Book Review: Quizás algo hermoso by F. Isabel Campoy, Theresa Howell, illus. by Rafael López

 

Review by Maria Ramos-Chertok

DESCRIPTION OF THE BOOK: Una edición en español lírica del aclamado e inspirador libro de cuentos ilustrados Quizás algo hermoso, ilustrado por el ganador de la medalla Pura Belpré, Rafael López.

Ganador del Premio Tomás Rivera

¿Qué pueden conseguir unas gotas de color en una comunidad gris? Viendo lo que Mira y sus vecinos descubren, ¡más de lo que nunca pudo imaginarse! Basado en una historia real, Quizás algo hermoso nos revela cómo el arte puede inspirar la transformación – y cómo incluso la más pequeña artista puede llegar a conseguir algo grande. ¡Toma un pincel y únete a la celebración!

A lyrical Spanish language edition of the acclaimed and inspiring picture book Maybe Something Beautiful, illustrated by Pura Belpré Medal winner Rafael López.

MY TWO CENTS: Quizás algo hermoso is hopeful and inspiring, not only because of its message, but because it is based on a true story.  In the book, we meet Mira, a young artist who uses colorful drawings to enliven her world and connect with people in her neighborhood.  When she meets a muralist in her community, her love of art takes on another dimension, and together they work to transform their surroundings by engaging in a collective art project.  Their desire to be inclusive shows their neighbors that artistic expression is accessible to anyone willing to pick up a paint brush. By doing so, they debunk the idea that the label “artist” should be reserved solely for those who pursue formal artistic training.   The permission to create, to unite for a common purpose, and to use beauty as a tool in community empowerment provide valuable motivation for readers imagining how to replicate this magical experience.

Aside from the message, readers will be delighted to know that the illustrator, Rafael López, is the muralist upon whom the story is based. López and his wife Candice, a graphic designer and community organizer, are the ones who envisioned this project in the East Village of San Diego, California. The illustrations are vivid, engaging, and inspiring. The art depicts a multiracial cast of characters, something I personally look for and value in picture books.

I’ve read both the English (2016) and Spanish (2018) versions of the book and thoroughly enjoyed both. I am thrilled that such a relevant and instructional book has been translated into Spanish because it allows the message to reach a wider audience.

TEACHING TIPS: At the most basic level, Quizás algo hermoso can be used to encourage children to engage in art by showing them that one does not have to be a self-identified artist to enjoy and benefit from an art project. Beyond that, the book can be used to introduce community-based art. Whenever possible, I would recommend bringing students on a field trip to view local murals. Part of that lesson might include a discussion about the value and purpose of engaging a neighborhood in such a project.

Aside from the uplifting aspects of the book, there is also a deeper layer to explore related to depressed communities – communities that are dilapidated and somber, like the one in which Mira lived. For students living in such an area, this could be a difficult conversation, but one that might give voice to some important discussions related to class, race, and community resources. There might also be an inquiry as to why pejorative words are sometimes used to describe communities (e.g., slums, ghettos) and how those words make people feel. I’d recommend this conversation for older students.

Teachers can also discuss the benefits of what happens when people come together to work on a common goal: meeting new people, talking to people you might not have otherwise spoken to, and seeing change happen. This could be an opportunity to have your class choose a group project and then have them journal throughout the process about what they are learning about themselves and others.

While the primary audience for this book is younger children, I see a benefit of using it with older children (through fifth grade), especially in bi-lingual classrooms and/or Spanish language classrooms.

 

isabel-campoyABOUT THE AUTHORS (from the book)Isabel Campoy is an author, anthologist, translator, and bilingual educator who has won many awards for her professional contributions. Her many accolades include ALA Notables, the San Francisco Library Award, the Reading the World Award from the University of San Francisco, the NABE Ramón Santiago Award, the International Latino Children’s Book Award, and nine Junior Library Guild selections. She is a member of the North American Academy of Spanish Language. She lives in Northern California.

 

THERESA HOWELLTheresa Howell is a children’s book author and editor with many bilingual books to her credit. Mutually inspired by Rafael Lopez’s efforts to transform communities through art, they combined their talents in the lyrical text of Maybe Something Beautiful. She lives in Colorado.

 

 

ABOUT THE ILLUSTRATOR: Rafael López is both the illustrator of this book and the inspiration for the character of the muralist. He was born and raised in Mexico, a place that has always influenced the vivid colors and shapes in his artwork. He now creates community-based mural projects around the world and illustrates award-winning children’s books. Rafael López divides his time between Mexico and San Diego, California.

 

 

 

 

ABOUT THE REVIEWER: Maria Ramos-Chertok is a writer, workshop leader and coach who facilitates The Butterfly Series, a writing and creative arts workshop for women who want to explore what’s next in their life journey. In December 2016, she won 1st place in the 2016 Intergenerational Story Contest for her piece, Family Recipes Should Never be Lost. Her work has appeared in the Apogee Journal, Entropy Magazine, and A Quiet Courage. Her piece Meet me by the River will be published in Deborah Santana’s forthcoming anthology All the Women in my Family Sing (Jan 2018) http://nothingbutthetruth.com/all-the-women-in-my-family-sing/. She is a trainer with Rockwood Leadership Institute www.rockwoodleadership.organd a member of the Bay Area chapter of Write on Mamas. For more information, visit her website at www.mariaramoschertok.com

Cover Reveal: Zombies Don’t Eat Veggies by Megan and Jorge Lacera

We are so excited to host the cover reveal of Zombies Don’t Eat Veggies!

First, here’s the official description of the debut picture book by Megan and Jorge Lacera, which releases with Lee & Low on April 2, 2019.

Mo Romero is a zombie who loves nothing more than growing, cooking, and eating vegetables. Tomatoes? Tantalizing. Peppers? Pure perfection The problem? Mo’s parents insist that their niño eat only zombie cuisine, like arm-panadas and finger foods. They tell Mo over and over that zombies don’t eat veggies. But Mo can’t imagine a lifetime of just eating zombie food and giving up his veggies. As he questions his own zombie identity, Mo tries his best to convince his parents to give peas a chance.

Image result for megan laceraSuper duo Megan and Jorge Lacera make their picture-book debut with this sweet story about family, self-discovery, and the power of acceptance. It’s a delectable tale that zombie and nonzombie fans alike will devour.

We love this description so much, it left us craving more. (See what we did there?)

 

Next, we have insights from the illustrator, Jorge Lacera, about how the cover was created…

PictureThe cover for ZOMBIES DON’T EAT VEGGIES! was a creative collaboration between Lee and Low editor Jessica Echeverria, our art director Ashley Halsey, my wife Megan, and myself. I knew I wanted to capture the spirit of the book without directly referencing a specific moment or scene. A big influence for Megan and me is our love of 80’s horror movies. As a kid, I vividly remember slowly walking down the aisles of my local video rental store (remember those?!), drinking in all of the movie posters and box covers, wondering what in the world the stories could be. I’d go home wishing I could rent all of them at once. I wanted to evoke a similar feeling and sense of intrigue for when kids saw our cover.

I also knew I wanted a visual pun to play off of the zombie’s fear and mistrust of veggies. Megan and I brainstormed ideas and then pitched the team at Lee and Low several different concepts for the cover.

zombie_cover_thumbnails_02_09_18

With Jessica and Ashley’s feedback we landed on this one. The concept is also an homage to the poster for the horror movie “The Evil Dead”– a classic! There are several nods to other movies in the book—we’ll have to share more about them when it’s out!

Evil Dead Poster.jpg

Once the thumbnail was approved, it didn’t take long to create the art, about two full days and then of course some time for tweaks. We’re pumped that the Spanish edition (¡Los Zombies No Comen Venduras!) of the book releases simultaneously with the English–I hand-lettered the title in both languages, which was more work but absolutely worth it. Once the main cover illustration was complete, Jessica asked if I could do a portrait Illustration of Megan, our son Kai, and I as zombies instead of the usual author photos for the jacket. The only answer was YES. We are really lucky that Jessica gets and enhances our vision so well. Finally, Ashley added the finishing touches with the graphic design and jacket copy layout to bring the whole thing together. We love it and hope you all do, too!

Are you ready? Here’s the cover:

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We promise it’s worth the wait. Go on….

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Ta-da!

9781620147948

 

Zombies Don’t Eat Veggies! is available for pre-order, and you can find Megan and Jorge online at their website and on Twitter: @MeganLacera  @JLacera

 

Latinx Book Reviewers Having Their Say, Part 3

This is the third and final installment in a roundtable conversation with some of the reviewers on our team. It can’t be said too often: we’re overflowing with THANKS for the hard work and wisdom they pour into their reviews! Still, we figured they’d have more to say on the topic of children’s and YA lit, so we posed a few questions. 

Latinxs in Kid Lit: Tell us about yourself as a child reader. How do those experiences color your impressions of the books you read now?

Araceli Méndez Hintermeister

Araceli Méndez Hintermeister is a librarian and archivist with a background in public, academic, and culinary libraries. I was an avid reader as a child and have very fond memories of Scholastic Book Fairs. My dad, who was a teacher, was one of my biggest literacy advocates. He would bring home piles of books and advanced reader copies that his colleagues shared with him. As a Mexican immigrant, he was mostly happy that these books were in English. It made for a really diverse set and rarely included bestsellers. Today, I still look for diversity in genres and aim to search for hidden gems. I also tend not to read bestsellers until years after their release.

Maria Ramos-Chertok is a writer, workshop leader and coach with The Butterfly Series. As a bi-cultural child (Cuban immigrant father/Jewish American mother) growing up in a majority white neighborhood in the 1960 and 70s, I did not have any books that reflected my Latinx heritage. As a result, it was very challenging for me to articulate my identity. My father, who spoke English with a heavy accent, chose not to teach us Spanish. That further compounded my confusion as child named “Maria Diana Ramos” who did not speak or understand Spanish.

Cecilia Cackley is a performing artist, creator of puppet theater, and a children’s bookseller based in Washington, DC. I was a voracious reader as a child and it has been a huge part of my identity since I was about six or seven years old. In elementary school, I mostly read historical fiction—I didn’t get into fantasy or sci-fi until I was in middle school. I read a lot of what we term the ‘canon’ like Anne of Green Gables, Little Women, etc and only as an adult have I realized that I never read a chapter book about a Latinx character as a kid. Even though I went to a dual immersion school, most of the Spanish books in the library were translations of things like the Little House series. I work hard to hold onto the mindset of a kid when I read, especially when reading books about Latinx characters and try to imagine how they would have affected me if I had read them earlier in life.

LiKL: What is your reviewing process like? Do you take notes throughout your reading time? Are there sticky flags involved? Are there sticky fingers involved (because: sugary snacks)?

Cecilia Cackley

Cecilia: I usually read a book through once and often I’m not sure if I’m going to be the person reviewing it. Since I’m a book buyer, I’m reading most books about six months ahead of publication date and my first thought is always for whether or not I’ll purchase this book for the store and what short blurb I can write to get a customer interested in it. Once I know I’m reviewing it for the blog, I make a list of points that I thought were especially interesting about the book and I read it a second time, paying close attention to those elements.

Maria: I tend to read a book and then sit with it for a bit before writing. I like to see what it makes me think about. I don’t typically take notes or use sticky flags and I avoid eating when I write because I find it distracting (I take a dedicated break when I eat). I really don’t like people who earmark pages in books or who write in books with pen, so I avoid doing both. Over the course of a few days, I might jot down some phrases to jog my memory for when I do sit down to write. I prefer an organic flow on the page to the pre-outlined, thoughtful preparation. I’m that way in a lot of my life –not just writing (spontaneous versus planned).

Araceli: Most of my reading happens during my long commute on the Boston T, so I keep tools to a minimum. Before writing a review, I keep a document on my phone filled with notes by categories — overall thoughts, teaching connections, and related readings. I make a note of quotes and page numbers that speak to me and my Latina identity. On my happiest reading days, I sit on my couch next to my dog. Unfortunately, this means keeping my snacks to a minimum.

LiKL: Your work as an educator, youth librarian, scholar of children’s literature, or author of books for young readers is bound to affect your work as a reviewer. Help us understand the professional perspective you bring to the evaluation of texts.

Cecilia:  I used to be a third grade teacher and now I am a bookseller (I still teach art as a freelancer). My number one goal has always been to give kids and teens books they will love, books that will give them a greater understanding of the world and books that will reflect their own experiences. However, as a bookseller, I’m focused on selling, and I try to figure out who the audience is for the book and the best way to describe it in order to move it off the shelf. I’m not a trained critic and haven’t studied literature in an academic way, so a lot of how I approach books is from the point of view of “Who will read it?” and “How do I sell it?”

Maria Ramos-Chertok

Maria: In my youth, I worked a lot with kids who had severe challenges (sexual abuse, emotional disturbance, severe physical disability). I always had an acute awareness of how dependent children are on adults, and how the information we provide them, including the stories we tell, influences their development and sense of self. I never wanted to betray any child’s trust, so in my evaluation of texts I look for honesty and stories grounded in truth. I had my own children later in life, age forty and forty-two, and that perspective is what guides me most as a reviewer. I want a book that I would feel good reading to my two sons; I want a book that will make them think; I want a book that has characters that look like them.

Araceli: As a librarian, I try to be open-minded. While I may sometimes find fault with the story line or characters, that does not make a book bad. It just means it may not be for me! Reading is all about finding the right fit for yourself. I don’t believe there are people who aren’t readers, I just think they haven’t found the right literature yet. With so many formats, genres, book lengths, and topics, the possibilities are endless. With this perspective, I try to think about what type of reader each book is aimed for and highlight what they would find the most interesting.

LiKL: Let’s draw up a wish list for authors and publishers. Which genres, storylines, locations, representations, or other considerations do you pine for in books for children or teens?

Maria: I am the daughter of a mother who came out as a lesbian when I was fourteen. That was in 1976 and there were no books that I knew of then that spoke to my circumstance or to my changing family construct. I love that there are books on alternative families now, but I also want characters who are racially and culturally mixed. I want layered characters and I also want strong feminist characters.

Cecilia: Central-American representation, PLEASE! I live and work in a city where the majority of the Latinx community has ties to El Salvador, Guatemala and Honduras. Across the river in Virginia, we have a huge Bolivian community. I almost never see these kids represented in books, especially by authors who share their heritage.

LiKL: Now let’s flip the coin. What are your reading pet peeves? Specify the tired tropes, stereotypes, or overused plot machinations that cause you to roll your eyes—or to slam a book shut.

Cecilia: Books that treat Dia de los Muertos like Halloween, books where everyone from Latin America lives in a little village, books where all the Latina characters are the “tough girl,” books where all the Latinx characters are poor or in a gang.

Maria: I’m tired of girl meets cute boy and they have a crush. I know that sells, but there are many other realities related to sexual orientation that are non-binary and gender fluid. That is a huge challenge for kids and I’d like to see more fluidity in the gender roles and stories.

LiKL: What is your current hot read and which books are at the top of your to-be-read list?

Maria: Someone just sent me a copy of Dear Madam President: An Open Letter to the Women Who Will Run The World. It’s not a book I would have bought for myself, but I found it interesting and think it’s a good read — especially for young adult women. Also, two dear friends of mine Alma Flor Ada and F. Isabel Campoy wrote the book Yes! We are Latinos (2013) and gifted me a copy. I absolutely love that young adult book because it does exactly what I’ve always wanted in a book: share a diverse grouping of stories about the many different ways to identify as Latinxs. I wish I’d had a copy when I was growing up, but having it now is healing something inside of me.

Cecilia: I’m about to start WE SET THE DARK ON FIRE by Tehlor Kay Mejia and I’m super excited for it!

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In case you missed the previous posts in this series, here are links to Parts 1 and 2.

Unfortunately, not every current or recent contributor was available to respond to this Q&A. Here’s a list of those reviewers–mil gracias to each one! 

Chantel Acevedo reviewed Martí’s Song for Freedom/Martí y sus versos por la libertad.

Dora M. Guzmán loves covering picture books. Here are her thoughts on Alma and How She Got Her Name/Alma y como obtuvo su nombre.

Carolina Hinojosa-Cisneros supplied great insights on Jabberwalking.

Christa Jiménez did an excellent round-up review of baby books from indy publishers.

Marcela Peres provided her insights on Sci-Fu: Kick it Off.

Lettycia Terrones gave us a breakdown of The First Rule of Punk.

 

Latinx Book Reviewers Having Their Say, Part 2

 

This is part 2 in a roundtable discussion with members of our reviewing team. We are immensely grateful for their work. Most of them lead busy professional lives that center around literacy and literature. It only figures that they would have more to say about Latinx kid lit than can fit into a single review. Let’s hear them out.

LiKL: Tell us about yourself as a child reader. How do those experiences color your impressions of the books you read now?

Jessica Agudelo is a children’s librarian at the New York Public Library. Like many librarians, I was a dedicated reader throughout my childhood. I loved stories and even the physical books themselves. One of my greatest pleasures was when the Scholastic Book Fair would come to my elementary school.  I felt such joy browsing the glossy covers, then selecting just the right one to bring home and add to my own cupboard library. My treasured stash. I adored books like Amber Brown and the Wayside School series, and later the Caroline B. Cooney mysteries. I was an adult before I started realizing that my reading life was devoid of authors and characters of color. I didn’t know I needed it. But once I realized it was missing, I made a point to read all I could by and about Latinxs, and other non-white cultures and people. Nowadays, when I read titles like Pablo Cartaya’s The Epic Fail of Arturo Zamora, or Celia Perez’s The First Rule of Punk, I feel like I am 11 again, because these authors have so beautifully and honestly depicted the experiences of second-generation Latinx youth, reflecting many of my own struggles and joys. I am also grateful to be in the position to share diverse stories with kids, who can recognize themselves in these books or get a glimpse into the life of someone. In this way, I make up for lost time.

Jessica Walsh in her best-reader glory days! (She’s the smallest child pictured.)

Jessica Walsh is the K-12 ELA Instructional Specialist in an Illinois school district.  In kindergarten, I won a prize for having read the most books in my grade. We didn’t have many books at home back then – we couldn’t afford them–so I relied on my school and public libraries. Later I got books from the Scholastic Book Order and read titles like Beezus and Ramona and the Peanut Butter and Jelly series. Moving on to middle school, I consumed a steady diet of Sweet Valley High and everything by Christopher Pike. I remember staring long and hard at the covers, imagining what it would be like to live those lives. Looking back, I was searching to discover who I was. As the only kid of Mexican descent, I looked different than my peers and my hair wouldn’t do what the other girls’ hair did. (It was the 80s though…so I rocked that perm!) We had little money and I never had the right clothes or accessories. What the books I read had in common, though, were the universal struggles of growing up: conflicts with friends, parents. As I read and consider which books to put in kids’ hands, I think about the books I loved and that instilled in me a joy of reading.

Elena Foulis, Ph.D., leads a digital oral-history program to document the stories of Latinxs in Ohio. As a child, I liked reading, but lacked someone in my life who could point me to good books, appropriate for my age or identity. When I started college, I was in the U.S. and I devoured books that connected me to my roots and reminded me where I came from. I mostly read in Spanish, and later on, multi-ethnic literature in English. I have a graduate degree in comparative literature, so reading from different groups allowed me to learn from different cultures, linguistic backgrounds and histories.

LiKL: What is your reviewing process like? Do you take notes throughout your reading time? Are there sticky flags involved? Are there sticky fingers involved (because: sugary snacks)?

Elena: I am a slow reader! I like to take my time with each book. I pause to imagine the landscape, the characters and the sound of their voices. I write on the margins and highlight important passages. Coffee is always involved, so occasionally, my books have coffee stains. 🙂

Jessica Agudelo

Jessica A: My reviewing process varies, depending on what I’m reading. For picture books, I read once through for an initial reaction to the story and art. Then I read a few more times (at least once, aloud) to note specifics, such as the relationship between the text and illustrations, or narrative strength and nuance. For fiction, sticky notes are a necessity! I don’t like writing in books and hate dog ears (although I sometimes use this technique on the train, when sticky notes aren’t available). I make notes about recurring themes, characters and their notable traits, plot specifics, and stand-out quotes that I might want to include in the review. I also jot down any similar books that come to mind, to offer that additional frame of reference.

LiKL: Your work as an educator, youth librarian, scholar of children’s literature is bound to affect your work as a reviewer. Help us understand the professional perspective you bring to the evaluation of texts.

Elena:  In my studies, I read literature of the Spanish-speaking world and U.S. literature. Although this included canonical works, I was always attracted to writers who spoke from the margins. I liked to understand the perspective of those on the peripheries, those who challenged mainstream culture. I devoured books written by women! I think this experience is valuable to reviewing Latinx books, and as a Latina who has two teen girls, I look for how each author approaches culture, identity and language, and how young women might be empowered by books that tell a familiar story, one that connects to their own experiences.

LiKL: Let’s draw up a wish list for authors and publishers. Which genres, storylines, locations, representations, or other considerations do you pine for in books for children or teens?

Jessica A: More ordinary stories! Latinxs are joyful and resilient, we are not always struggling and suffering. There is beauty in the mundane. I’ve had the privilege of hearing Meg Medina speak a number of times. On one occasion, she mentioned the need for our community to elevate our heroes. I couldn’t agree more. We have an admirable list of icons, but there are so many more Latinx artists, writers, thinkers, scientists, and activists that have influenced American and world history. They should be represented in the books our kids and teens are reading.

Elena Foulis

Elena: I am still hoping to write a book myself! After living in the Midwest for many years, I would love to read about growing up Latinx in that region. We have The House on Mango Street, but we also need the perspective of Latinx growing up in rural areas or smaller cities, and from Central American backgrounds. It’s also important to address current topics that some consider taboo, like mental health.

Jessica W: I would love to see the books I needed when I was younger, such as books about kids with a desire to claim their Latinx culture, because their parents intentionally kept that part of their identity hidden. Growing up, my mother, who remarried, kept me away from my Mexican-American family. We moved thousands of miles away and rarely visited, partly due to the cost of travel. Not until later did she reclaim her heritage, so this meant I never heard family stories, although my father did enrich my life with the traditions of his heritage. I hope that young readers in similar experiences will have someone in their lives–a librarian, a teacher, a mentor–who can place an amazing Latinx story in their hands, which celebrate their culture. If I’d had that, I wouldn’t have continued to struggle with my Mexicanidad, even into adulthood.

LiKL: Now let’s flip the coin. What are your reading pet peeves? Specify the tired tropes, stereotypes, or overused plot machinations that cause you to roll your eyes—or to slam a book shut.

Elena: I think there are too many coming-of-age stories in Latinx books. While these storylines are important, perhaps there can be different ways to tell them.

LiKL: What is your current hot read and which books are at the top of your to-be-read list?

Jessica W: Meg Medina’s middle-grade title Merci Suárez Changes Gears is dominating my thoughts right now. It’s such a powerful, yet humorous, look at intergenerational relationships and the inescapable bonds of family ties. A must-read! Also, Dreamers by Yuyi Morales, Marcus Vega Doesn’t Speak Spanish by Pablo Cartaya, Undocumented: A Worker’s Fight by Duncan Tonatiuh, and Feathered Serpent, Dark Heart of Sky: Myths of Mexico by David Bowles, are all fighting for my attention right now!

Jessica A: Most of my time is spent reading children’s books. Most recently I’ve checked out some wonderful picture books, including a wordless debut by Cynthia Alonso called Aquarium; the beautifully illustrated Alma and How She Got Her Name by Juana Martinez-Neal; and the hilarious (and bilingual) take on the famous cryptid, El Chupacabras, by Adam Rex. I also recently read Feathered Serpent, Dark Heart of Sky, a fantastic young adult/adult collection of myths from Mexico retold by David Bowles. Usually I wait until the end of the year to read adult books, and on my to-read list is Pachinko by Min Jin Lee, Fruit of the Drunken Tree by Ingrid Rojas Contreras, and The Idiot by Elif Batuman. Those are just a few titles. The full list is much, much longer!

Elena: Anything by Chimamanda Adichie! On my to-be-read- list: Tell Me How it Ends: and Essay in 40 questions, by Valeria Luiselli, and  I Am Not Your Perfect Mexican Daughter, by Erika L. Sánchez.

Latinx Book Reviewers Having Their Say, Part 1

Latinxs in Kid Lit owes tremendous thanks to the wonderful contributors who review books for us!  We were curious to learn how they conduct the reviewing process and which books sit atop their TBR lists, along with other topics. This post brings you Part 1 of a roundtable discussion with some of our current team members. Stay tuned—there’s more to come! 

Latinxs in Kid Lit: Tell us about yourself as a child reader. How do those experiences color your impressions of the books you read now?

Sanjuana Rodriguez

Sanjuana Rodriguez is Assistant Professor of Literacy and Reading Education in the Elementary and Early Childhood Department of Kennesaw State University.  I attended kindergarten through second grade in Mexico, where I was born. Since most of my reading there was in workbooks, my first memories of actual books was after we moved to the United States, where I read as a way to learn English. I vividly remember searching the library for books that included Latinx characters. There were only a handful, including a biography of Gloria Estefan, which I read about 100 times. This is partly why I developed an interest in books by and about Latinx. My own background taught me the importance of kids seeing their experiences reflected in texts.

Cris Rhodes is a lecturer in English, who recently completed her doctorate in literature. My mom was an elementary school teacher, so she knew the importance of reading to my twin sister and me. Because of this, I became an avid reader. I read and reread the Josefina American Girl series. She was the first character I encountered who looked like me, and I used to put on traditional dresses to pretend I was her. As an adult, I’ve revisited those books and am sad to say they’re pretty awful, as far as representation goes. Now, when I do research on representation, I keep my child-reader self in the back of my mind. That little girl deserved better, so I let that inform how I read and advocate for the many excellent Latinx children’s books available today.

Mark Oshiro, the author of Anger is a Gift, is also the driving force behind the website Mark Does StuffI started reading at a very young age, and after reading almost everything in my school library, I moved on to my local branch. But few books had characters like me. Prior to high school, I recall only Bless Me, Ultima, which I have not revisited in a long time. Reading The House on Mango Street, at 14, is what made me realize that people like me could be in a novel. It’s one of the most important books in my life.

Katrina Ortega is the young adult librarian at the Hamilton Grange Branch of the New York Public Library. As a child, I was just as avid a reader as I am today. My first experience with Latinx characters didn’t come until high school, when I was assigned to read Bless Me, Ultima. Before that, I was only exposed to Latinx characters through books published in Mexico, read to me by my mom. I was never exposed to characters who came from similar situations as my own—Mexican-Americans whose families had lived in the U.S. for generations— and my view of “normal” book characters was very different from what I saw in my own life. Looking at some of the books currently available, I cannot imagine how much more I might’ve related to characters who looked like me or lived in environments like the one in which I grew up.

LiKL: What is your reviewing process like? Do you take notes throughout your reading time? Are there sticky flags involved? Are there sticky fingers involved (because: sugary snacks)?

Mark Oshiro

Mark: For my Mark Does Stuff reviews, I record myself while reading, so no note-taking there! But for publications like Latinxs in KidLit, I do take notes. What stands out? Which parts do I want to comment on? I keep track of my thoughts and how they develop as I experience the text. Those transitions can often be the coolest part of reading.

Sanjuana: My first step is to read the book just for fun! As I reread, I begin to think about my impressions of the text. My last step is to see what resources already exist online that teachers or librarians may find helpful.

Katrina: I read through the book first, then write down my initial thoughts about characters, setting, plot-lines, and go back through certain parts to read them more closely. My style of reading is such that I sometimes get completely consumed by the story and forget to stop and write things down. 

Cris: I bookmark important moments and quotations with sticky flags as I go, but I also tend to have a document open on my computer or phone where I type out some rough sentences and thoughts that may make it into the final review. I end up Frankensteining these notes together after finishing the book.

LiKL: Your work as an educator, youth librarian, scholar of children’s literature, or author of books for young readers is bound to affect your work as a reviewer. Help us understand the professional perspective you bring to the evaluation of texts.

Cris Rhodes

Cris: It’s really hard to turn off my scholarly training when I’m reading, so whatever I consume is filtered through that lens. I always have questions running through the back of my mind: How might this book be approached from a critical standpoint? Does feminist theory apply? Queer theory? Trauma studies? Sometimes those questions don’t make it into a review. Regardless, they’re always present, even if on the periphery, and they generate other modes of analysis that do come out in the reviews.

Katrina: The area I live and work in is a predominantly Latinx community. One of my main responsibilities as a teen/young-adult librarian is making sure the youth I work with find content to which they can relate. This doesn’t mean characters have to be from Harlem or the Bronx, although that definitely is a huge selling point. Instead,  the books I suggest must have genuine and honest characters, situations, and conversations. When I review a book, I ask myself, “Is this believable? Would a teen say something like that or behave in that way?” Authenticity in the representation of characters and situations is super important. 

Sanjuana: My work as an elementary teacher shapes the work I do as a reviewer. I am always thinking about how texts could be used in the classroom and how those books can facilitate conversations, particularly around difficult or controversial issues, such as immigration. In my current role, working with pre-service teachers, one of my goals is introducing them to books they’re unlikely to encounter in their field-experience classrooms. I want them to see the value of diverse characters and experiences in books, which they will hopefully include in their own future classroom libraries.

Toni Margarita Plummer is an award-winning writer of short stories, who has also worked in publishing. I was an acquiring editor for many years, meaning I was the one always hoping for good reviews for my titles, for those one or two golden lines I could put up online or on the paperback. I think the best reviews accurately describe what the book is about, place it in context, and highlight the successes and shortcomings of the work, all toward the end of helping readers to discover books they will enjoy. That is what I try to give in my reviews, along with those few golden lines of praise someone can pluck.

LiKL: Let’s draw up a wish list for authors and publishers. Which genres, storylines, locations, representations, or other considerations do you pine for in books for children or teens?

Katrina Ortega

Katrina: I love reading stories about the border. It’s where I grew up, and writers like Guadalupe Garcia McCall and Benjamin Alíre Saenz take me back to the desert and open skies of West Texas. I also love reading fantasy that is Latinx-character centric. The Brooklyn Brujas series by Zoraida Córdova is by far my favorite. In addition, I’d love to read more about Latinx families that have been living in the United States for generations, like mine has—families that have sprawled across the country, and their stories of traversing back and forth.

Mark: More Afro-Latinx rep is super important to me. I’m always on the lookout for more rep of queer Latinx, LGBT Latinx, and ace Latinx!!! The tradition I write in deals with the difficulties Latinx people face, historically and in our present time. But these days, I am also super into fluffy beach reads. I want some big Latinx rom-com YAs. Soon. I may be writing one myself!

Cris: As a Latina who grew up in a rural area with no other Latinxs besides those I was related to, I want more stories like that–more diverse Latinx experiences represented. We need more queer Latinx stories, more Latinxs who don’t speak Spanish, more Latinxs living outside of big cities, more Latinxs who don’t have large, extended families. We also need to make being Latinx not a plot point—I love books where being Latinx is incidental to what’s going on.

Sanjuana: I see a need for more books that represent diversity in the immigration experience, as well as more bilingual texts that reflect the growing number of multilingual students in schools.

LiKL: Now let’s flip the coin. What are your reading pet peeves? Specify the tired tropes, stereotypes, or overused plot machinations that cause you to roll your eyes—or to slam a book shut.

Cris: In continuation of my previous answer, I’m tired of books that homogenize the Latinx experience, even if they don’t mean to do so. Not all Latinxs act, live, and think the same way.  I encounter certain plot lines over and over: barrio life, single-parent homes, racism and xenophobia. That’s not to say these things aren’t valid experiences or necessary for a certain readership.

Mark: My reading pet peeves? Writers using a very easily solved misunderstanding to fuel their plot. Plots that could be solved by people just TALKING to one another. Also, Latinx drug lords. I’ll roll my eyes at the inevitable ICE or US border story written by a white person, with an attitude of “how can this possibly happen in our country?” Spoiler alert: it’s been happening for far, far longer than this past year.

Sanjuana: I don’t like to read books that paint a perfect picture of the world. I believe that literature should represent current realities and issues that children and teens are grappling with.

Katrina: My biggest pet peeve? When authors use Spanish in their characters’ dialogue, but then repeat the dialogue in English. It drives me up the wall to have to read the same thing twice! 

LiKL: What is your current hot read and which books are at the top of your to-be-read list?

Toni Margarita Plummer

Toni: I am reading Roshani Chokshi’s Aru Shah and the End of Time, from the new Rick Riordan Presents imprint at Disney. Naturally, I am eager to read the imprint’s forthcoming Latinx titles by J.C. Cervantes and Carlos Hernandez. I think it’s so exciting that children will be invited to explore Latinx mythology through these books! I also still need to read I Am Not Your Perfect Mexican Daughter by Erika L Sánchez and The Poet X by Elizabeth Acevedo.

Sanjuana: This a list of books currently on my desk ready to be read: Amal Unbound by Aisha Saeed, Dear Martin by Nic Stone, Another Brooklyn by Jacqueline Woodson, The First Rule of Punk by Celia C. Pérez ( I know that I’m late reading this one!). Picture books I can’t wait to read and share with kids: The Day you Begin by Jacquline Woodson, Dreamers by Yuyi Morales, and Imagine by Juan Felipe Herrera.

Mark: Just read Gabby Rivera’s Juliet Takes a Breath and it was just as stunning as I’d thought it would be. I’m about to read and review the newest Anna-Marie McLemore, and then am eager to start The Resolutions by Mia García!

Cris: My current “hot read” is any book I’m using for my dissertation, but I’m particularly enjoying digging into Celia C. Pérez’s The First Rule of Punk. My current TBR is anything I’m not using for my dissertation! I’m very excited to dive into Zoraida Cordova’s Brooklyn Brujas series. I recently began Lila Quintero Weaver’s My Year in the Middle, and there are some rad looking anthologies that have been recently released!

Katrina: I just finished Javier Zamora’s Unaccompanied, a semi-autobiographical (or so it seems) account of the journey north from Central America, written in verse. It’s heartbreaking and redemptive and beautifully put together. 

Our warmest thanks to the reviewers who participated in this roundtable discussion! We’ll continue the conversation in the next installment. 

 

2019 Titles By/For/About Latinx!!

 

Drum roll, please……HERE IT IS! The 2019 list of books releasing by/for/about Latinxs. Here are the 60+ titles we know about that are releasing this year. We’re sure there will be more added, so please check the site often or follow the blog for updates.  The coming year brings new books from so many of our favorite creators along with exciting debuts from Tehlor Kay Mejia, Aida Salazar, Laura Pohl, Claribel Ortega, Maya Motayne, and Nina Moreno, among others. The books are listed by the publishing date. Please let us know in the comments if we are missing any!

 

PLANTING STORIES: THE LIFE OF LIBRARIAN AND STORYTELLER PURA BELPRÉ by Anika Aldamuy Denise, illus by Paola Escobar (HarperCollins, January 15, 2019). Picture Book. An inspiring picture book biography of storyteller, puppeteer, and New York City’s first Puerto Rican librarian, who championed bilingual literature.

When she came to America in 1921, Pura Belpré carried the cuentos folklóricos of her Puerto Rican homeland. Finding a new home at the New York Public Library as a bilingual assistant, she turned her popular retellings into libros and spread story seeds across the land. Today, these seeds have grown into a lush landscape as generations of children and storytellers continue to share her tales and celebrate Pura’s legacy. A Spanish-language edition, Sembrando historias: Pura Belpré: bibliotecaria y narradora de cuentos, is also available.

 

ROTTEN! VULTURES, BEETLES, AND SLIME: NATURE’S DECOMPOSERS by Anita Sanchez, illus by Gilbert Ford (HMH Books for Young Readers, January 22, 2019). Nonfiction. A funny and fact-filled look at decomposition in all of its slimy glory. Vultures fungi, dung beetles, and more aid in this fascinating and sometimes smelly aspect of the life cycle that’s right under our noses.

What’s that terrible smell? It’s the revolting scent of rot. But being rotten isn’t necessarily bad. If nothing ever rotted, nothing new could live.
Decomposition may seem like the last stop on the food chain, but it’s just the beginning. When dead plants and animals decay, they give life to a host of other creatures, and each one helps ecosystems thrive. Decomposition happens in the forest, the ocean—even in your stomach and between your teeth! From vultures and sharks to bacteria, maggots, mushrooms, and more, discover the dirty rotten truth about one of nature’s most fascinating processes.

 

SARAI SAVES THE MUSIC (SARAI #3) by Sarai Gonzalez and Monica Brown (Scholastic, January 29, 2019). Middle Grade. They’re cutting funding at Sarai’s school and her band program is the first to go. That is totally not okay with Sarai. She decides to organize a benefit concert to raise money! When she and her bandmates promote the concert on their video channel, it catches the attention of Sarai’s favorite singer, Sparkles Sanchez! Can Sarai save the music?

Also available in a Spanish-language edition, Saraí salva la música, releasing February 26, 2019.

 

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LOVE, SUGAR, MAGIC: A SPRINKLE OF SPIRITS by Anna Meriano, illus by Mirelle Ortega (Walden Pond Press, February 5, 2019). Middle Grade. Leonora Logroño has finally been introduced to her family’s bakery bruja magic—but that doesn’t mean everything is all sugar and spice. Her special power hasn’t shown up yet, her family still won’t let her perform her own spells, and they now act rude every time Caroline comes by to help Leo with her magic training.

She knows that the family magic should be kept secret, but Caroline is her best friend, and she’s been feeling lonely than ever since her mom passed away. Why should Leo have to choose between being a good bruja and a good friend?

In the midst of her confusion, Leo wakes up one morning to a startling sight: her dead grandmother, standing in her room, looking as alive as she ever was. Both Leo and her abuela realize this might mean trouble—especially once they discover that Abuela isn’t the only person in town who has been pulled back to life from the other side.

Spirits are popping up all over town, causing all sorts of trouble! Is this Leo’s fault? And can she reverse the spell before it’s too late?

 

WE SET THE DARK ON FIRE by Tehlor Kay Mejia (Katherine Tegen Books, February 26, 2019). Young Adult. At the Medio School for Girls, distinguished young women are trained for one of two roles in their polarized society. Depending on her specialization, a graduate will one day run a husband’s household or raise his children. Both paths promise a life of comfort and luxury, far from the frequent political uprisings of the lower class.

Daniela Vargas is the school’s top student, but her pedigree is a lie. She must keep the truth hidden or be sent back to the fringes of society.

And school couldn’t prepare her for the difficult choices she must make after graduation, especially when she is asked to spy for a resistance group desperately fighting to bring equality to Medio.

Will Dani cling to the privilege her parents fought to win for her, or will she give up everything she’s strived for in pursuit of a free Medio—and a chance at a forbidden love?

 

THE MOON WITHIN by Aida Salazar (Arthur A. Levine Books, February 26, 2019). Middle Grade. Celi Rivera’s life swirls with questions. About her changing body. Her first attraction to a boy. And her best friend’s exploration of what it means to be genderfluid.

But most of all, her mother’s insistence she have a moon ceremony when her first period arrives. It’s an ancestral Mexica ritual that Mima and her community have reclaimed, but Celi promises she will NOT be participating. Can she find the power within herself to take a stand for who she wants to be?

 

 

LETY OUT LOUD by by Angela Cervantes (Scholastic Press, February 26, 2019). Middle Grade. Can Lety find her voice before it’s too late? Lety Muñoz’s first language is Spanish, and she likes to take her time putting her words together. She loves volunteering at the Furry Friends Animal Shelter because the dogs and cats there don’t care if she can’t always find the right word.

When the shelter needs a volunteer to write animal profiles, Lety jumps at the chance. But grumpy classmate Hunter also wants to write profiles — so now they have to work as a team. Hunter’s not much of a team player, though. He devises a secret competition to decide who will be the official shelter scribe. Whoever helps get their animals adopted the fastest wins. The loser scoops dog food.

Lety reluctantly agrees, but she’s worried that if the shelter finds out about the contest, they’ll kick her out of the volunteer program. Then she’ll never be able to adopt Spike, her favorite dog at the shelter!

 

 SOARING EARTH: A Companion Memoir to Enchanted Air by Margarita Engle (Antheneum Books for Young Readers, February 26, 2019). Young Adult. Margarita Engle’s childhood straddled two worlds: the lush, welcoming island of Cuba and the lonely, dream-soaked reality of Los Angeles. But the revolution has transformed Cuba into a mystery of impossibility, no longer reachable in real life. Margarita longs to travel the world, yet before she can become independent, she’ll have to start high school.

Then the shock waves of war reach America, rippling Margarita’s plans in their wake. Cast into uncertainty, she must grapple with the philosophies of peace, civil rights, freedom of expression, and environmental protection. Despite overwhelming circumstances, she finds solace and empowerment through her education. Amid the challenges of adolescence and a world steeped in conflict, Margarita finds hope beyond the struggle, and love in the most unexpected of places.

 

LA SELVA, the Spanish version of FOREST WORLD by Margarita Engle, translated by Alexis Romay. (Antheneum Books for Young Readers, February 26, 2019). Middle Grade. Now in Spanish, award-winning author Margarita Engle’s lively middle grade novel in verse about a Cuban-American boy who visits his family’s village in Cuba for the first time—and meets a sister he didn’t know he had.

Edver isn’t happy about being shipped off to Cuba to visit the father he barely knows. Yet now that travel laws have changed and it’s a lot easier for divided families to be reunited, his mom thinks it’s time for some father-son bonding.

Edver doesn’t know what this summer has in store, but he’s definitely not expecting to meet a sister he didn’t know existed! Luza is a year older and excited to see her little brother, until she realizes how different their lives have been. Looking for anything they might have in common, they sneak onto the internet—and accidentally catch the interest of a dangerous wildlife poacher. Edver has fought plenty of villains in video games. Now, to save the Cuban jungle they love, he and Luza are going to have to find a way to conquer a real villain!

 

ISLA DE LEONES, the Spanish version of LION ISLAND by Margarita Engle, illus by Alexis Romay (Atheneum Books for Young Readers, February 26, 2019). Young Adult. The Spanish translation of this “beautifully written, thought provoking” (School Library Journal, starred review) novel in verse by Young People’s Poet Laureate Margarita Engle, which tells the story of Antonio Chuffat, a young man of African, Chinese, and Cuban descent who becomes a champion for civil rights.

Asia, Africa, Europe—Antonio Chuffat’s ancestors clashed and blended on the beautiful island of Cuba. The country is fighting for freedom from Spain. Enslaved Africans and near-enslaved Chinese indentured servants are forced to work long, backbreaking hours in the fields.

So Antonio feels lucky to have found a good job as a messenger, where his richly blended cultural background is an asset. Through his work he meets Wing, a young Chinese fruit seller who barely escaped the anti-Asian riots in San Francisco, and his sister Fan, a talented singer. With injustice all around them, the three friends are determined to prove that violence is not the only way to gain liberty.

 

THE LAST 8 by Laura Pohl (Sourcebooks Fire, March 5, 2019). Young Adult. Clover Martinez has always been a survivor, which is the reason she isn’t among the dead when aliens invade and destroy Earth as she knows it.

Clover is convinced she’s the only one left until she hears a voice on the radio urging her to go to the former Area 51. When she arrives, she’s greeted by a band of misfits who call themselves The Last Teenagers on Earth.

Only they aren’t the ragtag group of heroes Clover was expecting. The seven strangers seem more interested in pretending the world didn’t end than fighting back, and Clover starts to wonder if she was better off alone. But when she finds a hidden spaceship within the walls of the compound, she doesn’t know what to believe…or who to trust.

 

BARELY MISSING EVERYTHING by Matt Mendez (Atheneum/Caitlyn Dlouhy Books, March 5, 2019.) Young Adult. Juan has plans. He’s going to get out of El Paso, Texas, on a basketball scholarship and make something of himself—or at least find something better than his mom Fabi’s cruddy apartment, her string of loser boyfriends, and a dead dad. Basketball is going to be his ticket out, his ticket up. He just needs to make it happen.

His best friend JD has plans, too. He’s going to be a filmmaker one day, like Quinten Tarantino or Guillermo del Toro (NOT Steven Spielberg). He’s got a camera and he’s got passion—what else could he need?

Fabi doesn’t have a plan anymore. When you get pregnant at sixteen and have been stuck bartending to make ends meet for the past seventeen years, you realize plans don’t always pan out, and that there some things you just can’t plan for.

Like Juan’s run-in with the police, like a sprained ankle, and a tanking math grade that will likely ruin his chance at a scholarship. Like JD causing the implosion of his family. Like letters from a man named Mando on death row. Like finding out this man could be the father your mother said was dead.

Soon Juan and JD are embarking on a Thelma and Louise­–like road trip to visit Mando. Juan will finally meet his dad, JD has a perfect subject for his documentary, and Fabi is desperate to stop them. But, as we already know, there are some things you just can’t plan for.

 

DEALING IN DREAMS by Lilliam Rivera (Simon & Schuster Books for Young Readers, March 5, 2019). Young Adult. Sixteen-year-old Nalah leads the fiercest all-girl crew in Mega City. That role brings with it violent throwdowns and access to the hottest boydega clubs, but Nala quickly grows weary of her questionable lifestyle. Her dream is to get off the streets and make a home in the exclusive Mega Towers, in which only a chosen few get to live. To make it to the Mega Towers, Nalah must prove her loyalty to the city’s benevolent founder and cross the border in a search of the mysterious gang the Ashé Riders. Led by a reluctant guide, Nalah battles crews and her own doubts but the closer she gets to her goal the more she loses sight of everything—and everyone—she cares about.

Nalah must choose whether or not she’s willing to do the unspeakable to get what she wants. Can she discover that home is not where you live but whom you chose to protect before she loses the family she’s created for good?

 

SAL AND GABI BREAK THE UNIVERSE by Carlos Hernandez (Rick Riordan Presents, March 5, 2019). Middle Grade. When Sal Vidon meets Gabi Real for the first time, it isn’t under the best of circumstances. Sal is in the principal’s office for the third time in three days, and it’s still the first week of school. Gabi, student council president and editor of the school paper, is there to support her friend Yasmany, who just picked a fight with Sal. She is determined to prove that somehow, Sal planted a raw chicken in Yasmany’s locker, even though nobody saw him do it and the bloody poultry has since mysteriously disappeared.

Sal prides himself on being an excellent magician, but for this sleight of hand, he relied on a talent no one would guess . . . except maybe Gabi, whose sharp eyes never miss a trick. When Gabi learns that he’s capable of conjuring things much bigger than a chicken–including his dead mother–and she takes it all in stride, Sal knows that she is someone he can work with. There’s only one slight problem: their manipulation of time and space could put the entire universe at risk.

 

FAT ANGIE: REBEL GIRL REVOLUTION by e.E. Charlton-Trujillo (Candlewick, March 5, 2019). Young Adult. Sophomore year has just begun, and Angie is miserable. Her girlfriend, KC, has moved away; her good friend, Jake, is keeping his distance; and the resident bully has ramped up an increasingly vicious and targeted campaign to humiliate her. An over-the-top statue dedication planned for her sister, who died in Iraq, is almost too much to bear, and it doesn’t help that her mother has placed a symbolic empty urn on their mantel. At the ceremony, a soldier hands Angie a final letter from her sister, including a list of places she wanted the two of them to visit when she got home from the war. With her mother threatening to send Angie to a “treatment center” and the situation at school becoming violent, Angie enlists the help of her estranged childhood friend, Jamboree. Along with a few other outsiders, they pack into an RV and head across the state on the road trip Angie’s sister did not live to take. It might be just what Angie needs to find a way to let her sister go, and find herself in the process.

 

THE TESLA LEGACY by K.K. Pérez (Tor Teen, March 12, 2019). Young Adult. An action-packed, young adult coming-of-age adventure, K. K. Perez’s The Tesla Legacy follows a precocious young scientist named Lucy Phelps whose fateful encounter in the Tesla Suite of the New Yorker Hotel unlocks her dormant electrical powers. As Lucy struggles to understand her new abilities through scientific experimentation, she is thrust into a centuries old battle between rival alchemical societies.

One side wants her help and the other wants her dead, but both believe she is the next step in human evolution. Unfortunately, carriers of the genetic mutation—including Nikola Tesla—have a greatly reduced life expectancy. Even if Lucy can outrun her enemies, she can’t outrun herself.

 

ONE IS A PIÑATA: A BOOK OF NUMBERS by Roseanne Greenfield Thong, illus by John Parra (Chronicle Books, March 12, 2019). Picture Book. One is a rainbow. One is a cake. One is a piñata that’s ready to break! In this lively picture book, a companion to the Pura Belpré–honored Green Is a Chile Pepper, children discover a fiesta of numbers in the world around them, all the way from one to ten: Two are maracas and cold ice creams, six are salsas and flavored aguas. Many of the featured objects are Latino in origin, and all are universal in appeal. With rich, boisterous illustrations, a fun-to-read rhyming text, and an informative glossary, this vibrant book enumerates the joys of counting and the wonders that abound in every child’s day!

 

RED PANDA AND MOON BEAR by Jarod Roselló (Top Shelf Productions, March 26, 2019). Graphic Novel. Two Latinx kids battle supernatural threats to their working-class neighborhood with the power of science, magic, and a pair of very special hoodies.

Red Panda and Moon Bear are the defenders of their community! Together, these brave siblings rescue lost cats, scold bullies, and solve mysteries, all before Mamá and Papá get home. But lately… the mysteries have been EXTRA mysterious. All of RP and MB’s powers may not be enough to handle spooks, supervillains, alien invaders, and time warps! It’ll take all their imagination — and some new friends — to uncover the secret cause behind all these events before the whole world goes crazy.

 

endofthelie_500END OF THE LIE by Diana Rodriguez Wallach (Entangled Publishing, March 2019). Young Adult. With her harrowing tale of espionage and near death experiences finally out in the open, Anastasia Phoenix thought things would be better. That she and her friends had outsmarted Department D, the criminal empire her parents helped create.

She thought wrong.

Former friends have turned to enemies, causing more innocent lives to get swept up into the dangerous world her parents created. Now it’s up to Anastasia to stop the damage before anyone else gets hurt—or worse. She embarks on a treacherous trail from Poland to Prague, and old rivals emerge at every turn. But when the final confrontation occurs, will she be too late to protect the ones she loves… or even herself?

 

¡VAMOS! LET’S GO TO THE MARKET by Raúl the Third (Versify, April 2, 2019). Picture Book. Bilingual in a new way, this paper over board book teaches readers simple words in Spanish as they experience the bustling life of a border town. Follow Little Lobo and his dog Bernabe as they deliver supplies to a variety of vendors, selling everything from sweets to sombreros, portraits to piñatas, carved masks to comic books!

 

 

 

BABYMOON by Hayley Barrett, illus by Juana Martinez-Neal (Candlewick, April 2, 2019). Picture Book. Inside the cozy house, a baby has arrived! The world is eager to meet the newcomer, but there will be time enough for that later. Right now, the family is on its babymoon: cocooning, connecting, learning, and muddling through each new concern. While the term “babymoon” is often used to refer to a parents’ getaway before the birth of a child, it was originally coined by midwives to describe days like these: at home with a newborn, with the world held at bay and the wonder of a new family constellation unfolding. Paired with warm and winsome illustrations by Juana Martinez-Neal, Hayley Barrett’s lyrical ode to these tender first days will resonate with new families everywhere.

 

9781620147948ZOMBIES DON’T EAT VEGGIES! by Jorge Lacera and Megan Lacera (Children’s Book Press, April 2, 2019). Picture Book. Mo Romero is a zombie who loves nothing more than growing, cooking, and eating vegetables. Tomatoes? Tantalizing. Peppers? Pure perfection The problem? Mo’s parents insist that their niño eat only zombie cuisine, like arm-panadas and finger foods. They tell Mo over and over that zombies don’t eat veggies. But Mo can’t imagine a lifetime of just eating zombie food and giving up his veggies. As he questions his own zombie identity, Mo tries his best to convince his parents to give peas a chance.

 

A NEW HOME/UN NUEVO HUGAR by Tania de Regil (Candlewick, April 9, 2019.) Picture Book. Moving to a new city can be exciting. But what if your new home isn’t anything like your old home? Will you make friends? What will you eat? Where will you play? In a cleverly combined voice — accompanied by wonderfully detailed illustrations depicting parallel urban scenes — a young boy conveys his fears about moving from New York City to Mexico City while, at the same time, a young girl expresses trepidation about leaving Mexico City to move to New York City. Tania de Regil offers a heartwarming story that reminds us that home may be found wherever life leads. Fascinating details about each city are featured at the end. The book will be released simultaneously in English and Spanish.

 

 

THE CHUPACABRAS OF THE RÍO GRANDE: THE UNICORN RESCUE SOCIETY #4 by Adam Gidwitz and David Bowles, illus by Hatem Aly (Dutton Books for Young Readers, April 16, 2019). Middle Grade. Elliot and Uchenna have only just returned from their most recent Unicorn Rescue Society mission when Professor Fauna whisks them away (Jersey, too!), on their next exciting adventure. This time, they’re headed to Laredo, on the U.S.-Mexican border to help another mythical creature in need: the chupacabras.

Teaming up with local kids Lupita and Mateo Cervantes–plus their brilliant mother, Dr. Alejandra Cervantes and her curandero husband Israel–the kids struggle to not only keep the chupacabras safe, but also to bring a divided community together once more.

 

LUCA’S BRIDGE/EL PUENTE DE LUCA by Mariana Llanos, illus by Anna López Real (Penny Candy Books, April 16, 2019). Picture Book. The book tells the emotional story of a boy coming to terms with his family’s deportation from the United States to Mexico. A powerful meditation on home and identity at a time when our country sorely needs it.

 

 

 

SARAI AND THE AROUND THE WORLD FAIR (SARAI #4) by Sarai Gonzalez and Monica Brown (Scholastic, April 16, 2019). Middle Grade. When Sarai outgrows her bike, she worries she’ll never get to travel anywhere. But, when Martin Luther King Jr. Elementary hosts their first Around the World Fair, Sarai learns that with a little imagination, you can go anywhere you want!

Also available in a Spanish-language edition, releasing September 17, 2019Saraí y la Feria Alrededor del Mundo 

 

 

Christy Hale

TODOS IGUALES/ALL EQUAL by Christy Hale (Lee & Low, April 23, 2019). Picture Book. Ten-year-old Roberto Álvarez loved school. He, his siblings, and neighbors attended the Lemon Grove School along with the white children from nearby homes. The children studied and played together as equals.

In the summer of 1930, the Lemon Grove School Board decided to segregate the Mexican American students. The board claimed the children had a “language handicap” and needed to be “Americanized.” When the Mexican families learned of this plan, they refused to let their children enter the new, inferior school that had been erected. They formed a neighborhood committee and sought legal help. Roberto, a bright boy who spoke English well, became the plaintiff in a suit filed by the Mexican families. On March 12, 1931, the case of Roberto Álvarez v. the Board of Trustees of the Lemon Grove School District was decided. The judge ruled in favor of the children’s right to equal education, ordering that Roberto and all the other Mexican American students be immediately reinstated in the Lemon Grove School.

The Lemon Grove Incident stands as a major victory in the battle against school segregation, and a testament to the tenacity of an immigrant community and its fight for equal rights.

 

Pat MoraImage result for beatriz vidalA LIBRARY FOR JUANA/UNA BIBLIOTECA PARA JUANA by Pat Mora, illus. by Beatriz Vidal (Lee & Low, April 23, 2019). Picture Book. From a very young age, Juana Inés loved words. When she was three years old, she followed her sister to school and begged the teacher to let her stay so she could learn how to read. Juana enjoyed poring over books and was soon making up her own stories, songs, and poems.
Juana wanted to become a scholar, but career options for women were limited at this time. She decided to become a nun—Sor Juana Inés de la Cruz—in order to spend her life in solitude reading and writing. Though she died in 1695, Sor Juana Inés is still considered one of the most brilliant writers in Mexico’s history: her poetry is recited by schoolchildren throughout Mexico and is studied at schools and universities around the world.

The recipient of the Tomás Rivera Mexican American Children’s Book Award, A Library for Juana celebrates Juana Inés’s incredible thirst for knowledge, and is lovingly written by renowned children’s book author Pat Mora and gorgeously illustrated by Beatriz Vidal.

 

SILVER MEADOWS SUMMER by Emma Otheguy (Knopf Books for Young Readers, April 30, 2019). Middle Grade. Eleven-year-old Carolina’s summer–and life as she knows it–is upended when Papi loses his job, and she and her family must move from Puerto Rico to her Tía Cuca and Uncle Porter’s house in upstate New York. Now Carolina must attend Silver Meadows camp, where her bossy older cousin Gabriela rules the social scene.

Just as Carolina worries she’ll have to spend the entire summer in Gabriela’s shadow, she makes a friend of her own in Jennifer, a fellow artist. Carolina gets another welcome surprise when she stumbles upon a long-abandoned cottage in the woods near the campsite and immediately sees its potential as a creative haven for making art. There, with Jennifer, Carolina begins to reclaim the parts of the life she loved in Puerto Rico and forget about how her relationship with Mami has changed and how distant Papi has become.

But when the future of Silver Meadows and the cottage is thrown into jeopardy, Carolina and–to everyone’s surprise–Gabriela come up with a plan to save them. Will it work?

 

BRIEF CHRONICLE OF ANOTHER STUPID HEARTBREAK by Adi Alsaid (Inkyard Press, April 30, 2019). Young Adult. Dumped by her boyfriend the summer after senior year, teen love and relationship columnist Lu Charles has hit a wall with her writing. The words just won’t come to her like they used to and if she doesn’t find a topic for her column, she’ll lose her gig at hip online magazine Misnomer, and the college scholarship that goes along with it.Her best friend, Pete, thinks she should write through her own pain, but when Lu overhears another couple planning a precollege breakup just like hers, she becomes convinced that they’re the answer to cracking her writer’s block. And when she meets them–super-practical Iris and cute, sweet Cal–and discovers they’re postponing their breakup until the end of the summer, she has to know more.Have Cal and Iris prolonged their own misery by staying together, knowing the end is in sight? Or does the secret to figuring out all this love business–and getting over it–lie with them? One thing is certain–if Lu can’t make a breakthrough before summer is over, she can kiss her future goodbye.

 

With the Fire on High CoverWITH THE FIRE ON HIGH by Elizabeth Acevedo (HarperTeen, May 7, 2019). Young Adult. Ever since she got pregnant freshman year, Emoni Santiago’s life has been about making the tough decisions—doing what has to be done for her daughter and her abuela. The one place she can let all that go is in the kitchen, where she adds a little something magical to everything she cooks, turning her food into straight-up goodness.

Even though she dreams of working as a chef after she graduates, Emoni knows that it’s not worth her time to pursue the impossible. Yet despite the rules she thinks she has to play by, once Emoni starts cooking, her only choice is to let her talent break free.

 

PictureNOCTURNA by Maya Motayne (Balzer + Bray, May 7, 2019). Young Adult. To Finn Voy, magic is two things. The first: a knife to hold under the chin of anyone who crosses her. The second: a disguise she shrugs on as easily as others pull on cloaks. A talented shapeshifter, it’s been years since Finn has seen her own face, and that’s exactly how she likes it. But when Finn gets caught by a powerful mobster she’s indebted to, she’s forced into an impossible mission—steal a legendary treasure from the palace or lose her shapeshifting magic forever.

After the murder of his older brother, Prince Alfehr is first in line for the Castallan throne. But Alfie can’t help but feel that he will never live up to his brother’s legacy. Riddled with grief, Alfie is obsessed with finding a way to bring his brother back, even if it means dabbling in forbidden magic.

In a cruel twist of fate, Alfie’s best friend is nearly killed in the crossfire of Finn’s heist, and Alfie accidentally unlocks a terrible, ancient magic to save him—a magic, which, if not contained, will devour the world. Alfie and Finn race to vanquish what they have unleashed. But to do so, they each must contend with the darkness hiding in their pasts.

 

I’M A BAKED POTATO by Elise Primavera, illus by Juana Medina. (Roaring Brook Press, May 7, 2019). Picture Book. When a baked potato–loving lady adopts a dog, she adores him unconditionally—and given the pup’s small, round frame and warm, brown coat she can’t help but call him “Baked Potato”! But what happens when a dog who thinks he’s a baked potato gets lost? Will he find his lady? And more importantly, will he find himself? I’m a Baked Potato! is a fun, bighearted story about the names we’re given, the names we choose, and how both can help us find our way home. Full of heart and laugh-out-loud moments, this story will leave readers giggling—and looking at pets in a whole new way.

 

GOODNIGFHT ’70s by Peter Stein, illus by Alyssa Bermudez (Andrews McMeel Publishing, May 9, 2019). Picture Book. Say goodnight to long hair and beanbag chairs, Kung Fu champs and lava lamps, Pop Rocks and your David Cassidy lunchbox—this playful Goodnight Moon parody is a retro rhyming ride back to the seventies!

Illustrated and packaged à la Margaret Wise Brown’s Goodnight MoonGoodnight ’70s turns the classic children’s book into a baby boomer’s ode to the far out 1970s. It’s the perfect gift for anyone nostalgic for the good old days of bell-bottoms, disco balls, and 8-track tapes.

 

Don't Date Rosa Santos CoverDON’T DATE ROSA SANTOS by Nina Moreno (Disney-Hyperion, May 14, 2019). Young Adult. Rosa Santos is cursed by the sea-at least, that’s what they say. Dating her is bad news, especially if you’re a boy with a boat.

But Rosa feels more caught than cursed. Caught between cultures and choices. Between her abuela, a beloved healer and pillar of their community, and her mother, an artist who crashes in and out of her life like a hurricane. Between Port Coral, the quirky South Florida town they call home, and Cuba, the island her abuela refuses to talk about.

As her college decision looms, Rosa collides-literally-with Alex Aquino, the mysterious boy with tattoos of the ocean whose family owns the marina. With her heart, her family, and her future on the line, can Rosa break a curse and find her place beyond the horizon?

 

FREEDOM FIRE: DACTYL HILL SQUAD #2 by Daniel José Older (Arthur A. Levine Books, May 14, 2019). Middle Grade. Magdalys and the squad are flying south on pteroback. South to rescue her older brother. South to war.

The squad links up with the dino-mounted troops of the Louisiana Native Guard, an all-black regiment in the Union Army fighting to free their people. They’re led by General Sheridan, surrounded by enemy forces in Tennessee and desperate for any edge to sway the tide of battle.

Magdalys’s burgeoning powers might be the Union’s last hope. But she doesn’t want to abandon the search for her brother. And she might not be the only one with a mysterious connection to dinosaurs.

With the Civil War raging around her and the Union on the brink of collapse, how can Magdalys choose between the army that needs her help to survive and the brother she risked everything to save?

 

MY PAPI HAS A MOTORCYCLE by Isabel Quintero, illus buy Zeke Peña (Kokila, May 14, 2019). Picture Book. When Daisy Ramona zooms around her neighborhood with her papi on his motorcycle, she sees the people and places she’s always known. She also sees a community that is rapidly changing around her.

But as the sun sets purple-blue-gold behind Daisy Ramona and her papi, she knows that the love she feels will always be there.

With vivid illustrations and text bursting with heart, My Papi Has a Motorcycle is a young girl’s love letter to her hardworking dad and to memories of home that we hold close in the midst of change.

 

WHERE ARE YOU FROM? by Yamile Saied Méndez, illus by Jaime Kim. (HarperCollins, June 4, 2019). Picture Book. When a girl is asked where she’s from—where she’s really from—none of her answers seems to be the right one. Unsure about how to reply, she turns to her loving abuelo for help. He doesn’t give her the response she expects. She gets an even better one.

Where am I from?

You’re from hurricanes and dark storms, and a tiny singing frog that calls the island people home when the sun goes to sleep….

With themes of self-acceptance, identity, and home, this powerful, lyrical picture book will resonate with readers young and old, from all backgrounds and of all colors—especially anyone who ever felt that they don’t belong.

 

FIVE MIDNIGHTS by Ann Dávila Cardinal (Tor Teen, June 4, 2019). Young Adult. If Lupe Dávila and Javier Utierre can survive each other’s company, together they can solve a series of grisly murders sweeping though Puerto Rico. But the clues lead them out of the real world and into the realm of myths and legends. And if they want to catch the killer, they’ll have to step into the shadows to see what’s lurking there—murderer, or monster?

 

 

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THE GRIEF KEEPER by Alexandra Villasante (G.P. Putnam’s Sons Books for Young Readers, June 11, 2019). Young Adult. Seventeen-year-old Marisol has always dreamed of being American, learning what Americans and the US are like from television and Mrs. Rosen, an elderly expat who had employed Marisol’s mother as a maid. When she pictured an American life for herself, she dreamed of a life like Aimee and Amber’s, the title characters of her favorite American TV show. She never pictured fleeing her home in El Salvador under threat of death and stealing across the US border as “an illegal”, but after her brother is murdered and her younger sister, Gabi’s, life is also placed in equal jeopardy, she has no choice, especially because she knows everything is her fault. If she had never fallen for the charms of a beautiful girl named Liliana, Pablo might still be alive, her mother wouldn’t be in hiding and she and Gabi wouldn’t have been caught crossing the border.

But they have been caught and their asylum request will most certainly be denied. With truly no options remaining, Marisol jumps at an unusual opportunity to stay in the United States. She’s asked to become a grief keeper, taking the grief of another into her own body to save a life. It’s a risky, experimental study, but if it means Marisol can keep her sister safe, she will risk anything. She just never imagined one of the risks would be falling in love, a love that may even be powerful enough to finally help her face her own crushing grief.

 

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ALL OF US WITH WINGS by Michelle Ruiz Keil (Soho Teen, June 18, 2019). Young Adult. Seventeen-year-old Xochi is alone in San Francisco, running from her painful past: the mother who abandoned her, the man who betrayed her. Then one day, she meets Pallas, a precocious twelve-year-old who lives with her rockstar family in one of the city’s storybook Victorians. Xochi accepts a position as Pallas’s live-in governess and quickly finds her place in their household, which is relaxed and happy despite the band’s larger-than-life fame.

But on the night of the Vernal Equinox, as a concert afterparty rages in the house below, Xochi and Pallas accidentally summon a pair of ancient creatures devoted to avenging the wrongs of Xochi’s adolescence. She would do anything to preserve her new life, but with the creatures determined to exact vengeance on those who’ve hurt her, no one is safe—not the family she’s chosen, nor the one she left behind.

 

TEEN TITANS: RAVEN by Kami Garcia (DC Ink, July 2, 2019). Graphic novel. When a tragic accident takes the life of seventeen-year-old Raven Roth’s foster mom–and Raven’s memory–she moves to New Orleans to live with her foster mother’s family and finish her senior year of high school.

Starting over isn’t easy. Raven remembers how to solve math equations and make pasta, but she can’t remember her favorite song or who she was before the accident. When strange things start happening–impossible things–Raven starts to think it might be better not to know who she was in her previous life.

But as she grows closer to her foster sister, Max, her new friends, and Tommy Torres, a guy who accepts her for who she is now, Raven has to decide if she’s ready to face what’s buried in the past…and the darkness building inside her.

 

EACH TINY SPARK by Pablo Cartaya (Kokila, August 6, 2019). Middle Grade. Emilia Torres has a wandering mind. It’s hard for her to follow along at school, and sometimes she forgets to do what her mom or abuela asks. But she remembers what matters: a time when her family was whole and home made sense. When Dad returns from deployment, Emilia expects that her life will get back to normal. Instead, it unravels.

Dad shuts himself in the back stall of their family’s auto shop to work on an old car. Emilia peeks in on him daily, mesmerized by his welder. One day, Dad calls Emilia over. Then, he teaches her how to weld. And over time, flickers of her old dad reappear.

But as Emilia finds a way to repair the relationship with her father at home, her community ruptures with some of her classmates, like her best friend, Gus, at the center of the conflict.

 

COLOR ME IN by Natasha Díaz (Delacorte Press, August 20, 2019). Young Adult. Growing up in an affluent suburb of New York City, sixteen-year-old Nevaeh Levitz never thought much about her biracial roots. When her Black mom and Jewish dad split up, she relocates to her mom’s family home in Harlem and is forced to confront her identity for the first time.

Nevaeh wants to get to know her extended family, but one of her cousins can’t stand that Nevaeh, who inadvertently passes as white, is too privileged, pampered, and selfish to relate to the injustices they face on a daily basis as African Americans. In the midst of attempting to blend their families, Nevaeh’s dad decides that she should have a belated bat mitzvah instead of a sweet sixteen, which guarantees social humiliation at her posh private school. Even with the push and pull of her two cultures, Nevaeh does what she’s always done when life gets complicated: she stays silent.

It’s only when Nevaeh stumbles upon a secret from her mom’s past, finds herself falling in love, and sees firsthand the prejudice her family faces that she begins to realize she has a voice. And she has choices. Will she continue to let circumstances dictate her path? Or will she find power in herself and decide once and for all who and where she is meant to be?

 

WILD SAVAGE STARS by Kristina Pérez (Imprint, August 27, 2019). Young Adult. Inspired by the legend of Tristan and Iseult, Wild Savage Stars is the spellbinding sequel to Sweet Black Waves. Branwen has a secret powerful enough to destroy two kingdoms. Her ancient magic led to a terrible betrayal by both her best friend, the princess Essy, and her first love, Tristan. Now this same magic is changing Branwen. Adrift in a rival court, Branwen must hide the truth from the enemy king by protecting the lovers who broke her heart—and finds herself considering a darker path. Not everyone wants the alliance with Branwen’s kingdom to succeed—peace is balanced on a knife’s edge, and her only chance may be to embrace the darkness within.

 

 

MY LIFE AS AN ICE CREAM SANDWICH by Ibi Zoboi (Dutton Books for Young Readers, August 27, 2019.) Middle Grade. In the summer of 1984, 12-year-old Ebony-Grace Norfleet makes the trip from Huntsville, Alabama, to Harlem, where she’ll spend a few weeks with her father while her mother deals with some trouble that’s arisen for Ebony-Grace’s beloved grandfather, Jeremiah. Jeremiah Norfleet is a bit of a celebrity in Huntsville, where he was one of the first black engineers to integrate NASA two decades earlier. And ever since his granddaughter came to live with him when she was little, he’s nurtured her love of all things outer space and science fiction–especially Star Wars and Star Trek, both of which she’s watched dozens of time on Grandaddady’s Betamax machine. So even as Ebony-Grace struggled to make friends among her peers, she could always rely on her grandfather and the imaginary worlds they created together. In Harlem, however, she faces a whole new challenge. Harlem in 1984 is an exciting and terrifying place for a sheltered girl from Hunstville, and her first instinct is to retreat into her imagination. But soon 126th Street begins to reveal that it has more in common with her beloved sci-fi adventures than she ever thought possible, and by summer’s end, Ebony-Grace discovers that gritty and graffitied Harlem has a place for a girl whose eyes are always on the stars.

 

PictureGHOST SQUAD by Claribel Ortega (Scholastic Press, September 3, 2019). Middle Grade. The hurricane-swept town of St. Augustine is the only home Lucely Luna has ever known. It’s the same home her father grew up in, and his parents before him. In fact, all of the deceased relatives in the Luna family now live as firefly spirits in the weeping willow tree in their backyard.

Shortly before Halloween, a mysterious storm appears on the radar heading towards St. Augustine, causing Lucely’s firefly spirits to lose their connection to this world. In an effort to save them, Lucely finds a spell to bring them back to life, but accidentally brings more spirits to the town than she’d planned. Ghosts start showing up all around town, some more dangerous than others, wreaking havoc.

Lucely will have to band together with her best friend and occult buff, Syd, along with Syd’s witch grandmother, Babette, and her tubby tabby, Chunk, to fight the haunting head on, save the town, and save her firefly spirits all before the full moon culminates on Halloween.

 

RATED by Melissa Grey (Scholastic, September 3, 2019). Young Adult. Societies thrive on order, and the Rating System is the ultimate symbol of organized social mobility.

The higher it soars, the more valued you are. The lower it plummets, the harder you must work to improve yourself. For the students at the prestigious Maplethorpe Academy, every single thing they do is reflected in their ratings, updated daily and available for all to see.

But when an act of vandalism sullies the front doors of the school, it sets off a chain reaction that will shake the lives of six special students — and the world beyond.

 

Image result for miranda paul LITTLE LIBRARIES, BIG HEROES by Miranda Paul, illus by John Parra (Clarion Books, September 3, 2019). Picture Book. From an award-winning author and illustrator, the inspiring story of how the Little Free Library organization brings communities together through books, from founder Todd Bol’s first installation to the creation of more than 75,000 mini-libraries around the world.

 

Image result for maika moulite maritza mouliteDEAR HAITI, LOVE ALAINE by Maika Moulite and Maritza Moulite (Inkyard Press, September 3, 2019). Young Adult. You might ask the obvious question: What do I, a seventeen-year-old Haitian American from Miami with way too little life experience, have to say about anything? Actually, a lot.Thanks to “the incident” (don’t ask), I’m spending the next two months doing what my school is calling a “spring volunteer immersion project.” It’s definitely no vacation. I’m toiling away under the ever-watchful eyes of Tati Estelle at her new nonprofit. And my lean-in queen of a mother is even here to make sure I do things right. Or she might just be lying low to dodge the media sharks after a much more public incident of her own…and to hide a rather devastating secret.All things considered, there are some pretty nice perks…like flirting with Tati‘s distractingly cute intern, getting actual face time with my mom and experiencing Haiti for the first time. I’m even exploring my family’s history–which happens to be loaded with betrayals, superstitions and possibly even a family curse.You know, typical drama. But it’s nothing I can’t handle.

 

THIS TRAIN IS BEING HELD by Ismée Williams (Amulet Books, September 9, 2019). Young Adult. When private school student Isabelle Warren first meets Dominican-American Alex Rosario on the downtown 1 train, she remembers his green eyes and his gentlemanly behavior. He remembers her untroubled happiness, something he feels all rich kids must possess. That, and her long dancer legs. Over the course of multiple subway encounters spanning the next three years, Isabelle learns of Alex’s struggle with his father, who is hell-bent on Alex being a contender for the major leagues, despite Alex’s desire to go to college and become a poet. Alex learns about Isabelle’s unstable mother, a woman with a prejudice against Latino men. But fate—and the 1 train—throw them together when Isabelle needs Alex most.

 

MIRROR BOUND (The Witchling Academy #2) by Monica Sanz. (Entangled Teen, September 10, 2019).

 

 

 

 

 

PictureBECOMING BEATRIZ by Tami Charles (Charlesbridge Teen, September 17, 2019). Young Adult. Up until her fifteenth birthday, the most important thing in the world to Beatriz Mendez had been her dream of becoming a professional dancer and getting herself and her family far from the gang life that defined their days–that and meeting her dance idol Debbie Allen on the set of her favorite TV show, Fame. But after the latest battle in a constant turf war leaves her gang leader brother, Junito, dead and her mother grieving, Beatriz has a new set of priorities. How is she supposed to feel the rhythm when her gang needs running, when her mami can’t brush her own teeth, and when the last thing she can remember of her old self is dancing with her brother, followed by running and gunshots? When the class brainiac reminds Beatriz of her love of the dance floor, her banished dreams sneak back in. Now the only question is: will the gang let her go?

 

Valerie ValdesCHILLING EFFECT by Valerie Valdes (Harper Voyager, September 17, 2019).

 

 

 

 

Photo of Carlos AponteACROSS THE BAY by Carlos Aponte (Penguin, September 17, 2019). Picture Book. Author-illustrator Carlos Aponte takes readers on a journey to the heart of Puerto Rico in this enchanting picture book set in Old San Juan.

Carlitos lives in a happy home with his mother, his abuela, and Coco the cat. Life in his hometown is cozy as can be, but the call of the capital city pulls Carlitos across the bay in search of his father. Jolly piragüeros, mischievous cats, and costumed musicians color this tale of love, family, and the true meaning of home.

 

WARREN THE 13TH AND THE 13-YEAR CURSE by Tania del Rio, illus by Will Staehle (Quirk Books, October 15, 2019). Middle Grade. At the end of the second book in the Warren the 13th series, the Warren Hotel had transformed into a giant ship and set sail for the open seas! When Warren the 13th and the 13-Year Curse opens, Warren is adjusting to the demands of running a floating hotel and is planning his 13th birthday party when disaster strikes–the hotel is shipwrecked on a strange island. To make things worse, his octopus-like friend Sketchy is kidnapped by a traveling circus! Warren and his friends must solve a series of riddles to find the next location of the circus and rescue their friend before it’s too late. Along the way, they meet a delightful new cast of characters, including elderly pirates, a sea witch, a talking clam, and a giant sea monster. As Warren pursues Sketchy’s kidnappers, he will learn the truth of his friend’s mysterious origins–as well as one final secret of the Warren Hotel.

Kevin Noble  Maillard JuanaFRY BREAD: A Native American Family Tradition by Kevin Noble Maillard, illus. by Juana Martinez-Neal (Roaring Brook Press, October 22, 2019). Picture Book. Told in verse, the book explores the culture and history surrounding this Native staple, and how it brings together family and community through love and tradition.

 

 

The books below will be updated with release dates and covers during the year, so be sure to stop by and check this post often!

CLOCKWORK CURANDERA by David Bowles, illus by Raúl the Third. Published by Tu Books: A YA steampunk graphic novel reimagining of Frankenstein set in an alternate colonial Mexico.

 

 

 

 

Image result for jennifer cervantesTHE FIRE KEEPER by J. C. Cervantes. Published by Disney Hyperion Rick Riordan Presents: In this fiery, fast-paced sequel to THE STORM RUNNER, Zane Obispo has an impossible choice to make: save other godborns like him from the angry Maya gods, or rescue his godly father from his eternal prison.

 

 

 

 

Margarita Headshot DANCING HANDS: When Teresa Carreño Played the Piano for President Lincoln by Margarita Engle, illus by Rafael López. Published by Atheneum Books.

 

 

 

 

IMG_5888WHAT LANE? by Torrey Maldonado. Published by Nancy Paulsen Books.

 

 

 

 

It’s a new year, and the first follow Friday! First, I wanted to say HOLA to all my new followers 👋🏽, and introduce myself! I’m Isabel, and my debut Bolivia YA Fantasy hits shelves January 7th, 2020 (I literally had to write the year three times until I got the right one. Not 2018, or ‘19. 2020. Wow). WOVEN IN MOONLIGHT is heavily inspired by the current political climate in Bolivia, and features delish food, celestial magic, body doubles, sword and slingshot fights, a vigilante, and a lush landscape. It’s the book of my heart and I can’t wait to share this story with you all! Tune in her or on twitter for updates, news, and fun WIM inspired drawings. I’ll be hosting a giveaway early next week (🙌🏽🙌🏽), and should have some fun cover news soon! 🌜 Some writer accounts I love and think you should check out: @authoradalyngrace, @adrienneyoungbooks, @kristindwyer, @zoraidasolo, @ameliewenzhao, @brightlyanna, @sheaernshaw, @sheenaboekweg, @_ashleyhearn and @stdennard!! There’s so many more and if you jump on the #bookstagram hashtag, you’ll find a whole #bookish community here on #Instagram.WOVEN IN MOONLIGHT by Isabel Ibañez. Published by Page Street Books: A magically gifted weaver plays the role of double agent to restore her queen to a troubled throne, but upon confronting a masked vigilante and a warm-hearted princess, she discovers that corruption comes in all forms.

 

 

 

 

jtorresTHE FRESH NEW FACE OF GRISELDA by Jennifer Torres. Published by Little, Brown: A middle grade novel about Griselda’s struggles with the changes in her family after they lose their home, and her plan to fix their problems by selling makeup at school.

 

 

 

HEAVEN ISN’T ME by Darlene Campos Summer 2019 Vital Narrative Press

 

 

 

 

NoNi imageTHE TRUTH IS by Nonieqa Ramos: Overachiever Verdad is struggling to process her best friend’s death while meeting her mother’s high expectations. When she falls for a classmate—who happens to be trans—their romance forces her to confront her demons and figure out who she really is.

 

 

 

PictureFREEDOM SOUP by Tami Charles (Candlewick, Fall 2019). Picture Book. Join the celebration in the kitchen as a family makes their traditional  New Year’s soup–and shares the story of how Haitian Independence came to be.

 

 

 

 

 

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RAFI AND ROSI MUSIC! / RAFI Y ROSI MÚSICA! by Lulu Delacre (Lee & Low, March 2019). Rafi and Rosi, two curious tree frogs, explore the bomba, plena, and salsa music traditions of their home island, Puerto Rico.

 

 

 

renecolatolainezMY SHOES AND I: CROSSING THREE BORDERS / MIS ZAPATOS Y YO: CRUZADO TRES FRONTERAS by René Colato Laínez’s illustrated by Fabricio Vanden Broeck. Bilingual book telling the author’s story of his own immigration journey as a boy crossing three borders, from El Salvador through Mexico to the United States. (Arte Publico Press May 2019)