Book Review: We Unleash the Merciless Storm by Tehlor Kay Mejia

 

Review by Cris Rhodes:

DESCRIPTION OF THE BOOK: Being a part of the resistance group La Voz is an act of devotion and desperation. On the other side of Medio’s border wall, the oppressed class fights for freedom and liberty, sacrificing what little they have to become defenders of the cause.

Carmen Santos is one of La Voz’s best soldiers. She spent years undercover, but now, with her identity exposed and the island on the brink of a civil war, Carmen returns to the only real home she’s ever known: La Voz’s headquarters.

There she must reckon with her beloved leader, who is under the influence of an aggressive new recruit, and with the devastating news that her true love might be the target of an assassination plot. Will Carmen break with her community and save the girl who stole her heart—or fully embrace the ruthless rebel she was always meant to be?

MY TWO CENTS: In this action-packed follow-up to her debut novel We Set the Dark on Fire, Tehlor Kay Mejia continues her revolutionary queer romance with a bang. Picking up moments after We Set the Dark on Fire ends, We Unleash the Merciless Storm shifts vantage points from Dani, the Primera wife whose secret identity as an undocumented immigrant from beyond Medio’s rigid borders complicates her life and causes her to tenatively join the resistance, to Carmen, who seemed to embody the social mores of Medio’s stratified and exclusive world, but is actually an undercover operative for the revolutionary group La Voz.

Readers will need to be familiar with We Set the Dark on Fire to fully grasp the extent of We Unleash the Merciless Storm. I found myself returning to the previous book to remember the intricacies of Medio’s social codes and to remind myself of character names and traits. This is not a stand alone book, and, I would wager, it’s a sequel best enjoyed immediately following reading (or rereading) the first novel.

The switch to Carmen as the main character proves an interesting counterpoint to Dani’s narrative in the first novel. Whereas Dani is largely unaware of the mounting resistance to Medio’s restrictive government, Carmen is deeply involved in the resistance. Carmen seems superficial and catty in the first novel, but We Unleash the Merciless Storm unravels that narrative, posing Carmen as an astute and powerful member of La Voz. But, her relationship with Dani was an unforeseen complication to her mission to unravel Medio from the inside.

It would be a typical narrative maneuver to have Carmen torn between her love for Dani and her loyalty to La Voz, but Mejia resists that stale plot. Rather, Carmen sees her loyalties to both Dani and La Voz as intertwined. Mejia’s explorations of Carmen’s motives seem authentic and they reflect the complex and competing emotions of resistance and love. Those who are looking for nonstop action may be frustrated with Carmen’s frequent reflections on her relationship with Dani, but these thoughts don’t seem out of place for someone like Carmen who was undercover for the majority of her formative years. Not only is Carmen contending with the loss of her love, but she’s also relearning how to be a part of La Voz after years away. Carmen’s wondering also reveals important questions about revolution. Is a political uprising necessarily violent? Can change be made without pain? As Carmen grapples with these questions, her loyalties to La Voz are questioned and she must prove herself while also remaining true to her values.

As with my feelings toward We Set the Dark on Fire, I found We Unleash the Merciless Storm to be the kind of novel that I longed for as a teenager (and, frankly, enjoyed immensely as an adult). The romance is there, of course, but it’s not the entire focus–and it shouldn’t be! I love a good romance, especially a queer romance, but the complexities of Medio’s government and La Voz’s revolutionary ideals give contemporary teens an important counterpoint to our own global politics.

 

Photo & Styling: Tia Reagan Photo  Editing: Adrian King

Photo & Styling: Tia Reagan Photo

ABOUT THE AUTHOR (from her website): Tehlor Kay Mejia is the author of the critically acclaimed young adult fantasy novel We Set the Dark on Fire and its sequel, We Unleash the Merciless Storm, and the forthcoming Miss Meteor (co-written with National Book Award nominee Anna-Marie McLemore). Her middle grade debut, Paola Santiago and the River of Tears, releases from Rick Riordan Presents in 2020.

Her debut novel received six starred reviews, and was chosen as an Indie’s Next Pick and a Junior Library Guild selection, as well as being an Indiebound bestseller in the Pacific Northwest region. It has been featured in Seventeen, Cosmopolitan, and O by Oprah Magazine’s best books of 2019 lists.

Tehlor lives in Oregon with her daughter, a dog that matches her hair, and several rescued houseplants. You can find her on Twitter and Instagram @tehlorkay.

 

 

 

Cris Rhodes is an assistant professor of English at Shippensburg University of Pennsylvania. She teaches courses of writing, culturally diverse literature, and ethnic literatures. In addition to teaching, Cris’s scholarship focuses on Latinx youth and their literature or related media. She also has a particular scholarly interest in activism and the ways that young Latinxs advocate for themselves and their communities.

Book Review: The Cholo Tree by Daniel Chacón

 

Review by Elena Foulis

DESCRIPTION OF THE BOOK: “Do you know what a stereotype you are?” Jessica asks her son. “You’re the existential Chicano.” Fourteen-year-old Victor has just been released from the hospital; his chest is wrapped in bandages and his arm is in a sling. He has barely survived being shot, and his mother accuses him of being a cholo, something he denies.

She’s not the only adult who thinks he’s a gangbanger. His sociology teacher once sent him to a teach-in on gang violence. Victor’s philosophy is that everyone is racist. “They see a brown kid, they see a banger.” Even other kids think he’s in a gang, maybe because of the clothes he wears. The truth is, he loves death (metal, that is), reading books, drawing, the cartoonist Lalo Alcaraz, and the Showtime series Weeds. He likes school and cooking. He knows what a double negative is!

But he can’t convince his mom that he’s not in a gang. And even with a genius girlfriend and an art teacher who mentors and encourages him to apply to art schools, Victor can’t seem to overcome society’s expectations for him.

MY TWO CENTS: Daniel Chacón’s novel, The Cholo Tree, is a story that confronts stereotypes within one’s own community and family. Told from the perspective of a young Chicano protagonist, this story exposes not only obstacles a young teen in a impoverished neighborhood might face, but also what contributes to perpetuating a cycle of violence, gang-culture, and drugs when young, Latino men repeatedly hear assumptions about who they might be or what they are destined to become. The protagonist, Victor, navigates hearing these messages from people like his own mother or teachers who assume he is a gangbanger, although he is not. Chacón tells the story of a young Chicano teen who is navigating school, a single parent household, and his gift as an artist.

After his near-death experience, Victor navigates high school life, confronting stereotypes on a daily basis. One thing that catches the reader’s attention is the school administrators’ and teachers’ insistence that Victor must belong in a gang because he is Chicano, plus the clothes he wears and his attitude. However, this does not stop at school. Often, his own mother, who he calls Jessica, accuses him of being a gangbanger, a cholo. While Victor is no angel, the reader can come to understand the impact of placing labels on Latino youth, and how, in particular, young artists risk being boxed into stereotypes that see them as dangerous or a menace to society.

Victor is often a spectator, an observer of his environment and surroundings, which he realizes contributes to many of the negative labels society puts on young brown men like him. Indeed, through his interactions with a group of young men, who are involved in drug using and selling, he tries to rescue two sisters getting caught in this lifestyle. He uses his drawings to engage with them and possibly persuade them to see themselves as young women who deserve better lives, and he remembers what his friend Freddy once said to him when Victor became interested in Iliana, a genius girl he had met at a party and Victor’s love interest,  “Every Chicanita is my sister.”

One of the things that saves Victor is his relationship with an art teacher, Mr. García, who is possibly the only person who sees his gift as an artist and helps him see himself as something different than what society expects of him. Mr. García not only lets Victor use his own studio, he encourages Victor to apply to prestigious art schools, which he has not considered as a possibility for himself. Chacón uses imagery and fantasy and the complexity of family dynamics to make this a story worth reading.

 

ABOUT THE AUTHOR: Daniel Chacón is the author of Hotel Juárez: Stories, Rooms and Loops (Arte Público Press, 2013); Unending Rooms (Black Lawrence Press, 2008), winner of the Hudson Prize; and the shadows took him (Washington Square Press, 2005) and Chicano Chicanery (Arte Público Press, 2000). A professor at the University of Texas at El Paso, he is co-editor of The Last Supper of Chicano Heroes: The Selected Works of José Antonio Burciaga (University of Arizona Press, 2008).

 

 

 

headshot2016ABOUT THE REVIEWER: Elena Foulis has a Ph.D. in Comparative Literature and Cultural Studies from the University of Arkansas. Her research and teaching interests include U.S. Latina/o literature, and Digital Oral History. Dr. Foulis is currently working on a digital oral history project about Latin@s in Ohio, which is being archived at the Center for Folklore Studies’ internet collection. Some of these narratives can be found in her iBook titled, Latin@ Stories Across Ohio.

Book Review: Dark and Deepest Red by Anna-Marie McLemore

 

Review by Cris Rhodes

DESCRIPTION OF THE BOOK: Summer, 1518. A strange sickness sweeps through Strasbourg, France.  Women dance in the streets, some until they fall down dead. As rumors of witchcraft spread, suspicion turns toward Lavinia Blau and her family, and Lavinia may have to do the unimaginable to save herself and everyone she loves. 

Five centuries late:  A pair of red shoes seals to Rosella Oliva’s feet, making her dance uncontrollably. They draw her toward a boy who knows the dancing fever’s history better than anyone: Emil, whose family was blamed for the fever five hundred years ago. But there’s more to what happened in 1518 than even Emil knows, and discovering the truth may decide whether Rosella survives the red shoes.

MY TWO CENTS: As with any Anna-Marie McLemore book, Dark and Deepest Red is like watching a particularly colorful sunrise breach over a murky, ominous landscape. It’s illuminating, warming, but also bears with it a hint of darkness that makes the sunlight that much sweeter. Their distinctive prose, full of lush and elegant language, is immediately recognizable as is their attention to telling the stories of people history would try to forget. Dark and Deepest Red takes that task to a new level, pairing the historical narrative of Lala and Alifair in Strasbourg in 1518 with that of Rosella and Emil in a contemporary world. Their stories parallel, sharing common themes and motifs.

The Strasbourg narrative retells the dancing plague, in which roughly 400 people were struck by a shared affliction: dancing incessantly, sometimes to death. McLemore frames this historical moment as not just a time to examine socio-religious and early medicinal practices, but as a backdrop for xenophobic concerns about the Romani peoples. Lala, also called Lavinia to avoid being coded as Romani, flees her homeland to avoid persecution, but anti-Romani laws follow her. With the onset of the dancing plague also comes speculation that Lala or her aunt are the culprits. Her assumed involvement is further compounded by her relationship with the transgender Alifair. Lala is the focus character for the chapters recounting Strasbourg in 1518, making her a key character alongside Rosella and Emil.

Meanwhile, Rosella and Emil alternate chapters. Rosella’s told in the first person and Emil’s in the third. That we only get into Rosella’s mind is important, as she is afflicted with a similar plague: when she resews a pair of shoes originally made by her treasured grandparents and tries them on, she quickly learns that she cannot remove the shoes, and, to make matters worse, the shoes force Rosella to dance and, indeed, act independently of her body, often putting her in danger. The shoes also lead Rosella into Emil’s arms. Emil, who has rejected his own Romani heritage, must tap into his roots to help save Rosella.

The alternating chapters are a dance in and of themselves, leaping from Rosella to Strasbourg to Emil back to Strasbourg and resuming the sequence. This alternation, however, does possibly overemphasize the Strasbourg chapters, potentially at the risk of subordinating Rosella and Emil’s stories. When reading, I did find myself more invested in Lala and Alifair, rather than Rosella and Emil. (And, to be fair, this may just be a personal preference, but I do wonder if this is tied to the narrative structure, or my own personal interest in dance and the dancing plague…) While each story is deeply intertwined and McLemore does an artful job of drawing them together, the dual narratives may appear too divergent, at least initially. To be clear, they do come together. And they do so in the intricate, special, and supernatural ways typical of McLemore’s work.

Importantly, as well, for an audience invested in Latinx children’s literature, this text does not centralize Latinidad or problematize it. It’s incidental but nevertheless present. I find this so significant. Rosella’s ethnicity and racialized body are certainly something that inform the plot, but she is not the one who largely experiences xenophobia, Lala does. Regardless, Latinx readers will find mirrors in Lala’s experiences. That McLemore poses this shift in representation offers a wider appeal to this text. Rather than being seen as a “Latinx text,” or a “Romani text,” or a “queer text,” it’s all three. At these intersections we find a lovely, challenging, and poignant read.

TEACHING TIPS: The historical narrative of this text would lend it well to a paired text with a lesson on history. It may also be an interesting discussion tool to aid in explorations of the treatment of queer peoples in history. 

It would also pair well with discussions of Andersen’s “The Red Shoes,” as McLemore notes thus tale as a major influence on their writing of the novel. Students may read both and write about the similar themes. Students may also consider other Andersenesque stories and write their own retelling wise diverse casts. 

 

Anna-Marie McLemoreABOUT THE AUTHOR: Anna-Marie McLemore (they/them) is the queer, Latinx, non-binary author of THE WEIGHT OF FEATHERS, a 2016 William C. Morris YA Debut Award Finalist; 2017 Stonewall Honor Book WHEN THE MOON WAS OURS, which was longlisted for the National Book Award in Young People’s Literature; WILD BEAUTY, a Kirkus, School Library Journal, and Booklist Best Book of 2017; BLANCA & ROJA, a New York Times Book Review Editors’ Choice; DARK AND DEEPEST RED, a Winter 2020 Indie Next List title; and THE MIRROR SEASON, forthcoming in 2021. 

 

 

 

ABOUT THE REVIEWERCris Rhodes is an assistant professor of English at Shippensburg University of Pennsylvania. She teaches courses of writing, culturally diverse literature, and ethnic literatures. In addition to teaching, Cris’s scholarship focuses on Latinx youth and their literature or related media. She also has a particular scholarly interest in activism and the ways that young Latinxs advocate for themselves and their communities.

Book Review: Barely Missing Everything by Matt Mendez

 

Review by Katrina Ortega

DESCRIPTION OF THE BOOK (from Simon & Schuster): Juan has plans. He’s going to get out of El Paso, Texas, on a basketball scholarship and make something of himself—or at least find something better than his mom Fabi’s cruddy apartment, her string of loser boyfriends, and a dead dad. Basketball is going to be his ticket out, his ticket up. He just needs to make it happen.

His best friend JD has plans, too. He’s going to be a filmmaker one day, like Quinten Tarantino or Guillermo del Toro (NOT Steven Spielberg). He’s got a camera and he’s got passion—what else could he need?

Fabi doesn’t have a plan anymore. When you get pregnant at sixteen and have been stuck bartending to make ends meet for the past seventeen years, you realize plans don’t always pan out, and that there some things you just can’t plan for…

Like Juan’s run-in with the police, like a sprained ankle, and a tanking math grade that will likely ruin his chance at a scholarship. Like JD causing the implosion of his family. Like letters from a man named Mando on death row. Like finding out this man could be the father your mother said was dead.

Soon Juan and JD are embarking on a Thelma and Louise­–like road trip to visit Mando. Juan will finally meet his dad, JD has a perfect subject for his documentary, and Fabi is desperate to stop them. But, as we already know, there are some things you just can’t plan for…

MY TWO CENTS: This book felt so real to me for a number of different reasons. First, as a native El Pasoan, it’s hard to not immediately feel pulled to any novel which takes place there. Though likely not recognizable by the average reader, Mendez does an incredible job of capturing the city’s personality, and displays the city’s many characteristics through descriptions of the neighborhoods and characters.

I appreciated that Mendez wrote with such authenticity. He explains that the experiences in the book are similar to those that he went through as a youth in El Paso, which makes the authenticity reasonable, but it’s more than that. Mendez writes Juan’s and JD’s characters in an incredibly life-like manner. They have genuine teen personas and voices. They make realistic teen decisions: they’re emotional, impulsive, and reactionary, but the reader can also see the calculated thought processes that happen in their heads. The characters develop in nuanced and genuine ways, becoming deeper, more advanced versions of themselves as the plot advances and they confront new situations.

Like many youth who grow up in the city, Juan wants to leave as soon as possible to achieve lofty goals elsewhere; whether his goals are in any way realistic or attainable is a conversation that adults often have with teens (again, authenticity!). JD is coming from a household in the midst of tumult, and, as expected, his easygoing persona is his crutch. He tries to be the best person that he can be, even in the midst of cynicism and negativity from his family. But even though both JD and Juan struggle to keep their heads straight while their family lives become chaotic and challenging, their ability to pursue their dreams despite the chaos is so genuine and, to me, exemplifies exactly what teens everywhere struggle to do every day.

The icing on the cake of this book was Fabi’s character. It was so refreshing for a YA novel to portray an adult who was trying as best they could to help their family succeed, but who was very much struggling in the process. Fabi’s character was, to me, very unlikable initially. I assumed she was going to be the sort of parent who had checked out of their teenage child’s life and never looked back. As the book continues, though, the reader can see her hidden depths, much in the same way that we see Juan’s and JD’s multiple layers shine through as we get to know them. Mendez does a phenomenal job of creating characters that are complex, intricate, and very well-developed.

The plot of this book, particularly the ending, is a fast-paced, interesting, and very realistic portrayal of the lives and experiences of a couple of families living in an area of the country that is currently a political, social, and humanitarian hotbed.

TEACHING TIPS: The point of view: Mendez’s use of three narrators makes the storyline feel varied and interesting throughout the book. This novel offers a great opportunity to speak about how using these varied points of view make the story feel fuller and more complete, as well as helping to give further perspective about the characters themselves.

Representation: The book also offers an opportunity to speak on a number of issues involving representation. First, these characters come from low socioeconomic communities, and their experiences are contrasted a number of times with those of people in higher socioeconomic groups. Readers can see how belonging to the group that Juan, JD, and Fabi do often have to navigate around the world, how their class can affect the decisions that they make, and how they interact with people in other classes.

image20ABOUT THE AUTHOR (From Simon & Schuster): Like his characters, Matt Mendez grew up in central El Paso, Texas. He received an MFA from the University of Arizona and is the author of the short story collection Twitching Heart. He lives with his wife and two daughters in Tucson, Arizona. Barely Missing Everything is his debut young adult novel. You can visit him at MattMendez.com.

 

 

 

 

FullSizeRenderABOUT THE REVIEWER: Katrina Ortega (M.L.I.S.) is the manager of the New York Public Library’s College and Career Pathways program. Originally from El Paso, Texas, she has lived in New York City for six years. She is a strong advocate of continuing education (in all of its forms) and is very interested in learning new ways that public libraries can provide higher education to all. She is also very interested in working with non-traditional communities in the library, particularly incarcerated and homeless populations. While pursuing her own higher education, she received two Bachelors of Arts degrees (in English and in History), a Masters of Arts in English, and a Masters of Library and Information Sciences. Katrina loves reading most anything, but particularly loves literary fiction, YA novels, and any type of graphic novel or comic. In her free time, if she’s not reading, Katrina loves to walk around New York, looking for good places to eat.

Book Review: Don’t Date Rosa Santos by Nina Moreno

 

Reviewed by Mimi Rankin

DESCRIPTION OF THE BOOK: Rosa Santos is cursed by the sea—at least, that’s what they say. Dating her is bad news, especially if you’re a boy with a boat.

But Rosa feels more caught than cursed. Caught between cultures and choices. Between her abuela, a beloved healer and pillar of their community, and her mother, an artist who crashes in and out of her life like a hurricane. Between Port Coral, the quirky South Florida town they call home, and Cuba, the island her abuela refuses to talk about.

As her college decision looms, Rosa collides—literally—with Alex Aquino, the mysterious boy with tattoos of the ocean whose family owns the marina. With her heart, her family, and her future on the line, can Rosa break a curse and find her place beyond the horizon?

Don’t Date Rosa Santos releases Tuesday, May 14, 2019.

MY TWO CENTS: I had seen this book circulating the Latinx KidLit Twittersphere (Thanks Las Musas! @lasmusasbooks) and couldn’t wait to get my hands on it at ALA Midwinter (Thanks Dina at Disney!). I had an inkling I would like this seemingly sweet YA romance with a Latinx heroine, but the weight this story carries is far greater than a springtime young love. Rosa is a fierce, brilliant, Type A goal chaser, and I am completely here for her. She is unapologetic in figuring out not just what she wants, but is realistic in how to get there. As a former college admissions counselor, I was very proud of Rosa for dually enrolling in a community college and looking into Study Abroad programs while still in high school. So, yes, Rosa is an awesome lead. I laughed out loud at Moreno’s far-too-relatable scenes of awkward first dates and embarrassing parents. If you want an impeccably written YA novel that reads much older and more “real,” this is the perfect spring break read.

Still, Don’t Date Rosa Santos is just the first story in a new narrative for young Cuban-Americans. With the embargo lifted in the last few years, young people of Cuban descent are finally able to see where they come from, where their own narrative began. I myself am of Puerto Rican descent, so while our islands are not super far from each other, our stories are worlds apart. Since all of my relatives are American citizens, they have never had a problem popping back and forth between San Juan and Texas, Louisiana, or Florida. For Cubans, they had to make a decision so much bigger than just “moving”; it was fleeing, knowing that returning was not an option. Now, young Cuban-Americans have the option to visit the island of their people, but it is not without the weighted guilt of knowing the fear of their ancestors. Moreno beautifully illustrates this feeling of being torn that I’m sure many young Cuban-Americans feel: the desire to visit Cuba while battling abuelos y abuelas who still remember the horrors they escaped. This new reality is sure to bring up hard conversations within families—can you be Cuban without taking the chance to experience Cuba? To those who faced exile, is the Cuba they remember the Cuba of today?

Sometimes characters were introduced in a way that felt abrupt and confusing, but the confusion was usually alleviated quickly. Parts of the last few chapters felt slightly rushed in the plot, but Moreno tied up the story in a very lovely manner that was not at all cliché. I am so excited to watch how this story contributes to a very specific Latinx Children’s Literature conversation.

 

ninamorenophotoABOUT THE AUTHOR: Nina Moreno is a YA writer whose prose is somewhere between Southern fiction and a telenovela. She graduated from the University of Florida with a B.A. in English Don’t Date Rosa Santos is her first novel.

 

 

 

 

file-2ABOUT THE REVIEWERMimi Rankin received her Master’s Degree with distinction in Children’s Literature from the University of Reading. Her thesis, on which she received a rating of First, centered around claims to cultural authenticity and representation in Hispanic Children’s Literature. She currently works in the publishing industry as a marketing manager for over 20 international children’s publishers. Her reviews do not reflect the opinions of her employer or clients. She currently lives in Nashville, Tennessee.

 

Book Review: The Last 8 by Laura Pohl

 

Reviewed by Katrina Ortega

DESCRIPTION OF THE BOOKClover Martinez has always been a survivor, which is the only reason she isn’t among the dead when aliens invade and destroy Earth as she knows it. When Clover hears an inexplicable radio message, she’s shocked to learn there are other survivors—and that they’re all at the former Area 51. When she arrives, she’s greeted by a band of misfits who call themselves The Last Teenagers on Earth. Only they aren’t the ragtag group of heroes Clover was expecting. The group seems more interested in hiding than fighting back, and Clover starts to wonder if she was better off alone. But then she finds a hidden spaceship, and she doesn’t know what to believe…or who to trust.

MY TWO CENTS: The Last 8 is a solid science fiction read. For those who are passionate about sci-fi, the book presents a really enticing plot that keeps the reader on the edge of their seats. Readers are taken on a journey with Clover and forced to contend with the mysterious beings that have taken over the planet and decimated all forms of life (with the exception of a tiny population of which Clover is a member). Clover can find no way of killing them, and is completely clueless as to why they do not seem to notice her, even though they’ve obliterated every other living thing around her.

Her arrival at Area 51, six months after the initial contact with these otherworldly beings, introduces her to a seemingly random group of other teens who, like her, pass unnoticed by these violent beings. This group of teens, as it turns out, may not be as random as the reader thinks (but I won’t give any spoilers!). The plot is a pretty solid suspense ride, with thrills heightening as these teens try to figure out a way to overcome these new alien overlords.

The best thing about this book is Clover. Clover is a complicated and well-formed character.

She highlights a number of really interesting qualities that are not often explored in YA (or any) literature. First, though it’s never delved deeply into, she seems to be a character who is not immediately looking for romance or any sort of sexual relationship (i.e. Clover is aromantic/asexual – it’s never blatantly stated, but heavily implied). The reader comes to understand her complicated relationship with her ex-boyfriend, as one that Clover was appreciative of because she is able to appreciate people in her life without it needing to be about romance or sex.

Additionally, throughout her journey to Area 51, Clover goes through periods of serious helplessness and severe depression to the point that she realistically contemplates suicide. I find it refreshing that Pohl is up-front about Clover’s feelings as she travels through the country for the six months between the initial alien contact and her arrival at Area 51.

Another great thing about this book is that it involves a large and diverse cast. The readers see young people who come from all areas of this country, and even from abroad. There is a great variety of ethnicities and sexual identities. I appreciate that this is becoming more common in YA literature, but an example like this one, where the characters are intersectionally diverse (ethnically and sexually diverse at the same time) is particularly admirable.

While an overall good start to this series, there are a couple of weaker points. First, though it’s made clear that Clover has been flying planes for a large part of her life and that she is genetically designed to be better at this than any other living being on Earth, it was still hard to wrap my head around the idea that she’s not only adept at flying very high-level military grade aircrafts, but that she’s so adept she can fly several different ones with no training whatsoever. Now, I completely understand that this can be explained by the idea that she’s not entirely human and therefore has superhuman capabilities, but it was still a stretch for me.

Lastly, the ending was not only confusing, but it seemed very rushed and slapped together. This is particularly unfortunate because Pohl spends a good amount of time really building up the middle portion of the book. It would have been worthwhile to focus on continuing that trend through the rest of the novel.

Overall, though, this was a great read, and I’m excited to see what happens in the second book of this duology!

TEACHING TIPS: The Last 8 was a thoroughly entertaining read, and any lover of sci-fi or adventure novels would find it a fast and fun read.

This book’s greatest teaching points come from the conversations about relationships and mental health that the book encourages. I love that many YA writers make it a point to destigmatize the diversity of these two things and challenge the ways readers might think about these topics. Honestly, if you think about the situation that Clover finds herself in, it is plain that anyone would be overcome with a sense of hopelessness and loss. Pohl’s description of Clover’s thought processes is legitimate and accurate and can be a great way to begin having conversations about what loneliness and depression are and how both can affect our mental health.

The book also brings to light relationships and individuals that are healthy and diverse. Clover’s relationships with her grandparents, her ex-boyfriend, and her newfound group of friends illustrate how vastly different relationships can look. Additionally, Clover’s character is one that is in charge of the interactions that she wants to have with people. She’s open and honest about how she feels, romantically or friendship-wise, and that is absolutely something that should be explored more in conversations with youth and adults.

 

ABOUT THE AUTHOR (from Author’s Website): Laura Pohl is a YA writer and the author of THE LAST 8 (Sourcebooks, 2019). She likes writing messages in caps lock, quoting Hamilton and obsessing about Star Wars. When not taking pictures of her dog, she can be found curled up with a fantasy or science-fiction book. A Brazilian at heart and soul, she makes her home in São Paulo.

 

 

 

 

 

 

FullSizeRenderABOUT THE REVIEWER: Katrina Ortega (M.L.I.S.) is the Young Adult Librarian at the Hamilton Grange Branch of the New York Public Library. Originally from El Paso, Texas, she has lived in New York City for six years. She is a strong advocate of continuing education (in all of its forms) and is very interested in learning new ways that public libraries can provide higher education to all. She is also very interested in working with non-traditional communities in the library, particularly incarcerated and homeless populations. While pursuing her own higher education, she received two Bachelors of Arts degrees (in English and in History), a Masters of Arts in English, and a Masters of Library and Information Sciences. Katrina loves reading most anything, but particularly loves literary fiction, YA novels, and any type of graphic novel or comic. She’s also an Anglophile when it comes to film and TV, and is a sucker for British period pieces. In her free time, if she’s not reading, Katrina loves to walk around New York, looking for good places to eat.