cover reveal for Tania de Regil’s picture book, A New Home, which will be published by Candlewick Press.

 

First, here is the official description of the book, which will be released April 9, 2019, in both English and Spanish:

Moving to a new city is exciting. But what if your new home isn’t anything like your old home? Will you make friends? What will you eat? Where will you play? In a cleverly combined voice accompanied by wonderfully detailed illustrations depicting parallel urban scenes, a young boy conveys his fears about moving from New York City to Mexico City, while at the same time a young girl expresses trepidation about leaving Mexico City to move to New York City. This is a very personal book for the author/illustrator, who calls it “…a love letter dedicated to these two magnificent cities, which I’ve had the honor of calling home and seeing for what they really are.” A New Home offers a heartwarming story that reminds us that home may be found wherever life leads.

Now, here’s some information about the author-illustrator:

taniadrTania de Regil was featured in our third Spotlight on Latina Illustrators and this is her American publishing debut. Tania studied fashion design at Parsons School of Design in New York City and finished her studies in her home country of Mexico. Her work as a costume designer in film and television has helped to better grasp the art of storytelling through images. Tania’s illustration work is always filled with interesting details for children to discover. She uses a variety of media in her work, such as watercolor, gouache, color pencils, wax pastels and ink to create richly textured, engaging images. Tania’s debut picture book, Sebastián y la isla Tut, which she both wrote and illustrated, was published in November, 2015 by Macmillan Mexico.

Ready to see the beautiful cover?

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You can connect with Tania on Twitter and her website.

Book Review: North of Happy by Adi Alsaid

 

Reviewed by Cecilia Cackley

North of Happy CoverDESCRIPTION OF THE BOOK: Carlos Portillo has always led a privileged and sheltered life. A dual citizen of Mexico and the US, he lives in Mexico City with his wealthy family, where he attends an elite international school. Always a rule follower and a parent pleaser, Carlos is more than happy to tread the well-worn path in front of him. He has always loved food and cooking, but his parents see it as just a hobby.

When his older brother, Felix—who has dropped out of college to live a life of travel—is tragically killed, Carlos begins hearing his brother’s voice, giving him advice and pushing him to rebel against his father’s plan for him. Worrying about his mental health, but knowing the voice is right, Carlos runs away to the United States and manages to secure a job with his favorite celebrity chef. As he works to improve his skills in the kitchen and pursue his dream, he begins to fall for his boss’s daughter—a fact that could end his career before it begins. Finally living for himself, Carlos must decide what’s most important to him and where his true path really lies.

MY TWO CENTS: I thought this was a very balanced book—the romance is sweet, while Carlos’ grief and struggle to assert himself adds depth, and the setting of the restaurant is fresh and engaging. It was also refreshing to read a book about a Mexican character that isn’t about immigration, drug wars, or poverty. My favorite parts of the book were the descriptions of Carlos cooking and his thought process as he selects ingredients or puts together a dish. Some readers may find this too detailed or dense, but (perhaps because I don’t spend a lot of time cooking in my life) I was fascinated. Emma’s character occasionally slid toward Manic Pixie Dream Girl territory, but I thought the decision she makes toward the end of the book was good and believable. The side characters were entertaining, and I liked the fact that there was no manufactured drama among the kitchen staff. Envy and hazing happened, but it wasn’t over the top.

The element of the book most likely to divide opinions is probably the character of Felix and what, exactly, he is doing there. Is he a hallucination, and should the book be talking more candidly about mental illness? Is he a ghost or a spirit, guiding Carlos toward a better life? I lean toward the spirit answer, perhaps because it brings the book a little closer to the genre of magical realism, which I enjoy. Although there are a few moments when Carlos considers the idea that the things he hears Felix say “…might just be grief doing strange things to my head,” he accepts the idea that his brother is sticking with him in ghost form pretty easily. Their relationship provides a lot of comedy, as Felix makes smart remarks, and pushes Carlos out of his comfort zone. For me, this points to the character being a supernatural or spiritual element, rather than a hallucination.

I enjoyed the way Spanish was incorporated into the book, not just spoken by Carlos but also various people he meets, and that it was left unitalicized. Altogether, this was a fun read, and it’s guaranteed to make you hungry so have a snack ready.

TEACHING TIPS: I think this would be a good book to read as part of a survey course, because it’s a good example of the variety found in the YA category. It’s a good choice for a teen book club, with lots to discuss and debate. This would be a great book to read for a potluck book club or as an addition to a middle or high school cooking club.

WHERE TO GET IT: To find North of Happy, check your local public library, your local bookstore, or IndieBound. Also, check out GoodreadsAmazon, and Barnes & Noble.

Image resultABOUT THE AUTHOR: Adi Alsaid was born and raised in Mexico City. He attended college at the University of Nevada, Las Vegas. After graduating, he packed up his car and escaped to the California coastline to become a writer. He’s now back in his hometown, where he writes, coaches high school and elementary basketball, and makes every dish he eats as spicy as possible. In addition to Mexico, he’s lived in Tel Aviv, Las Vegas and Monterey, California. He is the author of Let’s Get Lost, Never Always Sometimes, and North of Happy.

 

 

 

ABOUT THE REVIEWER: Cecilia Cackley is a performing artist and children’s bookseller based in Washington, DC, where she creates puppet theater for adults and teaches playwriting and creative drama to children. Her bilingual children’s plays have been produced by GALA Hispanic Theatre and her interests in bilingual education, literacy, and immigrant advocacy all tend to find their way into her theatrical work. You can find more of her work at www.witsendpuppets.com.

Spotlight on Latina Illustrators Part 1: Angela Dominguez, Juana Medina, and Ana Aranda

By Cecilia Cackley

This is the first in a series of posts spotlighting Latina illustrators of picture books. Some of these artists have been creating children’s books for many years, while others will have their first book out this year. Some of them live in the US, while others live overseas. They come from many different cultural backgrounds, but are all passionate about connecting with readers through art and story. Please look for their books at bookstores and libraries!

Angela Dominguez

Angela DominguezAngela Dominguez was born in Mexico City, grew up in the great state of Texas, and lived in San Francisco. She’s the author and illustrator of picture books such as Let’s Go Hugo!, Santiago Stays, Knit Together, and Maria Had a Little Llama, which received the American Library Association Pura Belpré Illustration Honor. Recently, she received her second Pura Belpré Honor for her illustrations in Mango, Abuela, and Me written by Meg Medina. Her new books How do you Say?/Como se Dice?  and Marta, Big and Small (by Jen Arena), will both be published later this year. To see more of Angela’s work, visit her website, blog or twitter.

Q: What inspired you to become an artist?

A: Like many of my artist friends, I’ve always liked to draw. Growing up, I was obsessed with books and art in general. I’d spend evenings watching VHS tapes and drawing all night (if I wasn’t doing homework). Still, I didn’t really consider art something I could do professionally until high school. Fortunately, my high school really had a great art program and teachers who were supportive. Then I received a partial scholarship to Savannah College of Art and Design based on my skills and academics. That sort of sealed my fate as a professional artist.

Q: Tell us about your favorite artistic medium.

A: I still love drawing with pencil. It feels so good in my hand. I even love the way a freshly sharpened pencil smells. I also enjoy working with ink especially with a dip pen and brush. I just like how there is less control. It forces you to work boldly and confidently. My last favorite medium is tissue paper. I just really enjoy collage and the texture it produces. It’s really fun to work with all three at the same time. In graduate school when I saw that Evaline Ness worked that way, I was inspired to do it even more!

Q: Please finish the sentence “Picture books are important because…”

A: Picture books are important because they can speak universal truths to people of all ages. They can make you cry and laugh all in the same little book. (Also there are pictures!)

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Juana Medina

Photo by Silvia Baptiste

Photo by Silvia Baptiste

Juana Medina was born in Bogotá, Colombia, where she grew up, getting in a lot of trouble for drawing cartoons of her teachers.

Eventually, all that drawing (and trouble) paid off. Juana studied at the Rhode Island School of Design – RISD (where she has also taught). She has done illustration & animation work for clients in the U.S., Latin America, & Europe.

She now lives in Washington, DC. where she teaches at George Washington University. Juana draws and writes stories from a big and old drafting table, in an even older -but not much bigger- apartment.  Juana is the illustrator of the picture book Smick! by Doreen Cronin. Her new books 1 Big Salad: A Delicious Counting Book and Juana and Lucas will be published later this year. You can find out more about Juana on her website and blog.

Q: What inspired you to become an artist?

A: I grew up in a family where pretty much everyone had some kind of artistic outlet; my grandfather was a great draftsman, my grandma was a fantastic carpenter, my aunt a potter… everyone found a way to use arts as a way to express themselves, so it took me a while to realize not everyone in the world did this! Moreover, I went to a school that valued arts very much. So for the longest time, I thought art was just one more fabulous aspect of being human. I didn’t think of art or my ability to draw as super powers; they were simply an added feature, almost as a bonus language. Now that I recognize not everyone draws, I have dedicated a lot of time to using this ability as best as possible, to tell stories.

Q: Tell us about your favorite artistic medium.

A:  Ink is one of my favorite mediums, because I find it very expressive. I enjoy the high contrast between the stark white paper and the very dark black ink; it makes it very exciting to see lines and traces -almost magically- appear on the page.

Q: Please finish the sentence “Picture books are important because…”

A:  Picture books are important because they don’t require more than visuals -and a handful of words- to understand a story. And understanding a story can lead to a shared experience with those who have also read the book. This not only serves for entertainment purposes, but allows us to learn about other people’s feelings, struggles, and dreams. Picture books also allow us to see the world through a different point of view and they tend to teach us things we perhaps didn’t know about, like how people live in villages we’ve never visited, or what dinosaurs used to eat, or how giant squids live in the darkest, deepest waters in the ocean, all valuable lessons to be learned.

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Ana Aranda

Ana ArandaAna Aranda was born and raised in Mexico City, where she studied design. From there, she moved to France, where she lived for three years while doing her undergraduate studies in illustration. Ana now lives in San Francisco thanks to a grant from the Mexican Fund for Culture and Arts (FONCA). Her biggest inspirations are her childhood memories, the vibrant colors of Mexico, and music. Her work focuses on transforming the every day into fantastical situations, and often includes images from nature and whimsical creatures. Ana’s work has been featured in different galleries and museums in the United States, France, Mexico and Italy. In San Francisco, she has painted murals in the Mission District, for the Consulate General of Mexico, and for the prestigious de Young Museum. Ana’s illustrations can be found in picture books published in France and Italy. Some of her forthcoming titles include “J’ai Mal à Mon Écorce” (Éditions du Jasmin, France, 2015). She also illustrated ¡Celebracion! by Susan Middleton Elya, coming in 2016 and The Chupacabra ate the Candleabra by Marc Tyler Nobleman, coming in 2017.

Q:  What inspired you to become an artist?

A: When I was a little girl, I lived in a colorful city in Mexico called Cuernavaca, also known as the “City of Eternal Springtime”. My childhood memories in this city full of flowers always inspire me to create colorful and joyful pieces for children of all ages.

I have also been very inspired by my family, teachers, Mexican muralists and printmakers, growing up learning about women artists such as Remedios Vario and Leonora Carrington.

Q: Tell us about your favorite artistic medium.

A: I first learned to use acrylics when I was around 14 years old and fell in love with it! Since then I’ve been playing with bright colors and mixing that technique with others such as pigments, scratchboards, etc. I’m in love with color and finding how every color can be part of an emotional experience.

Q: Please finish this sentence: “Picture books are important because…”

Ana Aranda Cover

 

A: Picture books are important because they help you travel to different worlds!

 

Books to Check Out:

Dominguez, Angela. Lets Go Hugo

Dominguez, Angela. Maria Had a Little Llama

Dominguez, Angela. Santiago Stays

Dominguez, Angela. Knit Together

Medina, Meg. Mango, Abuela and Me

Brown, Monica. Lola Levine is NOT Mean!

Elya, Susan Middleton. ¡Celebracion!  (coming Fall 2016)

Cronin, Doreen. Smick!

Medina, Juana. 1 Big Salad: A Delicious Counting Book (coming Summer 2016)