We Read Banned Books: Juliet Takes a Breath by Gabby Rivera

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Welcome to another Book Talk, which can be found on our YouTube channel!

Here, Dr. Sonia Rodriguez and Dora M. Guzmán talk about JULIET TAKES A BREATH written by Gabby Rivera.

ABOUT THE BOOK: Juliet Milagros Palante is a self-proclaimed closeted Puerto Rican baby dyke from the Bronx. Only, she’s not so closeted anymore. Not after coming out to her family the night before flying to Portland, Oregon, to intern with her favorite feminist writer–what’s sure to be a life-changing experience. And when Juliet’s coming out crashes and burns, she’s not sure her mom will ever speak to her again.

But Juliet has a plan–sort of. Her internship with legendary author Harlowe Brisbane, the ultimate authority on feminism, women’s bodies, and other gay-sounding stuff, is sure to help her figure out this whole “Puerto Rican lesbian” thing. Except Harlowe’s white. And not from the Bronx. And she definitely doesn’t have all the answers . . .

In a summer bursting with queer brown dance parties, a sexy fling with a motorcycling librarian, and intense explorations of race and identity, Juliet learns what it means to come out–to the world, to her family, to herself.

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Click on the link below to watch the book talk and then add your comments below to join the conversation. ENJOY!

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Sonia Alejandra Rodriguez, PhD is an Associate Professor of English at LaGuardia Community College (CUNY) where she teaches composition, literature, and creative writing. Her academic research focuses on decolonial healing in Latinx children’s and young adult literature. Sonia is a Mellon Emerging Faculty Leader.

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Dora M. Guzmán is a bilingual reading specialist for grades K-5 and also teaches college courses in Children’s Literature and Teaching Beginning Literacy. She is currently a doctoral student with a major in Reading, Language, and Literacy. When she is not sharing her love of reading with her students, you can find her in the nearest library, bookstore, or online, finding more great reads to add to her never-ending “to read” pile!

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We Read Banned Books: Each of Us a Desert by Mark Oshiro

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Welcome to another Book Talk, which can be found on our YouTube channel!

Here, Dr. Sonia Rodriguez and Dora M. Guzmán talk about EACH OF US A DESERT written by Mark Oshiro.

ABOUT THE BOOK: From award-winning author Mark Oshiro comes a powerful coming-of-age fantasy novel about finding home and falling in love amidst the dangers of a desert where stories come to life

Xochitl is destined to wander the desert alone, speaking her troubled village’s stories into its arid winds. Her only companions are the blessed stars above and enigmatic lines of poetry magically strewn across dusty dunes.

Her one desire: to share her heart with a kindred spirit.

One night, Xo’s wish is granted—in the form of Emilia, the cold and beautiful daughter of the town’s murderous conqueror. But when the two set out on a magical journey across the desert, they find their hearts could be a match… if only they can survive the nightmare-like terrors that arise when the sun goes down.

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Click on the link below to watch the book talk and then add your comments below to join the conversation. ENJOY!

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Sonia Alejandra Rodriguez, PhD is an Associate Professor of English at LaGuardia Community College (CUNY) where she teaches composition, literature, and creative writing. Her academic research focuses on decolonial healing in Latinx children’s and young adult literature. Sonia is a Mellon Emerging Faculty Leader.

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Dora M. Guzmán is a bilingual reading specialist for grades K-5 and also teaches college courses in Children’s Literature and Teaching Beginning Literacy. She is currently a doctoral student with a major in Reading, Language, and Literacy. When she is not sharing her love of reading with her students, you can find her in the nearest library, bookstore, or online, finding more great reads to add to her never-ending “to read” pile!

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Book Review: What if it’s Us by Becky Albertalli and Adam Silvera

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Reviewed by Jen Vincent

DESCRIPTION OF THE BOOK: Arthur is only in New York for the summer, but if Broadway has taught him anything, it’s that the universe can deliver a showstopping romance when you least expect it.

Ben thinks the universe needs to mind its business. If the universe had his back, he wouldn’t be on his way to the post office carrying a box of his ex-boyfriend’s things.

But when Arthur and Ben meet-cute at the post office, what exactly does the universe have in store for them?

Maybe nothing. After all, they get separated.

Maybe everything. After all, they get reunited.

But what if they can’t quite nail a first date…or a second first date…or a third?

What if Arthur tries too hard to make it work…and Ben doesn’t try hard enough?

What if life really isn’t like a Broadway play?

But what if it is?

MY TWO CENTS: What If It’s Us starts with a super cute meet cute, has it’s fair share of drama and suspense, along with a dose of reality. Arthur and Ben meeting at the post office is totally adorable, but they still have a bit of a rocky start when they don’t exchange phone numbers after that first encounter. Eep!

It’s endearing to read alternating chapters from both of them, each with their different backgrounds, different experiences, and different family lives, coming together at the beginning of their relationship. One of the biggest things they have to navigate is their cultural differences. What I love about this book is that Adam Silvera and Becky Albertalli get right the nuances of people from different cultures coming together. As someone who grew up in a mixed family and has been a Latina navigating mostly white spaces, I’ve experienced this many times, but it’s rare to see it in a book. For example, while it’s a stereotype that Latinx people are always late, Silvera and Albertalli don’t play into the stereotype; they get underneath it and show us that at play is an underlying difference in how cultural values are lived out. This could have been written in a superficial way, but instead, they show us what it looks like when characters take the time to go deeper rather than avoid difficult conversations.

I always appreciate when a contemporary romance is honest about relationships and not everything goes perfectly. I’m so glad we have books like What If It’s Us that celebrate being young and the excitement of exploring a new relationship while also showing what it looks like to grow together as a couple and how that’s not always as simple as fairy tales make it seem.

TEACHING TIPS: As a middle school teacher, I love using excerpts from novels as mentor texts with students. Sometimes we use mentor texts to get ideas and sometimes to look at craft. Here are two excerpts teachers can use to inspire middle or high school students to write their own stories, personal or fictionalized.

Chapter One – The first page starts with the line, “I am not a New Yorker, and I want to go home.” And then a paragraph where Arthur explains all the unspoken rules about being in New York and how he’s struggling. I suggest reading this and inviting students to think about a time when they didn’t feel like they fit in, there were so many unspoken rules, they felt out of place, and wanted to go home. I would model my thinking first–thinking aloud about times when I didn’t feel like I fit in–and then ask students to brainstorm. Once they have a list, ask them to choose one situation and write long about it. 

Chapter Six – Ben starts off chapter six with this line, “I wish I felt Puerto Rican out in the world the way I do at home.” Thinking about our unique and complex identities and how we are able to show up as ourselves in different situations is an important self awareness practice. I love that this book gives us an opportunity to think about our experiences in different spaces. In my experience, some students will be able to identify places where they are able to act more like themselves than others, but other students may feel affirmed in their identity and in the spaces they frequent. Invite students to make a list of places they go and then think about how comfortable they feel in each. Then they can write long about either not feeling able to be fully themselves in different spaces or what contributes to feeling able to be fully themselves in different spaces. 

If you read the next paragraph in chapter six, Ben goes on to explain that friends told him he wasn’t really Puerto Rican because he’s white-passing. This is an opportunity for a deeper discussion about what people might assume about us from our appearances and/or what we might assume about other people. Books are such a great way to invite students to think about stereotypes and bias because we get to see a myriad of stories. As someone who has spent much of her life not feeling enough, this is such an important discussion to have. What it means to be Latinx is varied, and we need to share more stories like this to help everyone understand that we are not a monolith. Pairing this excerpt from What If It’s Us with this spoken word poetry 8 Confessions of My Tongue from Noel Quiñones and discussing with students is one way to take this discussion even further.

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The sequel to What if it’s Us is also available. When you’re caught up with the first novel, check out Here’s to Us:

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ABOUT THE AUTHORS: Adam Silvera is the #1 New York Times bestselling author of Infinity Reaper, Infinity Son, They Both Die at the End, More Happy Than Not, History Is All You Left Me, and—with Becky Albertalli—What If It’s Us and Here’s to Us. All his novels have received multiple starred reviews. He worked in the publishing industry as a children’s bookseller, community manager at a content development company, and book reviewer of children’s and young adult novels. He was born and raised in New York. He lives in Los Angeles and is tall for no reason. 

Becky Albertalli is the number one New York Times bestselling author of William C. Morris Award winner and National Book Award longlist title Simon vs. the Homo Sapiens Agenda (now a major motion picture, Love, Simon); The Upside of Unrequited; Leah on the Offbeat; the Simonverse novella Love, Creekwood; What If It’s Us (cowritten with Adam Silvera); Yes No Maybe So (cowritten with Aisha Saeed); and most recently, Kate in Waiting. Becky lives with her family in Atlanta. You can visit her online at http://www.beckyalbertalli.com.

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ABOUT THE REVIEWER: Jen Vincent (she/her/ella) is a Latinx writer, blogger, and educator. She is a middle school LA/SS teacher and the founder of Story Exploratory where she offers a fun and funky community and curated resources to help amazing humans grow their confidence in using writing as self care. She believes radical self love is our path to change. Connect with her on Instagram and Twitter and her website jenvincentwrites.com.

Book Review: Perfectly Parvin by Olivia Abtahi

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Reviewed by María Dolores Águila

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DESCRIPTION OF BOOK: Fourteen-year-old Iranian-American Parvin Mohammadi sets out to win the ultimate date to homecoming in this heartfelt and outright hilarious debut.

Parvin Mohammadi has just been dumped – only days after receiving official girlfriend status. Not only is she heartbroken, she’s humiliated. Enter high school heartthrob Matty Fumero, who just might be the smoking-hot cure to all her boy problems. If Parvin can get Matty to ask her to Homecoming, she’s positive it will prove to herself and her ex that she’s girlfriend material after all. There’s just one problem: Matty is definitely too cool for bassoon-playing, frizzy-haired, Cheeto-eating Parvin. Since being herself hasn’t worked for her in the past (see aforementioned dumping), she decides to start acting like the women in her favorite rom-coms. Those women aren’t loud, they certainly don’t cackle when they laugh, and they smile much more than they talk.

But Parvin discovers that being a rom-com dream girl is much harder than it looks. Also hard? The parent-mandated Farsi lessons. A confusing friendship with a boy who’s definitely not supposed to like her. And hardest of all, the ramifications of the Muslim ban on her family in Iran. Suddenly, being herself has never been more important.

Olivia Abtahi’s debut is as hilarious as it is heartfelt – a delightful tale where, amid the turmoil of high school friendships and crushes, being yourself is always the perfect way to be.

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MY TWO CENTS: Perfectly Parvin by Olivia Abtahi is a hilarious, fun, fast-paced yet surprisingly deep read; long after I read it, I found myself thinking about the themes hidden under the shiny veneer of the Rom-Com label. 

Parvin, pronounced PAR-veen with a hard A, not Par-vin, is about to start high school with a boyfriend she met while playing pranks on the beach during summer vacation, and she can’t wait to flaunt him to her friends, Ruth and Fabián, who may or may not believe he is a delusion. But Wesley is real, and at their high school orientation, he dumps her for being “too much” in front of everyone and the shock leaves her lying on the linoleum, with her friends scrambling to resuscitate her with an empty Hot Cheetos bag. Later, she muses:

Who cared if my friends and family like my ‘amazingness’? If potential boyfriends didn’t, then what was the point? What Wesley told me yesterday was right: I was too much…I was Parvin ‘Loud’ Mohammadi. It seems like everyone knew it but me.” 

After running into Wesley and his perfect new girlfriend, Teighan, who is “everything I was not”, and finding out they are going to Homecoming together, Ruth and Fabián try to cheer Parvin up with an emergency sleepover at which they watch The Little Mermaid, The Princess Bride, and My Big Fat Greek Wedding. After watching these films, Parvin “finally cracks the code for why I’d never had a boyfriend before, and why the one I did have dumped me so quickly…I was too chatty for a love story of my own.” Ruth and Fabián try to convince Parvin that she should find someone who likes her the way she is, but Parvin’s set on the idea that she must change herself into a “leading lady” in order to find a new boyfriend and make Wesley regret dumping her. 

She stops wearing the sparkly silver eyeshadow Ameh Sara taught her how to apply via Skype. She stops wearing her favorite clothes. She stops playing pranks and eating Hot Cheetos. She straightens her “…curls that are ‘loud’ in their own way.” She argues with her parents about going to Farsi lessons, even though there’s a cute Iranian boy that seems to like all the things Parvin is trying to change, because she’d rather spend her weekends like a “normal high schooler”.  

The friendship between Parvin, Fabián, and Ruth is the backbone of the story and carries us through the plot to the resolution. Fabián and Ruth are more than just Parvin’s friends – they’re fully realized characters with their own desires, goals, and arcs that intersect, complement, and at times, even oppose Parvin’s. Fabián is a gay Mexican American Tik Tok star who uploads amazing dance videos and whose parents are always busy with their jobs at the Mexican Embassy. Ruth is a pansexual crafter with a demanding Mom who is a professor at Georgetown University, and she’s not sure how to tell her mom about the girl she has a huge crush on. They both urge Parvin to embrace who she is and their friendship becomes strained as Parvin stubbornly clings to the idea that she needs to change. 

A secondary plot is the relationship with Ameh Sara, Parvin’s aunt, who lives in Iran, Skypes with her almost daily, is Parvin’s closest confidant, and is supposed to visit her in the fall. As Parvin’s plans begin unraveling and falling into chaos, Parvin desperately believes that if she can just hold out until Ameh Sara comes to visit her, she can still prevail with her “leading lady” plan. But Trump’s Muslim Ban complicates Ameh Sara’s visit. 

As Parvin gradually and subtly begins losing herself in her quest to become a “leading lady” and snag a date for Homecoming, sacrificing pieces of herself, she must decide: is it worth changing herself for someone else?

Avid romance readers will be able to spot the resolution of various romantic arcs quickly, but it doesn’t take away from the story in the slightest. It still feels fresh, fun, and unexpected.

Where Perfectly Parvin shines is the narrative voice – Parvin’s actions, thoughts, relationships, desires, problems, and mistakes feel authentic and appropriate to that of a fourteen-year-old high school freshman. It was refreshing to read a YA Novel on the younger side of the YA spectrum, especially since around that age, many adolescents are questioning who they are and who they want to be, and Perfectly Parvin explores the answer in all its glorious messiness. Loud, rebellious girls who may not relate to the shy and introverted heroine trope often found in YA literature will connect to Parvin and her struggle to become quiet and demure. There’s something deeply cathartic about reading someone experiencing something you’ve considered doing yourself. 

In the end, the reader is told a powerful message through Ameh Sara, “Just be yourself. I know people always say that, but only you get to decide what that means.” 

In Perfectly Parvin, Olivia Abtahi skillfully explores themes of racial identity, womanhood, family relationships, Western beauty standards, friendship, politics, and first love in a way that never feels heavy-handed or didactic. In fact, it discusses these concepts in such a way that you don’t realize exactly how deep the book is until you’ve finished it and you’re thinking about it later. I highly recommend reading the Author’s Note, as it really ties together why Abtahi made the narrative choices she did. Readers who enjoyed From Little Tokyo with Love by Sarah Kuhn and Made in Korea by Sarah Suk or fans of On My Block and Never Have I Ever on Netflix, will likely be delighted with Perfectly Parvin.

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ABOUT THE AUTHOR (from her website): Olivia Abtahi is a film director and writer based in Denver, Colorado. Born to an Iranian father and an Argentine mother, she is a melting pot of distinct cultures. Olivia holds a BFA from NYU’s School for Film and Television, as well as a Masters in advertising from VCU Brandcenter. From print to video to all things online, Olivia enjoys using different mediums to tell better stories for brands, causes, and communities.

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ABOUT THE REVIEWER: María Dolores Águila is a Chicana writer based in San Diego, California. She writes picture books, middle grade and young adult novels celebrating and exploring the nuances of Chicanx culture and identity. She’s also a moderator of Kidlit Latinx, a writing group dedicated to supporting and amplifying Latinx voices in Children’s Literature. She has a forthcoming picture book coming in 2024. She is represented by Lindsay Auld of Writers House Literary Agency. Connect with her on Instagram and Twitter.

Book Review: Like a Love Song by Gabriela Martins

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Reviewed by Alexandra Someillan

Cover for Like a Love Song (Underlined Paperbacks)

DESCRIPTION OF THE BOOK: Natalie is living her dream: topping the charts and setting records as a Brazilian pop star… until she’s dumped spectacularly on live television. Not only is it humiliating–it could end her career.

Her PR team’s desperate plan? A gorgeous yet oh-so-fake boyfriend. Nati reluctantly agrees, but William is not what she expected. She was hoping for a fierce bad boy–not a soft-hearted British indie film star. While she fights her way back to the top with a sweet and surprisingly swoon-worthy boy on her arm, she starts to fall for William–and realizes that maybe she’s the biggest fake of them all. Can she reclaim her voice and her heart?

MY TWO CENTS: Like a Love Song was the ultimate light-hearted book to get me out of my book funk, and it was the kind of book that reminded me why I love rom-coms so much. Gabriela Martins captures pop culture celebrities today and what it’s like living in a microscope. Natalie faces the pressures of being an international pop star as a young Latina trying to please everyone while dealing with one of the most humiliating breakup in front of the whole world.

As a registered celebrity-obsessed addict, nothing fascinates me more than a book that discusses the complexities of social media and how every move a celebrity makes is dissected and judged, even more so when it comes to young female stars. Natalie is the kind of character that reminds us of famous pop stars like Selena Gomez or Britney Spears and the intense media scrutiny they endure daily. She faces the heartbreaking reality of the constant expectation to be the poised and perfect pop star even after having her celebrity boyfriend break up with her on live television seconds before receiving her award.

Just like in the typical pop culture of today, Natalie getting dumped becomes a meme that is constantly posted and retweeted on social media. The author explores the distinction between male and female celebrities in a nuanced way and provides a realistic portrayal of who the public usually chooses to target in the aftermath of a scandal. Unfortunately, Natalie is the target, and her ex-boyfriend Trent comes out unscathed while her PR team scrambles to save Natalie’s career. Of course, the PR strategy involves getting her a fake boyfriend when all Natalie wants is to hide under the covers and stalk her ex-boyfriend’s Instagram.

Even though I thought that the relationship between Natalie and William was one of the most adorable opposites-attract love stories with all the rom-com feels, I came out of the story wanting more between these two characters. Normally, I am all about insta-love stories. Still, I felt that the relationship that developed between Natalie and William was a bit rushed, and this is probably due to the book being a relatively short read. Other than that, there were plenty of swoon-worthy parts in this book, and there were many times I caught myself smiling from ear to ear, loving the dynamic between a world-famous, glamorous pop singer and an indie actor with quirky socks.

One of Natalie’s main struggles that I found deeply relatable revolves around the theme of identity and what it means to be Brazilian. Throughout the story, Natalie questions her heritage and feels alienated from her Brazilian family. She chooses to assimilate to American culture, but she knows deep inside that something is missing. I loved the journey that Natalie goes through to find herself, and it’s something I can understand growing up Cuban-American in an extremely Americanized family.

This book is needed in Latinx publishing because it is one of the few rom-coms written by a Brazilian author, with a Brazilian main character, with queer representation, and features all the rom-com tropes we all know and love! Like a Love Song is the kind of story that reminds us to be ourselves instead of trying to meet other people’s expectations. When you are yourself, the people who accept you are the people who will be around you for life.

TEACHING TIPS: Gabriela Martin’s book could be used in a life skills class, where students could discuss the pressures of representing certain parts of yourself on social media and how to deal with online bullying.

The resource I recommend is from Mike’s Math Mall on https://www.teacherspayteachers.com/Product/Anti-Bullying-Campus-Social-Media-Campaign-using-Language-Arts-Story-Elements-436818.

There is a great activity where you can divide students into groups of four. You can have them create a social media campaign poster, skit, video, Instagram post, or short story related to online bullying, challenging the pressures of social media and learning how to protect yourself from cyberbullying. The activity includes many graphic organizers and templates students can use to organize their ideas.

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ABOUT THE AUTHOR (from her website https://www.gabrielawrites.com/): GABRIELA MARTINS is a Brazilian kidlit author and linguist. Her stories feature Brazilian characters finding themselves and love. She was a high school teacher and has also worked as a TED Ed-Club facilitator, where she helped teens develop their own talks in TED format to present. She edited and self-published a pro-bono LGBTQ+ anthology (KEEP FAITH) with all funds going to queer people in need. When she’s not writing, she can be found cuddling with her two cats, or singing loudly and off-key.

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ABOUT THE REVIEWER: Alexandra Someillan is a freelance book reviewer and teacher who lives in Miami, FL. She has written for Frolic Media, where she has raved about her favorite Latinx romances. Currently, she has been accepted in the Las Musas mentorship and is working on her Latinx contemporary novel with Nina Moreno. Usually, you can find Alexandra obsessing over nineties pop culture and eating too many pastelitos.

Book Review: We Unleash the Merciless Storm by Tehlor Kay Mejia

 

Review by Cris Rhodes:

DESCRIPTION OF THE BOOK: Being a part of the resistance group La Voz is an act of devotion and desperation. On the other side of Medio’s border wall, the oppressed class fights for freedom and liberty, sacrificing what little they have to become defenders of the cause.

Carmen Santos is one of La Voz’s best soldiers. She spent years undercover, but now, with her identity exposed and the island on the brink of a civil war, Carmen returns to the only real home she’s ever known: La Voz’s headquarters.

There she must reckon with her beloved leader, who is under the influence of an aggressive new recruit, and with the devastating news that her true love might be the target of an assassination plot. Will Carmen break with her community and save the girl who stole her heart—or fully embrace the ruthless rebel she was always meant to be?

MY TWO CENTS: In this action-packed follow-up to her debut novel We Set the Dark on Fire, Tehlor Kay Mejia continues her revolutionary queer romance with a bang. Picking up moments after We Set the Dark on Fire ends, We Unleash the Merciless Storm shifts vantage points from Dani, the Primera wife whose secret identity as an undocumented immigrant from beyond Medio’s rigid borders complicates her life and causes her to tenatively join the resistance, to Carmen, who seemed to embody the social mores of Medio’s stratified and exclusive world, but is actually an undercover operative for the revolutionary group La Voz.

Readers will need to be familiar with We Set the Dark on Fire to fully grasp the extent of We Unleash the Merciless Storm. I found myself returning to the previous book to remember the intricacies of Medio’s social codes and to remind myself of character names and traits. This is not a stand alone book, and, I would wager, it’s a sequel best enjoyed immediately following reading (or rereading) the first novel.

The switch to Carmen as the main character proves an interesting counterpoint to Dani’s narrative in the first novel. Whereas Dani is largely unaware of the mounting resistance to Medio’s restrictive government, Carmen is deeply involved in the resistance. Carmen seems superficial and catty in the first novel, but We Unleash the Merciless Storm unravels that narrative, posing Carmen as an astute and powerful member of La Voz. But, her relationship with Dani was an unforeseen complication to her mission to unravel Medio from the inside.

It would be a typical narrative maneuver to have Carmen torn between her love for Dani and her loyalty to La Voz, but Mejia resists that stale plot. Rather, Carmen sees her loyalties to both Dani and La Voz as intertwined. Mejia’s explorations of Carmen’s motives seem authentic and they reflect the complex and competing emotions of resistance and love. Those who are looking for nonstop action may be frustrated with Carmen’s frequent reflections on her relationship with Dani, but these thoughts don’t seem out of place for someone like Carmen who was undercover for the majority of her formative years. Not only is Carmen contending with the loss of her love, but she’s also relearning how to be a part of La Voz after years away. Carmen’s wondering also reveals important questions about revolution. Is a political uprising necessarily violent? Can change be made without pain? As Carmen grapples with these questions, her loyalties to La Voz are questioned and she must prove herself while also remaining true to her values.

As with my feelings toward We Set the Dark on Fire, I found We Unleash the Merciless Storm to be the kind of novel that I longed for as a teenager (and, frankly, enjoyed immensely as an adult). The romance is there, of course, but it’s not the entire focus–and it shouldn’t be! I love a good romance, especially a queer romance, but the complexities of Medio’s government and La Voz’s revolutionary ideals give contemporary teens an important counterpoint to our own global politics.

 

Photo & Styling: Tia Reagan Photo  Editing: Adrian King

Photo & Styling: Tia Reagan Photo

ABOUT THE AUTHOR (from her website): Tehlor Kay Mejia is the author of the critically acclaimed young adult fantasy novel We Set the Dark on Fire and its sequel, We Unleash the Merciless Storm, and the forthcoming Miss Meteor (co-written with National Book Award nominee Anna-Marie McLemore). Her middle grade debut, Paola Santiago and the River of Tears, releases from Rick Riordan Presents in 2020.

Her debut novel received six starred reviews, and was chosen as an Indie’s Next Pick and a Junior Library Guild selection, as well as being an Indiebound bestseller in the Pacific Northwest region. It has been featured in Seventeen, Cosmopolitan, and O by Oprah Magazine’s best books of 2019 lists.

Tehlor lives in Oregon with her daughter, a dog that matches her hair, and several rescued houseplants. You can find her on Twitter and Instagram @tehlorkay.

 

 

 

Cris Rhodes is an assistant professor of English at Shippensburg University of Pennsylvania. She teaches courses of writing, culturally diverse literature, and ethnic literatures. In addition to teaching, Cris’s scholarship focuses on Latinx youth and their literature or related media. She also has a particular scholarly interest in activism and the ways that young Latinxs advocate for themselves and their communities.